The art and architecture of India - Buddhist, Hindu, Jain (Art Ebook)

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This edition is based on the first integratededition issued in 1970, with revisions and acompletely updated bibliography contributedby Dr J. C. Harle.The drawings were made by P. J. Darvalland the maps by Sheila Waters.
1CONTENTSNote on the Integrated Edition 6Chronological Table 9Pronunciation Guide 10Glossary 1Maps 16-19Part One :The Prehistoric and Epic Periods in Art and Religion1. Introduction 212. The Proto-Historic Period: The Indus Valley Civilization 31S$. The Epic Period: Vedic and Pre-Maurya Civilizations 43(4. The Epic Period : The Religions of India 49Part Two :The Early Classic Periods1 15- The First Indian Empire: :The Maui Maurya Period 59The Sunga Period (185-72 B.C.) 77< h. The Early Andhra Period (72-25 B.C.) 95~P (8. The Rock-cut Sanctuaries of Early Buddhism 113Part Three : Romano-Indian Art in North- West India and Central Asia9. Art under the KushansI. Gandhara: Greco-Roman Form and Indian Iconography 12110. Art under the KushansII. Mathura: The Indian Phase 14911. Afghanistan : The Road to Central Asia 16512. Buddhist Art in Turkestan 18513. The Art of Kashmir 199
Page 1: The Pelican History of Art!The Art
Page 5: THE PELICAN HISTOR Y OF ARTJoint Ed
Page 8 and 9: Penguin Books Ltd, Harmondsworth, M
Page 12 and 13: CONTENTSPart Four :The Golden Age a
Page 14 and 15: 10PRONUNCIATION OF INDIAN WORDSSans
Page 16 and 17: 12 ' GLOSSARYin number, from the pa
Page 18: '4 GLOSSARYSathsdra. The unending c
Page 21 and 22: R1 'BflctnaUKashgar#Ki^ ShorchuoTu^
Page 23: THE ART AXD ARCHITECTURE OT IXDIA
Page 26 and 27: 22 PREHISTORIC AND EPIC PERIODS•S
Page 28 and 29: *4 PREHISTORIC AND EPIC PERIODScont
Page 30 and 31: 26 PREHISTORIC AND EPIC PERIODS•c
Page 32 and 33: 28 PREHISTORIC AND EPIC PERIODS•'
Page 35 and 36: CHAPTER 2i'<\\3THE PROTO-HISTORIC P
Page 37 and 38: 33i. Mohenjo-daroSumer and Babylon.
Page 39 and 40: THE INDUS VALLEY CIVILIZATION 35The
Page 41 and 42: THE INDUS VALLEY CIVILIZATION 37pla
Page 43 and 44: THE INDUS VALLEY CIVILIZATION 39The
Page 45 and 46: THE INDUS VALLEY CIVILIZATIONmariti
Page 47 and 48: .CHAPTER 3v^>THE EPIC PERIOD:VEDIC
Page 49 and 50: VEDIC AND PRE-MAURYA CIVILIZATIONS
Page 51: VEDIC AND PRE-MAURYA CIVILIZATIONS
Page 54 and 55: PREHISTORIC50•AND EPIC PERIODSby
Page 56 and 57: 52 PREHISTORIC AND EPIC PERIODS•i
Page 58 and 59: PREHISTORIC54"AND EPIC PERIODS- the
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;56 PREHISTORIC AND EPIC PERIODS•
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58 PREHISTORIC AND EPIC PERIODSof a
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60 THE EARLY CLASSIC PERIODS•yaks
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1 6. Pataliputra, Maurya Palace17.
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*4 THE EARLY CLASSIC PERIODSrooms o
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%»';**$;?»'imtie 4. V ?*«]£***
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20. Lion capital from Sarnath. *>>S
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THE EARLY CLASSIC PERIODSwestern fr
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72 THE EARLY CLASSIC PERIODS•devi
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25. Yaksha from Patna.Calcutta, Ind
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CHAPTER 6i ^c\ \»THE SUNGA PERIOD
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THE SUNGA PERIOD 79mortal body of t
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*29. Yakshi (Chulakoka Devata) from
Page 87 and 88:
THE SUNGA PERIOD 83more than the su
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THE SUNGA PERIOD 8532. Sanchi, Stup
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THE88•EARLY CLASSIC PERIODSSanchi
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goTHE EARLY CLASSIC PERIODSevery at
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92 THE EARLY CLASSIC PERIODSsculpto
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CHAPTER 7 & 6<\\\*\THE EARLY ANDHRA
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THE EARLY ANDHRA PERIOD 97represent
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. . (these) . . . imagesTHE EARLY A
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THE EARLY ANDHRA PERIODIOI46. Sanch
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47- Sanchi, east gate^The Conversio
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THE EARLY ANDHRA PERIOD 05)A »' I
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:io 7ment in nature, hostile or fri
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** 3^*^i*M H56. Ivory plaquefrom Be
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CHAPTER 81116^THE ROCK-CUT SANCTUAR
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EARLY BUDDHIST ROCK-CUT SANCTUARIES
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62. Karli, chaitya-hall,
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:EARLY BUDDHIST ROCK-CUT SANCTUARIE
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ROMANO-INDIAN122•ARThad forced Al
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.124 ROMANO-INDIAN ARTAlthough coin
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ROMANO-INDIAN;126•ARTmerlon crene
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ROMANO-INDIAN.128 •ARTbe dated in
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130 ROMANO-INDIAN ART•Japan. 16 I
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ROMANO-INDIAN132•ARTsame as had b
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ROMANO-INDIAN134'ARTfigures emergin
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136 ROMANO-INDIAN ART•archaeology
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138 ROMANO-INDIAN ART•one time su
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8i. AH Masjid stupa, Khyber Pass
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ROMANO-INDIAN142•ARTfrom the mini
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144 ROMANO-INDIAN ART'None of these
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146 ROMANO-INDIAN ART•89. Gold am
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148 ROMANO-INDIAN ART•94. Pancika
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ROMANO-INDIANIsO •ART95. Wima Kad
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ART UNDER THE KUSHANS: MATHURA 153t
Page 159 and 160:
%(\\A
Page 161 and 162:
ART UNDER THE KISHANS: MATHIRAgjffl
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ART UNDER THE KUSHANS: MATHURA 59re
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successors, was uncovered a great t
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ART UNDER THE KUSHANS: MATHURA 63En
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;CHAPTER I I(,joltf jfAFGHANISTAN:
Page 171 and 172:
i io. Wntinous' from Hadda. (uParis
Page 173 and 174:
1 12. Head of Devata from near Pesh
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AFGHANISTANIT'War. The monasteries
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AFGHANISTAN 173*$ w116. Bamivan, la
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1 19. Bamiyan, painting of sun godo
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AFGHANISTAN 177the entire scheme wa
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AFGHANISTAN [79Bamiyan is like the
Page 185 and 186:
124- Bodhisattva from Fondukistan.K
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CHAPTER 12BUDDHIST ART IN TURKESTAN
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BUDDHIST ART IN TURKESTAN [87of thi
Page 193 and 194:
i8 9129. Buddhist relief from Tumsh
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BUDDHIST ART IN TURKESTAN I9 ]sanct
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133- Two divinities from Kizil.Berl
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134 Buddha from Bezeklik.Berlin, Mu
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BUDDHIST ART IN TURKESTAN 197The ru
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CHAPTER 13THE ART OF KASHMIRsW?The
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Iiiisiiiiiiiiil m m1riitiiiiiiiiUni
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.THE ART OF KASHMIR 203On each of t
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THE ART OF KASHMIRHadda. The heads
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;208 THE GOLDEN AGE AND END OF BUDD
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THE210•GOLDEN AGE AND END OF BUDD
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212 THE GOLDEN AGE AND END OF BUDDH
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THE214'GOLDEN AGE AND END OF BUDDHI
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THE2l6•GOLDEN AGE AND END OF BUDD
Page 222 and 223:
2l8THE GOLDEN AGE AND END OF BUDDHI
Page 224 and 225:
THE220•GOLDEN AGE AND END OF BUDD
Page 226 and 227:
Page 228 and 229:
THE224"GOLDEN AGE AND END OF BUDDHI
Page 230 and 231:
163. Deogarh, Vishnu temple, doorwa
Page 232 and 233:
Page 234 and 235:
Page 236 and 237:
Page 238 and 239:
234172. Buddha preaching the First
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174- Scenes from the Life of Buddha
Page 242 and 243:
Page 244 and 245:
Page 246 and 247:
Page 248 and 249:
Page 250 and 251:
Page 252 and 253:
Page 254 and 255:
Page 256 and 257:
Page 258 and 259:
Page 260 and 261:
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m**ii*\**i*mmnit,m*i*n*******h*m**m
Page 265 and 266:
26lthe fifth and sixth centuries; i
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INDIA, NEPAL, AND TIBET 263vincial
Page 269 and 270:
INDIA, NEPAL, AND TIBET 265in the i
Page 271 and 272:
INDIA, NEPAL, AND TIBET 267203. Tar
Page 273 and 274:
269206. Banner of Avalokitesvara fr
Page 275:
INDIA, NEPAL, AND TIBET 271royalty.
Page 278 and 279:
THE274'HINDU RENAISSANCEof types of
Page 280 and 281:
THE276•HINDU RENAISSANCEsources m
Page 282 and 283:
2 7 8 THE HINDU RENAISSANCEin each
Page 284 and 285:
280 THE HINDU RENAISSANCE•convex
Page 286 and 287:
:282 THE HINDU RENAISSANCE•masonr
Page 288 and 289:
219. Konaraka, Surya temple,detail
Page 290 and 291:
22i. Konaraka, Surya temple, Surya
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222. Khajuraho, Kandariya Mahadeo t
Page 294 and 295:
;290 THE HINDU RENAISSANCE•toweri
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292 THE HINDU RENAISSANCE•or kala
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294^anaoooo^rz^rczcr^Ssoo^^gy:226.
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. . but296 THE HINDU RENAISSANCE•
Page 302 and 303:
298 THE HINDU RENAISSANCE•-A231.
Page 304 and 305:
300 THE HINDU RENAISSANCEhas been r
Page 306:
;302/Here is an art inspired by the
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THE PERIOD OF THE HINDU DYNASTIES 3
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Page 313 and 314:
o 5 10241. Ellura, Kailasanath temp
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243- Ellura, Kailasanath temple,Rav
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Page 319 and 320:
247- Tanjore, Rajrajesvara temple
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Page 323 and 324:
THE PERIOD OF THE HINDU DYNASTIESIG
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251. -Madura, Great TempleThese imm
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Page 329 and 330:
Page 331 and 332:
CHAPTERISOUTH INDIAN BRONZESThe ear
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faSOUTH INDIAN BRONZES 329257. Bron
Page 335 and 336:
260. Bronze Nataraja from Polonnaru
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SOUTH INDIAN BRONZES 333in Hindu sa
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3UUIM lfNUlAIN BKUINitSSSbNot a sin
Page 341:
269. Andhra textile from the Kalaha
Page 345 and 346:
CHAPTER 19PAINTING OF THE PERIOD OF
Page 347 and 348:
WALL-PAINTINGS AND MINIATURES 343Ma
Page 349 and 350:
WALL-PAINTINGS AND MINIATURES 345Th
Page 351 and 352:
279- Krishna and his Beloved in the
Page 354 and 355:
35© THE HINDU RENAISSANCE•Certai
Page 356 and 357:
THE352•HINDU RENAISSANCE_e^r AA\^
Page 358 and 359:
354 THE HINDU RENAISSANCE'Krishna.
Page 360 and 361:
I286. The Night of Storm from Garwh
Page 363 and 364:
PART SIXINDIAN ART IN CEYLON AND SO
Page 365 and 366:
361288. Anuradhapura, Thuparama dag
Page 367 and 368:
CEYLON 363>originally covered with
Page 369 and 370:
zqz. Bronze Buddha from Dong DiHano
Page 371 and 372:
294- Anuradhapura, seated BuddhaI *
Page 373 and 374:
CEYLON 369cords in front of an actu
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CEYLON•371by a sort of urna on th
Page 377 and 378:
CEYLON•373301. Polonnaruwa, Parak
Page 379 and 380:
CEYLON•375in spite of its great s
Page 381 and 382:
\ob. Polonnaruwa, Wata-da-ge*>*
Page 383 and 384:
CEYLON •379The exterior of this l
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J8i311. Bronze Sundaramurtiswami fr
Page 387:
CEYLON •383Singhalese ivories, ev
Page 390 and 391:
386 CEYLON AND SOUTH-EAST ASIA•an
Page 392 and 393:
388 CEYLON AND SOUTH-EAST ASIA•sc
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390320. Harihara from Prasat Andet.
Page 396 and 397:
CEYLON392•AND SOUTH-EAST ASIAwarf
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323. Angkor, Yasodharapura and Angk
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CEYLON396'AND SOUTH-EAST ASIAThis e
Page 402 and 403:
329. Angkor Wat
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33i- Angkor Wat
Page 406 and 407:
402 CEYLON AND SOUTH-EAST ASIA•em
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404 CEYLON AND SOUTH-EAST ASIAWhen
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CEYLON406•AND SOUTH-EAST ASIAarch
Page 412 and 413:
408 CEYLON AND SOUTH-EAST ASIA•re
Page 414 and 415:
410 CEYLON AND SOUTH-EAST ASIAof th
Page 416 and 417:
412 CEYLON AND SOUTH-EAST ASIA•pa
Page 418 and 419:
. *346. Angkor Thorn, Neak Pean" 'Z
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-CEYLON14l6 •AND SOUTH-EAST ASIAt
Page 422 and 423:
4l8 CEYLON AND SOUTH-EAST ASIA•th
Page 424 and 425:
420 CEYLON AND SOUTH-EAST ASIAdebac
Page 427 and 428:
CHAPTER 22ART AND ARCHITECTURE IN S
Page 429 and 430:
•SIAM 425more often than not too
Page 431 and 432:
•SIAM 427One of the great masterp
Page 433 and 434:
361. Head of Buddha from SiamBoston
Page 435 and 436:
SI AM •43:and later a Burmese sty
Page 437 and 438:
SIAM 433Lamp'un, erected by the Mon
Page 439 and 440:
435elaborately carved barge-boards
Page 441:
37i- Pottery amphora from Lopburi.B
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544© CEYLON AND SOUTH-EAST ASIAthe
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442 CEYLON AND SOUTH-EAST ASIA•te
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CEYLON444*AND SOUTH-EAST ASIAMuseum
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446 CEYLON AND SOUTH-EAST ASIAmask-
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CEYLONthe448•AND SOUTH-EAST ASIAK
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450 CEYLON AND SOUTH-EAST ASIAof gr
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CEYLON452•AND SOUTH-EAST ASIA385.
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CEYLON454'AND SOUTH-EAST ASIAto the
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456 CEYLON AND SOUTH-EAST ASIAin th
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CEYLON458•AND SOUTH-EAST ASIAfrom
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CEYLON:.460•AND SOUTH-EAST ASIAha
Page 466 and 467:
CEYLON462•AND SOUTH-EAST ASIAKhme
Page 468 and 469:
CEYLON464•AND SOUTH-EAST ASIAof t
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CEYLON:466•AND SOUTH-EAST ASIAnot
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NOTESBold numbers indicate page ref
Page 475 and 476:
47isentient beings'. (See Ramaprasa
Page 477 and 478:
473capital" so often found in moder
Page 479 and 480:
47513. It has been suggested that t
Page 481 and 482:
477172. 1 6. We have already seen h
Page 483 and 484:
479237- 6. In the life of Hsiian-ts
Page 485 and 486:
4 8isculptor, there exists an image
Page 487 and 488:
4«3Singhalese scholars the moon st
Page 489 and 490:
4»543i- 3- H. G. Quaritch Wales, T
Page 491 and 492:
The4 8 7Frederic, L. L'Inde, Ses Te
Page 493 and 494:
4 8 9barthouxj. Les Fouilles de Had
Page 495 and 496:
49iGROSLIER, B. P. Angkor: Hommes e
Page 497 and 498:
493LIST OF ILLUSTRATIONSThe locatio
Page 499 and 500:
;I:):)- s89. Gold amulet boxes from
Page 501 and 502:
):-. e_- r.- -. _:- -\ rr :):&-"xrn
Page 503 and 504:
499298. Anuradhapura, Isurumuniya V
Page 505 and 506:
:INDEXNames and other matters in th
Page 507 and 508:
503Buddha, 53 ff., 77-9, 88-9, 47i(
Page 509 and 510:
505Guru, 52Gwalior, 227, 239, 240,
Page 511 and 512:
507London, India Office Library, 34
Page 513 and 514:
1509Peshawar, Archaeological Museum
Page 515 and 516:
5iiSudhana, 455Sukhodaya, 436Suk'ot
Page 520:
-The Pelican History of ArtISBN 14
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