69249454-chandler-semiotics

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BIBLIOGRAPHY 289 1 2 3 4 5 6 7 8222 9 10 1 2 3 4 5 6 7 8 9 20 1222 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7222 Scanlon, Jennifer (ed.) (2000) The Gender and Consumer Culture Reader. New York: New York University Press. Schapiro, Meyer (1996) Words, Script and Pictures: Semiotics of Visual Language. New York: George Braziller. Schirato, Tony and Jen Webb (2004) Understanding the Visual. London: Sage. Scholes, Robert (1983) Semiotics and Interpretation. New Haven, CT: Yale University Press. Schroeder, Jonathan E. (2002) Visual Consumption. London: Routledge. Scollon, Ron and Suzie Wong Scollon (2003) Discourses in Place: Language in the Material World. London: Routledge. Scott, Clive (1999) The Spoken Image: Photography and Language. London: Reaktion. Scribner, Sylvia and Michael Cole (1981) The Psychology of Literacy. Cambridge, MA: Harvard University Press. Sebeok, Thomas A. (ed.) (1960) Style in Language. Cambridge, MA: MIT Press. –––– (1977) A Perfusion of Signs. Bloomington, IN: Indiana University Press. –––– (1994a) Signs: An Introduction to Semiotics. Toronto: University of Toronto Press. –––– (ed.) (1994b) Encyclopedic Dictionary of Semiotics (2nd edn), 3 vols. Berlin: Mouton de Gruyter. Seiter, Ellen (1992) ‘Semiotics, structuralism and television’, in Allen (ed.) (1992), pp. 31–66. Shannon, Claude E. and Warren Weaver (1949) A Mathematical Model of Communication. Urbana, IL: University of Illinois Press. Shapiro, Michael (1983) The Sense of Grammar: Language as Semeiotic. Bloomington, IN: Indiana University Press. –––– (ed.) (1993) The Peirce Seminar Papers: An Annual of Semiotic Analysis, vol. 1. Providence, RI: Berg. –––– (ed.) (2003) Essays in Semiotic Analysis (Peirce Seminar Papers). Oxford: Berghahn. Shepherd, John (1991) Music as Social Text. Cambridge: Polity Press. Silverman, Kaja (1983) The Subject of Semiotics. New York: Oxford University Press. Silverman, David and Brian Torode (1980) The Material Word: Some Theories of Language and its Limits. London: Routledge & Kegan Paul. Slater, Don (1983) ‘Marketing mass photography’, in Davis and Walton (eds) (1983), pp. 245–63. Smith, Frank (1988) Understanding Reading. Hillsdale, NJ: Erlbaum.
290 BIBLIOGRAPHY Sonesson, Göran (1989) Pictorial Concepts. Lund: Lund University Press. –––– (1998) ‘Icon’, ‘Iconicity’, ‘Index’, ‘Indexicality’ and ‘Peirce’, in Bouissac (ed.) (1998). Sontag, Susan (1979) On Photography. London: Penguin. Spence, Jo and Patricia Holland (eds) (1991) Family Snaps: The Meanings of Domestic Photography. London: Virago. Stam, Robert (1992) New Vocabularies in Film Semiotics: Structuralism, Poststructuralism and Beyond. London: Routledge. –––– (2000) Film Theory. Oxford: Blackwell. Steiner, Wendy (ed.) (1981a) Image and Code. Michigan: University of Michigan. –––– (ed.) (1981b) The Sign in Music and Literature. Austin, TX: University of Texas Press. Stephens, Mitchell (1998) The Rise of the Image, the Fall of the Word. New York: Oxford University Press. Stern, Barbara B. (ed.) (1998) Representing Consumers: Voices, Views and Visions. London: Routledge. Storey, John (ed.) (1996) What is Cultural Studies London: Arnold. Sturrock, John (1979) (ed.) Structuralism and Since: From Lévi-Strauss to Derrida. Oxford: Oxford University Press. –––– (1986) Structuralism. London: Paladin. Taft, Charles (1997) ‘Color Meaning and Context: Comparisons of Semantic Ratings of Colors on Samples and Objects’, Color Research and Application 22(1): 40–50. Tagg, John (1988) The Burden of Representation: Essays on Photographies and Histories. Basingstoke: Macmillan. Tamburri, Anthony Julian (2002) Italian/American Short Films and Music Videos: A Semiotic Reading. West Lafayette, IN: Purdue University Press. Tapper, Richard (1994) ‘Animality, Humanity, Morality, Society’, in Tim Ingold (ed.) What is an Animal London: Routledge, pp. 47–62. Tarasti, Eero (1979) Myth and Music: A Semiotic Approach to the Aesthetics of Myth in Music. Berlin: de Gruyter. –––– (1994) A Theory of Musical Semiotics. Bloomington: Indiana University Press. –––– (1995) Musical Signification: Essays in the Semiotic Theory and Analysis of Music. Berlin: Mouton de Gruyter. –––– (2002) Signs of Music: A Guide to Musical Semiotics. Berlin: Mouton de Gruyter. Thibault, Paul J. (1991) Social Semiotics as Praxis. Minneapolis, MN: University of Minnesota Press.
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viii CONTENTS Iconic mode 40 Indexi
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PREFACE xv 1 2 3 4 5 6 7 8222 9 10
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INTRODUCTION 3 1 2 3 4 5 6 7 8222 9
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INTRODUCTION 7 1 2 3 4 5 6 7 8222 9
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14 SEMIOTICS: THE BASICS THE SAUSSU
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44 SEMIOTICS: THE BASICS 1988, 1-3)
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ANALYSING STRUCTURES 85 1 2 3 4 5 6
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176 SEMIOTICS: THE BASICS FIGURE 6.
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PROSPECT AND RETROSPECT 213 1 2 3 4
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228 APPENDIX Brøndal, Viggo See Co
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230 APPENDIX Jakobson, Roman (1896-
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232 APPENDIX (1893-1971). Together
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234 APPENDIX Saussure, Lévi-Straus
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236 GOING FURTHER The main works of
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