01.02.2015 Views

69249454-chandler-semiotics

69249454-chandler-semiotics

69249454-chandler-semiotics

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

196<br />

SEMIOTICS: THE BASICS<br />

structure of access to different discourses is determined by social<br />

position’ (Morley 1983, 113; cf. Morley 1992, 89–90). Different<br />

interpretive communities have access to different textual and interpretive<br />

codes (which offer them the potential to understand and<br />

sometimes also to produce texts which employ them). Morley added<br />

that any individual or group might operate different decoding strategies<br />

in relation to different topics and different contexts. A person<br />

might make ‘oppositional’ readings of the same material in one<br />

context and ‘dominant’ readings in other contexts (Morley 1981, 9<br />

and 1992, 135). He noted that in interpreting viewers’ readings of<br />

mass media texts attention should be paid not only to the issue of<br />

agreement (acceptance/rejection) but to comprehension, relevance<br />

and enjoyment (Morley 1981, 10 and 1992, 126–7, 136). There is<br />

thus considerable scope for variety in the ways in which individuals<br />

engage with such codes.<br />

The interpretation of signs by their users can be seen from<br />

a semiotic perspective as having three levels, loosely related to<br />

C. W. Morris’s framework for branches of <strong>semiotics</strong> (Morris 1938/<br />

1970, 6–7).<br />

1. syntactic: recognition of the sign (in relation to other signs);<br />

2. semantic: comprehension of the intended meaning of the<br />

sign;<br />

3. pragmatic: interpretation of the sign in terms of relevance,<br />

agreement, etc.<br />

The most basic task of interpretation involves the identification of<br />

what a sign represents (denotation) and may require some degree of<br />

familiarity with the medium and the representational codes involved.<br />

This is particularly obvious in the case of language, but may also<br />

apply in the case of visual media such as photographs and films.<br />

Some would not grant this low-level process the label of ‘interpretation’<br />

at all, limiting this term to such processes as the extraction<br />

of a ‘moral’ from a narrative text. However, some theorists take the<br />

stance that comprehension and interpretation are inseparable (e.g.<br />

Mick and Politi 1989, 85).<br />

Semiotics has not been widely applied to the practice of decoding.<br />

While social <strong>semiotics</strong> stakes a claim to the study of situated

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!