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The numismatic chronicle and journal of the Royal ... - IndianCoins.org

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74: E. A. SYDENHAM.After <strong>the</strong> year 2 B.C.<strong>the</strong> copper asses [Class I] weresupplemented by coins <strong>of</strong> brass [Classes II, III, IV] <strong>of</strong><strong>the</strong> following denominations: (1) sestertius (421 grains),(2) dupondius (210-5 grains), <strong>and</strong> (3) semis (about 70grains). <strong>The</strong>re can be little question that <strong>the</strong> last men-It is <strong>the</strong>refore <strong>the</strong>tioned is rightly designated a semis.earliest example <strong>of</strong> this denomination under <strong>the</strong> Empire ;<strong>and</strong> <strong>the</strong> fact <strong>of</strong> its having been introduced at Lugdunumra<strong>the</strong>r than at Rome is not without interest.<strong>The</strong> fact that S-C does not occur on any <strong>of</strong> <strong>the</strong> Altar<strong>of</strong> Lugdunum series clearly indicates that <strong>the</strong> coinsare not senatorial ;<strong>and</strong> we are thus led naturally tomake some inquiry as to <strong>the</strong> exact status <strong>of</strong> <strong>the</strong> mintfrom which <strong>the</strong>y were issued.<strong>The</strong> asses <strong>of</strong> Class I are quite distinct in style from<strong>the</strong> brass <strong>and</strong> copper <strong>of</strong> Classes II, III, IV, <strong>and</strong> V, <strong>and</strong>at <strong>the</strong> same time exhibit no very close resemblance to<strong>the</strong> gold <strong>and</strong> silver (10-7 B.C.) with which <strong>the</strong>y areactually contemporaneous. Sig. Laffranchi assigns<strong>the</strong>se asses, as well as <strong>the</strong> aurei <strong>and</strong> denarii <strong>of</strong> <strong>the</strong><strong>of</strong> illustra-period, to <strong>the</strong> imperial mint, <strong>and</strong> by waytion places side by side examples <strong>of</strong> both.18 Although<strong>the</strong>re is admittedly some similarity, it is never<strong>the</strong>lessimpossible, after a critical examination <strong>of</strong> <strong>the</strong>se coins,to allow that <strong>the</strong>re is identity <strong>of</strong> style. <strong>The</strong> workmanship<strong>of</strong> <strong>the</strong> asses is generally poor, <strong>the</strong> style flat,<strong>the</strong> outline <strong>of</strong> <strong>the</strong> pr<strong>of</strong>ile harsh, <strong>and</strong> <strong>the</strong> face is almostdevoid <strong>of</strong> modelling. <strong>The</strong> lettering isvery irregular<strong>and</strong> <strong>the</strong> obverse legends frequently are not circular.been silvered, apparently in ancient times. We may conjecturethat <strong>the</strong>se were possibly treated as souvenirs <strong>of</strong> <strong>the</strong> occasion <strong>of</strong> <strong>the</strong>dedication.18 Riv. it., 1913, Tav. II, 19, 20, 21, <strong>and</strong> 23, 24, 25.

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