69249454-chandler-semiotics

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INDEX 301 1 2 3 4 5 6 7 8222 9 10 1 2 3 4 5 6 7 8 9 20 1222 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7222 mise-en-scène 86 modality 38, 63–8, 75, 77, 135, 150, 158, 177–8, 223–4, 254 modelling systems, primary and secondary 16, 254 models of communication see encoding and decoding model, transmission model models of the sign see Peircean model, Saussurean model modes of address 186, 189–94, 248, 250, 254 modes of relationship (between signifier and signified) 35–47, 63, 127, 131, 183, 212; see also iconic mode, indexical mode, symbolic mode Monaco, James 66, 172 montage 43, 86, 120 Morley, David 150, 194, 195–6, 217 Morris, Charles W. 4, 33, 196, 231, 233, 247–8, 259, 261 Morris, Pam 9, 200 Moscow school 214, 230–32, 234 motivation and constraint 26, 38, 47–8, 145, 166–7, 169, 254 Mukarovsky, Jan 233 multiaccentuality (Voloshinov) 188, 254 multimodality 223–4 Munday, Roderick xviii, 30 music xiv, 37, 45, 99, 110–11, 148, 150, 159–60, 164, 170, 184, 458, 201, 205, 223, 225, 238 myth 5, 79, 80, 102–3, 105–6, 117, 129, 143–5, 155, 163, 202, 205, 215–16, 227, 231, 249, 254–6, 264 narration or narrative voice 150, 158, 164, 166–7, 187, 190–2, 204 narrative 5, 57, 66, 77, 86, 114–21, 144, 159–60, 168–9, 171, 187, 190, 196, 202, 233, 262 narratology 114, 227, 229 narrowcast codes 135, 153, 170, 245, 255–6 NASA xviii, 175–6 natural signs 36–7, 138, 255 naturalism 165, 201 naturalization 11, 54, 68, 98, 102, 115, 126, 138, 145, 156, 169, 189, 214, 219, 231, 254–5; see also denaturalization negotiated code and reading (Hall) 150, 195, 255 Newcomb, Theodore M. 90 newspapers and magazines 110, 112, 150, 203–4, 209 Nichols, Bill 48, 77, 115, 150–52, 155, 165, 189–90, 193, 214 nomenclaturism 24, 60–3, 76 nominalism xv, 229 nominal realism (Piaget) 74, 76 non-neutrality of medium, sign or representation 27, 55, 68, 75, 81, 85, 96, 111, 123, 139, 149, 158, 160, 164, 189, 200, 204, 214, 252–3 nonverbal communication 2, 52, 149, 154–5, 156–7, 172, 177, 193, 238 Nöth, Winfried xviii, 4, 14, 211, 235 ‘nothing outside the text’ (Derrida) 80 object (referent) xiv, 16–23, 25, 28–34, 36–43, 47, 60–63, 67–8, 70–75, 77–8, 80, 115, 130, 156, 163, 180, 182–5, 214, 244, 246–8, 250, 255, 257–9, 261, 263–4 ‘objective idealism’ of Peirce xv
302 INDEX objectivity xv, 43, 52, 61, 63–5, 70, 72, 75, 80, 97, 99, 108, 114, 125, 129, 142, 144–5, 150, 152, 160, 163–4, 212, 218–19, 221 Ogden, Charles K. 73 Olson, David 75, 178 onomatopoeia 26 ontology 27–8, 53, 65, 99, 129, 197, 244, 249 open and closed signs and texts 49, 79, 138, 158, 255 oppositional code and reading (Hall) 150, 195–6, 255 oppositions, semantic see analogue oppositions, binary oppositions orders of signification 139–40, 143–4 organizational semiotics 239 Orwell, George 95 Osgood, Charles E. 142, 253 overcoding 170, 245, 256 Panofsky, Erwin 138 Paoletti, Jo B. xviii, 156 paradigm 83–91, 94–5, 98–9, 103, 116–17, 137, 141, 147, 165, 205, 231, 243–6, 252, 256, 258 Paris school 118, 229, 232, 234 Parkin, Frank 194 parole see langue Peircean model of the sign 29–35, 36–45, 59, 140, 182, 183, 207, 212, 228, 230, 231, 233, 259, 260 parsimony, ontological 149 Peirce, Charles Sanders xiv–vi, 2–4, 13–14, 29–45, 46, 49, 52, 59, 60, 61, 63, 66, 80, 131, 140, 162, 165, 181–3, 186, 207, 211–13, 220, 225, 228, 230–3, 235, 240, 244, 251, 255, 257–60, 263–4 perceptual codes 66, 113, 150–2, 155, 164, 177 performance, semiotics of see theatre, drama and performance Persil 105 Phaedrus (Plato) 208 phatic function of signs 184, 194, 250 phenomenological approaches 197, 223 phonocentrism 16, 53, 100, 110, 252, 254, 257 ‘photographic message’ (Barthes) 138, 162–4 photography 6, 37–8, 43–4, 55, 57, 66–7, 73, 77, 86, 88, 110, 114, 131, 133, 138, 141, 150, 161–4, 165, 172, 188, 192–3, 196, 203–4, 213, 223–4, 239, 248, 255, 263 Piaget, Jean 74, 164 pictorial semiotics see visual art pink and blue xviii, 156–7 Pioneer 10 xviii, 175–9 planes: of content and expression (Hjelmslev) 19, 56–7, 144, 228–9; of paradigm and syntagm (Jakobson) 84, 246, 258; of signifier (or sound) and signified (or thought) (Saussure) 18–19, 24–5, 56 Plato 23, 33, 36, 54, 208, 261 poetic or aesthetic function 150, 184–5, 250, 258 Pollio, Howard 127 polysemy 108, 138, 188 polyvocality 191 positioning of the subject 88, 115, 139, 155, 175, 186–91, 194–6, 198, 208, 232, 250–1, 254–5, 262 Postman, Leo J. 90 postmodernism 10, 50, 54, 78, 80–1, 135, 258, 261
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viii CONTENTS Iconic mode 40 Indexi
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PREFACE xv 1 2 3 4 5 6 7 8222 9 10
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INTRODUCTION 3 1 2 3 4 5 6 7 8222 9
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INTRODUCTION 5 1 2 3 4 5 6 7 8222 9
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INTRODUCTION 7 1 2 3 4 5 6 7 8222 9
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INTRODUCTION 11 1 2 3 4 5 6 7 8222
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14 SEMIOTICS: THE BASICS THE SAUSSU
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44 SEMIOTICS: THE BASICS 1988, 1-3)
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SIGNS AND THINGS 61 1 2 3 4 5 6 7 8
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ANALYSING STRUCTURES 85 1 2 3 4 5 6
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ANALYSING STRUCTURES 101 1 2 3 4 5
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CODES 149 1 2 3 4 5 6 7 8222 9 10 1
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176 SEMIOTICS: THE BASICS FIGURE 6.
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PROSPECT AND RETROSPECT 213 1 2 3 4
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228 APPENDIX Brøndal, Viggo See Co
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230 APPENDIX Jakobson, Roman (1896-
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232 APPENDIX (1893-1971). Together
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234 APPENDIX Saussure, Lévi-Straus
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236 GOING FURTHER The main works of
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238 GOING FURTHER LANGUAGE, WRITING
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240 GOING FURTHER Thibault 1997, Do
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GLOSSARY 245 1 2 3 4 5 6 7 8222 9 1
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GLOSSARY 249 1 2 3 4 5 6 7 8222 9 1
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