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69249454-chandler-semiotics

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106<br />

SEMIOTICS: THE BASICS<br />

namely, fun–boredom (aligning boredom with evil as in the proverbial<br />

wisdom that ‘the devil makes work for idle hands’). This<br />

mythological revolution was acomplished in the simplest and yet<br />

most ‘theologically’ radical switch – no less than the moral inversion<br />

of good and evil. In addition to the need to position (or<br />

reposition) the product in relation to rival brands, part of the thinking<br />

was presumably that consumers no longer had the faith in science<br />

(or indeed God) which they were once assumed to have. Of course,<br />

whether this revolution in conceptual alignment generated by semiotically<br />

inspired marketing actually ‘caught the public imagination’<br />

would require empirical testing.<br />

THE SEMIOTIC SQUARE<br />

One analytical technique that seeks to map oppositions and their intersections<br />

in texts and cultural practices involves the application of what<br />

is known as ‘the semiotic square’. This was introduced by Algirdas<br />

Greimas as a means of analysing paired concepts more fully by mapping<br />

the logical conjunctions and disjunctions relating key semantic<br />

features in a text (Greimas 1987, xiv, 49). The semiotic square is<br />

adapted from the ‘logical square’ of scholastic philosophy and from<br />

Jakobson’s distinction between contradiction and contrariety. Fredric<br />

Jameson notes that ‘the entire mechanism . . . is capable of generating<br />

at least ten conceivable positions out of a rudimentary binary<br />

opposition’ (in Greimas 1987, xiv). While this suggests that the possibilities<br />

for signification in a semiotic system are richer than the<br />

either/or of binary logic, they are nevertheless subject to ‘semiotic<br />

constraints’ – ‘deep structures’ providing basic axes of signification.<br />

In Figure 3.4, the four corners (S1, S2, Not S1 and Not S2) represent<br />

positions within the system which may be occupied by concrete or<br />

abstract notions. The double-headed arrows represent bilateral relationships.<br />

The upper corners of the Greimasian square represent an<br />

opposition between S1 and S2 (e.g. white and black). The lower corners<br />

represent positions which are not accounted for in simple binary<br />

oppositions: Not S2 and Not S1 (e.g. non-white and non-black). Not<br />

S1 consists of more than simply S2 (e.g. that which is not white is<br />

not necessarily black). The horizontal relationships represent an

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