01.02.2015 Views

69249454-chandler-semiotics

69249454-chandler-semiotics

69249454-chandler-semiotics

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

78<br />

SEMIOTICS: THE BASICS<br />

to accept ‘the evidence of our own eyes’ even when events are mediated<br />

by the cameras of journalists.<br />

Highly realistic representations in any medium always involve<br />

a point of view. Representations which claim to be real deny the<br />

unavoidable difference between map and territory. In the sense that<br />

there is always a difference between the represented and its representation,<br />

‘the camera always lies’. We do not need to adopt the<br />

‘scientific’ realism of the so-called general semanticists concerning<br />

the ‘distortion of reality’ by our signifying systems, but may acknowledge<br />

instead that reality does not exist independently of signs,<br />

turning our critical attention to the issue of whose realities are privileged<br />

in particular representations – a perspective which, avoiding<br />

a retreat to subjectivism, pays due tribute to the unequal distribution<br />

of power in the social world.<br />

EMPTY SIGNIFIERS<br />

While Saussurean semioticians (with language as their model) have<br />

emphasized the arbitrary relationship of the signifier to the signified,<br />

some subsequent theorists have stressed ‘the primacy of the signifier’<br />

– Jacques Lacan even praised Lewis Carroll’s Humpty Dumpty<br />

as ‘the master of the signifier’ for his declaration that ‘when I use<br />

a word, it means just what I choose it to mean – neither more nor<br />

less’. Many postmodernist theorists postulate a complete disconnection<br />

of the signifier and the signified. An ‘empty’ or ‘floating<br />

signifier’ is variously defined as a signifier with a vague, highly variable,<br />

unspecifiable or non-existent signified. Such signifiers mean<br />

different things to different people: they may stand for many or even<br />

any signifieds; they may mean whatever their interpreters want them<br />

to mean. In such a state of radical disconnection between signifier<br />

and signified, a sign only means that it means. Such a disconnection<br />

is perhaps clearest in literary and aesthetic texts which foreground<br />

the act and form of expression and undermine any sense of a natural<br />

or transparent connection between a signifier and a referent. However,<br />

Jonathan Culler suggests that to refer to an ‘empty signifier’ is an<br />

implicit acceptance of its status as a signifier and is thus ‘to correlate<br />

it with a signified’ even if this is not known; ‘the most radical

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!