69249454-chandler-semiotics

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BIBLIOGRAPHY 267 1 2 3 4 5 6 7 8222 9 10 1 2 3 4 5 6 7 8 9 20 1222 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7222 –––– (1957/1987) Mythologies. New York: Hill & Wang. –––– (1961) ‘The photographic message’, in Barthes (1977a), pp. 15–31; also in Barthes (1991), pp. 3–20. –––– (1964) ‘The rhetoric of the image’, in Barthes (1977a), pp. 32–51; also in Barthes (1991), pp. 21–40. –––– (1967a) Elements of Semiology (trans. Annette Lavers and Colin Smith). London: Jonathan Cape. –––– (1967b/1985) The Fashion System (trans. Matthew Ward and Richard Howard). London: Jonathan Cape. –––– (1973/1974) S/Z. London: Jonathan Cape. –––– (1977a) Image–Music–Text. London: Fontana. –––– (1977b) Roland Barthes (trans. Richard Howard). Berkeley, CA: University of California Press. –––– (1982) Empire of Signs (trans. Richard Howard). New York: Hill & Wang. –––– (1983) A Barthes Reader (ed. Susan Sontag). New York: Hill & Wang. –––– (1991) The Responsibility of Forms: Critical Essays on Music, Art, and Representation (trans. Richard Howard). Berkeley, CA: University of California Press. –––– (1993) Camera Lucida (trans. Richard Howard). London: Vintage. –––– (2006) The Language of Fashion (trans. Andy Stafford). Oxford: Berg. Baudrillard, Jean (1984) ‘The precession of simulacra’, in Brian Wallis (ed.) (1984) Art After Modernism: Rethinking Representations, vol. 1. New York: Museum of Contemporary Art (reprinted from Art and Text 11 (September 1983): 3–47. –––– (1988) Selected Writings (ed. Mark Poster). Cambridge: Polity Press. –––– (1995) The Gulf War Did Not Take Place (trans. Paul Patton). Bloomington, IN: Indiana University Press. Bazin, André (1974) Jean Renoir. London: W. H. Allen. Beasley, Ron and Marcel Danesi (2002) Persuasive Signs: The Semiotics of Advertising. Berlin: Mouton de Gruyter. Beasley, Ron, Marcel Danesi and Paul Perron (2000) Signs for Sale: An Outline of Semiotic Analysis for Advertisers and Marketers. New York: Legas. Beattie, Geoffrey (2003) Visible Thought: The New Psychology of Body Language. London: Routledge. Belsey, Catherine (1980) Critical Practice. London: Methuen. Benjamin, Walter (1992) Illuminations (ed. Hannah Arendt, trans. Harry Zohn). London: Fontana. Benson, Robert W. (1989) Semiotics, Modernism and the Law. Berlin: Mouton.
268 BIBLIOGRAPHY Benthall, Jonathan and Ted Polhemus (1975) The Body as a Medium of Expression. Harmondsworth: Penguin. Benveniste, Émile (1969/1986) ‘The Semiology of Language’, in Innis (ed.) (1986), pp. 228–46. Berger, John (1968) ‘Understanding a Photograph’, in John Berger (1972) Selected Essays and Articles. Harmondsworth: Penguin, pp. 178–82. –––– (1972) Ways of Seeing. London: BBC/Penguin. Berger, Peter and Thomas Luckmann (1967) The Social Construction of Reality. New York: Anchor/Doubleday. Bernard, Michael, Melissa Mills, Michelle Peterson and Kelsey Storrer (2001) ‘A Comparison of Popular Online Fonts: Which is Best and When’ Usability News 3.2 http://psychology.wichita.edu/surl/usabilitynews/3S/font.htm Bernstein, Basil (1971) Class, Codes and Control, vol. 1. London: Routledge & Kegan Paul. Bertelsen, Lars Kiel, Rune Gade and Mette Sandbye (1999) Symbolic Imprints: Essays on Photography and Visual Culture. Aarhus: Aarhus University Press. Bertin, Jacques (1983) Semiology of Graphics (trans. William J. Berg). Madison, WI: University of Wisconsin Press. Bignell, Jonathan (1997) Media Semiotics: An Introduction. Manchester: Manchester University Press. Birdwhistell, Ray L. (1971) Kinesics and Context: Essays on Body–Motion Communication. London: Allen Lane. Block (ed.) (1996) The Block Reader in Visual Culture. London: Routledge. Bloomfield, Leonard (1939) Linguistic Aspects of Science. Chicago, IL: University of Chicago Press. Boardman, Mark (2004) The Language of Websites. London: Routledge. Bogdan, Catalina (2002) The Semiotics of Visual Languages. New York: Columbia University Press. Bolter, Jay David (1991) Writing Space: The Computer, Hypertext and the History of Writing. Hillsdale, NJ: Lawrence Erlbaum. Boorstin, Daniel J. (1961) The Image, or What Happened to the American Dream. London: Weidenfeld & Nicolson. Bordwell, David, Janet Staiger and Kristin Thompson (1988) The Classical Hollywood Cinema: Film Style and Mode of Production to 1960. London: Routledge. Bordwell, David and Kristin Thompson (1993) Film Art: An Introduction (4th edn). New York: McGraw-Hill. Bouissac, Paul (ed.) (1998) Encyclopedia of Semiotics. Oxford: Oxford University Press.
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viii CONTENTS Iconic mode 40 Indexi
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PREFACE xv 1 2 3 4 5 6 7 8222 9 10
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PROSPECT AND RETROSPECT 213 1 2 3 4
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