69249454-chandler-semiotics

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BIBLIOGRAPHY 283 1 2 3 4 5 6 7 8222 9 10 1 2 3 4 5 6 7 8 9 20 1222 2 3 4 5 6 7 8 9 30 1 2 3 4 5 6 7222 Lukken, Gerard and Mark Searle (1993) Semiotics and Church Architecture: Applying the Semiotics of A.J. Greimas and the Paris School to the Analysis of Church Buildings. Kampen: Kok Pharos. Lyons, John (1977) Semantics, vol. 1. Cambridge: Cambridge University Press. MacCabe, Colin (1974) ‘Realism and the cinema’, Screen 15 (2), pp. 7–27. Macksey, Richard and Eugenia Donato (eds) (1972) The Structuralist Controversy: The Languages of Criticism and the Sciences of Man. Baltimore, MD: Johns Hopkins University Press. Malandro, Loretta A., Larry Barker and Deborah Ann Barker (1989) Nonverbal Communication (2nd edn). New York: McGraw-Hill. Malkiel, Yakov (1968) Essays on Linguistic Themes. Oxford: Blackwell. Manovich, Lev (2001) The Language of New Media. Cambridge, MA: MIT Press. Marion, Gilles (1994) ‘L’apparence des individus: Une lecture socio-sémiotique de la mode’, Protée 23(2): 113–19. Martin, Bronwen and Felizitas Ringham (2000) Dictionary of Semiotics. London: Cassell. Mayo, Clara and Nancy M. Henley (eds) (1981) Gender and Nonverbal Behavior. New York: Springer-Verlag. McCracken, Grant (1987) ‘Advertising: Meaning or Information’, in Melanie Wallendorf and Paul Anderson (eds) Advances in Consumer Research, vol. 14. Provo, UT: Association for Consumer Research, pp. 121–4. –––– (1990) Culture and Consumption: New Approaches to the Symbolic Character of Consumer Goods and Activities. Bloomington, IN: Indiana University Press. McFall, Liz (2004) Advertising: A Cultural Economy (Culture, Representation & Identity). London: Sage. McKim, Robert H. (1972) Experiences in Visual Thinking. Monterey, CA: Brooks/Cole. McKracken, Ellen (1993) Decoding Women’s Magazines: From ‘Mademoiselle’ to ‘Ms.’ New York: St Martin’s Press. McLuhan, Marshall (1962) The Gutenberg Galaxy. Toronto: University of Toronto Press. –––– (1970) Counterblast. London: Rapp & Whiting. McNeill, David (1995) Hand and Mind: What Gestures Reveal about Thought. Chicago: University of Chicago Press. McQuarrie, Edward F. and David Glen Mick (1992) ‘On resonance: a critical pluralistic inquiry into advertising rhetoric’, Journal of Consumer Research 19: 180–97.
284 BIBLIOGRAPHY Meggs, Philip B. (1992) Type and Image: The Language of Graphic Design. New York: Wiley. Melrose, Susan (1994) A Semiotics of the Dramatic Text. London: Palgrave Macmillan. Merrell, Floyd (1991) Signs Becoming Signs: Our Perfusive, Pervasive Universe. Bloomington, IN: Indiana University Press. –––– (1995a) Semiosis in the Postmodern Age. West Lafayette, IN: Purdue University Press. –––– (1995b) Peirce’s Semiotics Now. Toronto: Canadian Scholars’ Press. –––– (1997) Peirce, Signs, and Meaning. Toronto: University of Toronto Press. –––– (2001) ‘Charles Sanders Peirce’s concept of the sign’, in Cobley (ed.) (2001), pp. 28–39. Messaris, Paul (1982) ‘To what extent does one have to learn to interpret movies’ in Sari Thomas (ed.) (1982) Film/Culture. Metuchen, NJ: Scarecrow Press, pp. 168–83. –––– (1994) Visual ‘Literacy’: Image, Mind and Reality. Boulder, CO: Westview Press. –––– (1997) Visual Persuasion: The Role of Images in Advertising. London: Sage. Metz, Christian (1968/1974) Film Language: A Semiotics of the Cinema (trans. Michael Taylor). New York: Oxford University Press. –––– (1971/1974) Language and Cinema (trans. Jean Umiker-Sebeok). The Hague: Mouton. –––– (1981) ‘Methodological propositions for the analysis of film’, in Eaton (ed.) (1981), pp. 86–98. –––– (1977/1982) The Imaginary Signifier (trans. Celia Britton, Annwyl Williams, Ben Brewster and Alfred Guzzetti). Bloomington: Indiana University Press. Mick, David Glen and Claus Buhl (1992) ‘A meaning-based model of advertising experiences’, Journal of Consumer Research 19: 317–38. Mick, David Glen and Laura G. Politi (1989) ‘Consumers’ interpretations of advertising imagery: a visit to the hell of connotation’, in Elizabeth C. Hirschman (ed.) (1989) Interpretive Consumer Research. Provo, UT: Association for Consumer Research, pp. 85–96. Middleton, Richard (1990) Studying Popular Music. Buckingham: Open University Press. Miller, J. Hillis (1992) Illustration. London: Reaktion. Minai, Asghar Talaye (1985) Architecture As Environment Communication. Berlin: Mouton De Gruyter. Mitchell, W. J. T. (ed.) (1980) The Language of Images. Chicago: University of Chicago Press.
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viii CONTENTS Iconic mode 40 Indexi
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PREFACE xv 1 2 3 4 5 6 7 8222 9 10
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INTRODUCTION 3 1 2 3 4 5 6 7 8222 9
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INTRODUCTION 5 1 2 3 4 5 6 7 8222 9
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INTRODUCTION 7 1 2 3 4 5 6 7 8222 9
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INTRODUCTION 11 1 2 3 4 5 6 7 8222
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14 SEMIOTICS: THE BASICS THE SAUSSU
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40 SEMIOTICS: THE BASICS ICONIC MOD
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42 SEMIOTICS: THE BASICS represent
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44 SEMIOTICS: THE BASICS 1988, 1-3)
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46 SEMIOTICS: THE BASICS ‘fixing
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48 SEMIOTICS: THE BASICS (which sti
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50 SEMIOTICS: THE BASICS From a sem
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52 SEMIOTICS: THE BASICS material m
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54 SEMIOTICS: THE BASICS poststruct
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56 SEMIOTICS: THE BASICS forms of r
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SIGNS AND THINGS 61 1 2 3 4 5 6 7 8
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ANALYSING STRUCTURES 85 1 2 3 4 5 6
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ANALYSING STRUCTURES 101 1 2 3 4 5
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124 SEMIOTICS: THE BASICS 32). To s
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144 SEMIOTICS: THE BASICS of innoce
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CODES 149 1 2 3 4 5 6 7 8222 9 10 1
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176 SEMIOTICS: THE BASICS FIGURE 6.
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182 SEMIOTICS: THE BASICS to him. I
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188 SEMIOTICS: THE BASICS translate
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196 SEMIOTICS: THE BASICS structure
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206 SEMIOTICS: THE BASICS Lévi-Str
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PROSPECT AND RETROSPECT 213 1 2 3 4
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228 APPENDIX Brøndal, Viggo See Co
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230 APPENDIX Jakobson, Roman (1896-
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