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The numismatic chronicle and journal of the Royal ... - IndianCoins.org

The numismatic chronicle and journal of the Royal ... - IndianCoins.org

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176 S. W. GROSE.Many attempts have been made to explain <strong>the</strong>various letters <strong>and</strong> abbreviated names which appearupon so many <strong>of</strong> <strong>the</strong> coins <strong>of</strong> <strong>the</strong> Sicilian <strong>and</strong> SouthItalian towns. <strong>The</strong> most cautious <strong>and</strong> conservativeview is that <strong>the</strong>y st<strong>and</strong> for <strong>the</strong> names <strong>of</strong> magistrates.O<strong>the</strong>rs, more bold, contend that we have to do with<strong>the</strong> abbreviated signatures <strong>of</strong> artists, who sign sometimesas proud witnesses <strong>of</strong> conscious artistic merit,sometimes as responsible mint <strong>of</strong>ficials. This <strong>the</strong>oryis based on <strong>the</strong> certain fact that artists' signaturesdo occur, notably at Syracuse. In some cases <strong>the</strong>sesignatures are in microscopically small letters ;ono<strong>the</strong>r coins only <strong>the</strong> first two or three letters <strong>of</strong> <strong>the</strong>name are given, <strong>the</strong> letters <strong>the</strong>n being <strong>of</strong> larger size,as large, in fact, as those <strong>of</strong> <strong>the</strong> ethnic. <strong>The</strong> artistKimon will sometimes sign in full in small letters <strong>and</strong>add a large initial K elsewhere on <strong>the</strong> same coin. <strong>The</strong>main facts concerning signatures at Syracuse are toowell known to need even brief mention here. Freshground was broken by Mr. E,. S. Poole in his article" "A<strong>the</strong>nian Coin Engravers in Italy (Num. Chron.,1883, pp. 269 seqq.).He maintained that placed inan inconspicuous position on some early coins <strong>of</strong>Thurium <strong>and</strong> Terina was an artist's signature. O<strong>the</strong>rshave identified this ^ with <strong>the</strong> artist who signs PYon later Thurian coins, <strong>and</strong> so rendered <strong>the</strong> fur<strong>the</strong>rto <strong>the</strong> known artist 0PYFIAAOZ not hard tosteptake (P. Gardner, Types <strong>of</strong> Greek Coins, p. 121 ;Eegling, Terina, Winckelmannsprogramm, 1906, p. 44).This isthought to have worked at Thurium <strong>and</strong>Terina between c. 430-420 B.C. (Evans, Num. Chron.,1912, p. 38).A little later an artist who signs Pappears at Terina (ibid., p. 38). Here we may note

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