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69249454-chandler-semiotics

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CHALLENGING THE LITERAL 125<br />

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the street corner than in Shakespeare. Roland Barthes declared that<br />

‘no sooner is a form seen than it must resemble something: humanity<br />

seems doomed to analogy’ (Barthes 1977b, 44). The ubiquity of<br />

tropes in visual as well as verbal forms can be seen as reflecting our<br />

fundamentally relational understanding of reality. Reality is framed<br />

within systems of analogy. Figures of speech enable us to see one<br />

thing in terms of another. A trope such as metaphor can be regarded<br />

as a new sign formed from the signifier of one sign and the signified<br />

of another (Figure 4.1) (cf. Jakobson 1966, 417). The signifier<br />

thus stands for a different signified; the new signified replaces the<br />

usual one. As I will illustrate, the tropes differ in the nature of these<br />

substitutions.<br />

In seventeenth-century England, the scientists of the Royal<br />

Society sought ‘to separate knowledge of nature from the colours of<br />

rhetoric, the devices of the fancy, the delightful deceit of the fables’<br />

(Thomas Sprat, 1667: The History of the Royal Society of London<br />

for the Improving of Natural Knowledge). They saw the ‘trick of<br />

metaphors’ as distorting reality. An attempt to avoid figurative<br />

language became closely allied to the realist ideology of objectivism.<br />

Language and reality, thought and language, and form and content<br />

are regarded by realists as separate, or at least as separable. Realists<br />

favour the use of the ‘clearest’, most ‘transparent’ language for the<br />

accurate and truthful description of facts. However, language isn’t<br />

glass (as the metaphorical references to clarity and transparency<br />

suggest), and it is unavoidably implicated in the construction of the<br />

world as we know it. Banishing metaphor is an impossible task since<br />

it is central to language. Ironically, the writings of the seventeenthcentury<br />

critics of rhetoric – such as Sprat, Hobbes and Locke – are<br />

themselves richly metaphorical. Those drawn towards philosophical<br />

signified<br />

signifier<br />

FIGURE 4.1 Substitution in tropes<br />

signified<br />

signifier<br />

signified<br />

signifier

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