69249454-chandler-semiotics

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1 2 3 4 5 6 7 8222 9 10 1 2 3 4 5 6 7 8 9 20 1222 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7222 BIBLIOGRAPHY Aarseth, Espen J. (1997) Cybertext: Perspectives on Ergodic Literature. Baltimore, MD: Johns Hopkins University Press. Abrams, Meyer H. (1971) The Mirror and the Lamp: Romantic Theory and the Critical Tradition. London: Oxford University Press. Agawu, V. Kofi (1991) Playing with Signs: A Semiotic Interpretation of Classic Music. Princeton, NJ: Princeton University Press. Agrest, Diana and Mario Gandelsonas (1977) ‘Semiotics and the Limits of Architecture’, in Sebeok (ed.) (1977), pp. 90–120. Alcoff, Linda and Elizabeth Potter (eds) (1993) Feminist Epistemologies. London: Routledge. Alexander, Monty (1995) ‘Big Talk, Small Talk: BT’s Strategic Use of Semiotics in Planning its Current Advertising’ [WWW document] http://www.semioticsolutions.com/ref.aspxid=72. –––– (2000) ‘Codes and Contexts: Practical Semiotics for the Qualitative Researcher’ [WWW document] http://www.semioticsolutions. com/ref.aspxid=78. Allen, Graham (2000) Intertextuality. London: Routledge. Allen, Robert C. (ed.) (1992) Channels of Discourse, Reassembled. London: Routledge.
266 BIBLIOGRAPHY Allport, Gordon W. and Leo J. Postman (1945) ‘The basic psychology of rumour’, Transactions of the New York Academy of Sciences, Series II, 8: 61–81. Reprinted in Eleanor E. Maccoby, Theodore M. Newcomb and Eugene L. Hartley (eds) (1959) Readings in Social Psychology (3rd edn). London: Methuen, pp. 54–65. Alter, Jean (1990) A Sociosemiotic Theory of Theatre. Philadelphia, PA: University of Pennsylvania Press. Althusser, Louis (1971) Lenin and Philosophy (trans. Ben Brewster). London: New Left Books. Altman, Rick (1992) ‘The material heterogeneity of recorded sound’, in Rick Altman (ed.) (1992) Sound Theory, Sound Practice. New York: Routledge, pp. 15–31. –––– (1999) Film/Genre. London: BFI. Alvarado, Manuel, Edward Buscombe and Richard Collins (eds) (2001) Representation and Photography: A Screen Education Reader. Basingstoke: Palgrave. Andersen, Peter Bøgh (1997) A Theory of Computer Semiotics. Cambridge: Cambridge University Press. Andrews, Lew (1998) Story and Space in Renaissance Art: The Rebirth of Continuous Narrative. Cambridge: Cambridge University Press. Ang, Ien (1985) Watching ‘Dallas’: Soap Opera and the Melodramatic Imagination. London: Methuen. Argyle, Michael (1969) Social Interaction. London: Tavistock/Methuen. –––– (1983) The Psychology of Interpersonal Behaviour (4th edn). Harmondsworth: Penguin. –––– (1988) Bodily Communication (2nd edn). London: Methuen. Aristotle (2004) On Interpretation (trans. E. M. Edghill). Whitefish, MT: Kessinger. Ashwin, Clive (1989) ‘Drawing, design and semiotics’, in Victor Margolis (ed.) (1989) Design Discourse: History, Theory, Criticism. Chicago: University of Chicago Press, pp. 199–212. Aston, Elaine and George Savona (1991) Theatre as Sign-system: A Semiotics of Text and Performance. London: Routledge. Baggaley, Jon and Steve Duck (1976) Dynamics of Television. Farnborough: Saxon House. Bakhtin, Mikhail (1981) The Dialogic Imagination: Four Essays (trans. C. Emerson and M. Holquist). Austin, TX: University of Texas Press. Barnard, Malcolm (2005) Graphic Design as Communication. London: Routledge. Barthes, Roland (1953/1967) Writing Degree Zero (trans. Annette Lavers and Colin Smith). London: Jonathan Cape.
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viii CONTENTS Iconic mode 40 Indexi
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PREFACE xv 1 2 3 4 5 6 7 8222 9 10
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INTRODUCTION 3 1 2 3 4 5 6 7 8222 9
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INTRODUCTION 7 1 2 3 4 5 6 7 8222 9
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14 SEMIOTICS: THE BASICS THE SAUSSU
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PROSPECT AND RETROSPECT 213 1 2 3 4
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