- Page 1: The Pelican History of Art!The Art
- Page 5: THE PELICAN HISTOR Y OF ARTJoint Ed
- Page 8 and 9: Penguin Books Ltd, Harmondsworth, M
- Page 10 and 11: This edition is based on the first
- Page 12 and 13: CONTENTSPart Four :The Golden Age a
- Page 14 and 15: 10PRONUNCIATION OF INDIAN WORDSSans
- Page 16 and 17: 12 ' GLOSSARYin number, from the pa
- Page 20 and 21: Miles200 1000
- Page 22 and 23: I JvJ <T> 1 A N'^Plateau t'^i f «
- Page 25 and 26: PART ONETHE PREHISTORIC AND EPIC PE
- Page 27 and 28: INTRODUCTION 23times the only creat
- Page 29 and 30: :INTRODUCTION 25of India is negativ
- Page 31 and 32: NTRODUCTION 27success of the artist
- Page 33: NTRODUCTION 29original capacity to
- Page 36 and 37: 32 PREHISTORIC AND EPIC PERIODSAllo
- Page 38 and 39: 34 PREHISTORIC AND EPIC PERIODS"did
- Page 40 and 41: 4. Limestone statuette of a dancer
- Page 42 and 43: 38 PREHISTORIC AND EPIC PERIODS•6
- Page 44 and 45: PREHISTORIC. . perpetuating40•AND
- Page 46 and 47: 42 PREHISTORIC AND EPIC PERIODS•T
- Page 48 and 49: PREHISTORIC44*AND EPIC PERIODSalrea
- Page 50 and 51: PREHISTORIC46•AND EPIC PERIODScav
- Page 53 and 54: CHAPTER 4^bTHE EPIC PERIOD: THE REL
- Page 55 and 56: THE RELIGIONS OF INDIA . 51for late
- Page 57 and 58: :THE RELIGIONS OF INDIA 53ment of s
- Page 59 and 60: THE RELIGIONS OF INDIAnature-spirit
- Page 61 and 62: THE RELIGIONS OF INDIA 57appears on
- Page 63 and 64: PART TWOTHE EARLY CLASSIC PERIODSCH
- Page 65 and 66: 15- Sanchi, east gate,The Returnto
- Page 67 and 68: 63In addition to a ground plan of t
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THE MAURYA PERIOD 65sculpture in st
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;6719. Lauriya Nandangarh, lion col
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THE MAL'RYA PERIOD 6l)heraldic anim
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7idominion of the Buddha's Law. Thi
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THE MAURYA PERIOD 73Saisunaga Dynas
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THE MAURYA PERIOD 75art of the Kush
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27. Sanchi, Great Stupa^$k &>• (
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So28. Railing and gateway from Bhar
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82 THE EARLY CLASSIC PERIODS•feet
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84 THE EARLY CLASSIC PERIODS•stor
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ShTHE EARLY CLASSIC PERIODSdagger c
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:THE SUNGA PERIOD 8936. Bhaja, viha
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THE SUNGA PERIOD 91discharge their
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40. Relief with a royal couple from
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4 &**- (lV ii*'r42. ^Sanchi, Great
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m Esfg^^r\^v'v-' .^JHP 4^. lV If' Z
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100 THE EARLY CLASSIC PERIODSAs has
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[02 THE EARLY CLASSIC PERIODSand sp
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o 4THE EARLY CLASSIC PERIODSseen em
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!06 • THEEARLY CLASSIC PERIODSto
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I08 THE EARLY CLASSIC PERIODS•53.
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THE EARLY ANDHRA PERIODIIIwhat has
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THE114'EARLY CLASSIC PERIODSWe may
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Il6 THE EARLY CLASSIC PERIODS•a c
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63. Karli, chaitya-hall, interior I
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PART THREEROMANO-INDIAN ARTIN NORTH
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65. Bactrian, Saka, and Kushan coin
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ART UNDER THE KUSHANS: GANDHARA 125
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: Hmmrhnmrmtr"?r:ART UNDER THE KUSH
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68. Buddha of the Great Miracle fro
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70. Standing Bodhisattva.Boston, Mu
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ART UNDER THE KESHAN'S: GANDHARA 13
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ART UNDER THE KUSHANS: GANDHARA •
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ART UNDER THE KUSHANS: GANDHARA 137
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79 and 80. Takht-i-Bahifmonastery
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ART UNDER THE KLSHANS: GANDHARA 141
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83. Corinthian capital from Jamalga
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ART UNDER THE KUSHANS: GANDHARA 145
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147gi. Ear pendant from Taxila.Taxi
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LCHAPTER 10ART UNDER THE KUSHANS*<
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97- Bodhisattva dedicated by Friar
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154 ROMANO-INDIAN ART'spiritual per
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156 ROMANO-INDIAN ART•Nothing cou
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58 ROMANO-INDIAN ART•already note
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l6o ROMANO-INDIAN ART•same time i
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1 62 ROMANO-INDIAN ARTsculpture at
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:164 ROMANO-INDIAN ARTtemple, with
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l66 ROMANO-INDIAN ART•summer capi
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ROMANO-INDIAN.:l68 •ARTon individ
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170 ROMANO-INDIAN ARTRoman provinci
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ROMANO-INDIAN172•ARTmethod of con
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174 ROMANO-INDIAN ART'schematized r
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ROMANO-INDIAN176•ART120. Bamiyan,
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178 ROMANO-INDIAN ART•almost somn
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l8o • ROMANO-INDIAN ARTesque art,
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l82 ROMANO-INDIAN ART•Gandhara st
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l86 ROMANO-INDIAN ART•Period, wit
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ROMANO-INDIAN188 •ARTpose that ar
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130. Kizil, Cave of the Painter, wa
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I9 2mf'^awnfr^a132. Arhat from Kizi
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194 ROMANO-INDIAN ART"Iranian. 6 Th
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196 ROMANO-INDIAN ARTTurkish cultur
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q8 ROMANO-INDIAN ART•tions of mus
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ROMANO-INDIAN200•ARTmust have ris
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141- Pandrenthan, Kashmir, Siva tem
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143- Head of a girl from Ushkur.Lah
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PART FOURTHE GOLDEN AGE AND END OF
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THE LATER ANDHRA PERIOD 209Buddha,
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:THE LATER ANDHRA PERIOD •211dram
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2I 3150. Nagarjunakonda, stupaJO)O
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.c„„,.. , S ».1jo |SJ^THE GOLD
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152. Ajanta, Cave XIX, exterior
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THE GUPTA PERIOD 219153. Chezarla.
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THE GUPTA PERIOD 22]156. Aihole, Du
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THE GUPTA PERIOD 223Stone grilles a
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Iiiitefc1162. Deogarh, Vishnu templ
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THE GUPTA PERIOD 227[163]. A featur
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THE GUPTA PERIOD 229of several cont
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:._-~i:t i~i•sri;:oc s 3-jcmrt ha
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THE GUPTA PERIOD 233dedicated in th
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THE GUPTA PERIOD 235mortal career t
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THE GUPTA PERIOD 237the relief carv
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THE GUPTA PERIOD 239the Gupta style
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180. Gandharvas and apsaras from So
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THE GUPTA PERIOD 243great painted f
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-anti. Cave I. wall-painting of Gre
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if--. 'fei*f • V•*W #*~fM ^^gQL
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1 86. Ajanta, Cave XVII,wall-painti
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THE GUPTA PERIOD 25]news of his ban
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THE GUPTA PERIOD 253Dhammapada and
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CHAPTER I 6 tjl^VLATE BUDDHIST ART
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INDIA, NEPAL, AND TIBET 257Pala Per
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;259'/o-y*Us^i ffrm*6vlZ^-ft****?19
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262 THE GOLDEN AGE AND END OF BUDDH
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THE264•GOLDEN AGE AND END OF BUDD
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THE266•GOLDEN AGE AND END OF BUDD
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268 THE GOLDEN AGE AND END OF BUDDH
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270 THE GOLDEN AGE AND END OF BUDDH
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:PART FIVE <THE HINDU RENAISSANCECH
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THE PERIOD OF THE HINDU DYNASTIES 2
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THE PERIOD OF THE HINDU DYNASTIES 2
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y212 (left) and 213. Pattadakal, Vi
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THE PERIOD OF THE HINDU DYNASTIES 2
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THE PERIOD OF THE HINDU DYNASTIES 2
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.THE PERIOD OF THE HINDU DYNASTIES
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THE PERIOD OF THE HINDU DYNASTIES 2
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THE PERIOD OF THE HINDU DYNASTIES 2
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223. Khajuraho, Vamana temple, apsa
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THE PERIOD OF THE HINDU DYNASTIES 2
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295wW*.t: £bM^'-r2fe^-***&**.!>227
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," *fm^^'-r*-sV"*~^<,*Oo& ml *) Jl"
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THE PERIOD OF THE HINDU DYNASTIES 2
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THE PERIOD OF THE HINDU DYNASTIES 3
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THE304•HINDU RENAISSANCEThe very
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306 THE HINDU RENAISSANCE•relief
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308 THE HINDU RENAISSANCE•240. El
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310 THE HINDU RENAISSANCE•Iconogr
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312 THE HINDU RENAISSANCE•Later A
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THE314*HINDU RENAISSANCEThe subsidi
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3l6 THE HINDU RENAISSANCE•This bu
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249- Srirangam, Trichinopoly, manda
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250. Madura, Great Temple
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322 THE HINDU RENAISSANCE•Thus it
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254- Halebid, Hoysalesvara temple,
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255- Bronze Siva from Tanjore.Kansa
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328 THE HINDU RENAISSANCE•line of
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THE330•HINDU RENAISSANCEbow, emph
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332 THE HINDU RENAISSANCE1the limbs
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THE334'HINDU RENAISSANCEcaskets wit
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336 THE HINDU RENAISSANCE•England
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339These princely personages wear r
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THE342•HINDU RENAISSANCEleaves. T
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:}44 THE HINDU RENAISSANCEcourts in
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THE346•HINDU RENAISSANCEfor his p
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;348 THE HINDU RENAISSANCEcompletel
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282. Rajah Guman shooting Tigers fr
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3532S4. Lady with a Hawk from Guler
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285. The Hour of Cowdust from Kangr
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WALL-PAINTINGS AND MINIATURES •35
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360 CEYLON AND SOUTH-EAST ASIA•in
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:362 CEYLON AND SOUTH-EAST ASIA•T
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364 CEYLON AND SOUTH-EAST ASIA•29
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CEYLON366•AND SOUTH-EAST ASIAour
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'^295. Diagram of Buddha imageand '
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;37© CEYLON AND SOUTH-EAST ASIA•
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372 CEYLON AND SOUTH-EAST ASIA•fa
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302. Polonnaruwa, great quadrangle^
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376 CEYLON AND SOUTH-EAST ASIAthe s
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378 CEYLON AND SOUTH-EAST ASIA•th
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380 CEYLON AND SOUTH-EAST ASIA•st
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CEYLON382•AND SOUTH-EAST ASIApain
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CHAPTER 21CAMBODIA:THE ART AND ARCH
- Page 391 and 392:
CAMBODIA: THE KHMERS 387317. Prei K
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r\ m
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321. Lokesvara from Cambodia.Brusse
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CAMBODIA: THE KHMERS 393in a sort o
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CAMBODIA: THE KHMERS 395Chamkrong,
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LAMHUUIA: IHh KHMtKS 397on all four
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:^ n. ivi i> \j u i n. . int/ ivniv
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CAMBODIA: THE KHMERS4OIwhich this f
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CAMBODIA: THE KHMERS 403central pyr
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usedrier:*-.'.'.= :z:k ::-:: k:-:v:
- Page 411 and 412:
337- Banteai Srei, tympanumwith Rav
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-ngkor Thorn, the Bayon
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:4 iicauseways with bridges. On eit
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4i3344- Angkor Thorn, the Bayon, Bu
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CAMBODIA: THE KHMERS 415background
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CAMBODIA: THE KHMERS 417tions of Bu
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riw351. Bronze apsarasfrom the Bayo
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4-i353- Sacred sword.Phnom Penh, Ro
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356. Head of Buddha from Siam.Schie
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358. Torso of Bodhisattva from Jaiy
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CEYLON428•AND SOUTH-EAST ASIAVto-
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CEYLON;430•AND SOUTH-EAST ASIAf-f
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1^ *.*« -}**365. Lamp'un, Wat Kuku
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CEYLON434'AND SOUTH-EAST ASIAadded
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CEYLON43^•AND SOUTH-EAST ASIAthan
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CHAPTER 23THE ART AND ARCHITECTURE
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BURMA •441373. Pagan, Ananda temp
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BURMA *443of the older Indian tradi
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CHAPTER 24JAVAThe history of religi
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v ; : ir.z :emple JU i iaULlLJDDULJ
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java • 449Isles' who, setting out
- Page 455 and 456:
•JAVA 451sion of the world of des
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•Java 453stone grilles and which
- Page 459 and 460:
•Java 455men. In these reliefsthe
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389 (opposite). Barabudur, fourth g
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•java 459;392. Barabudur, upper t
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•JAVA 461traditional Indian forms
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•,.,.T« =t30 *ti ,
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•JAVA 465The decorative arts of J
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402. Head of a monk from Candi Se\v
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:•470 NOTES6. Percy Brown, Histor
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:472 NOTESearth he becomes enlighte
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'474 notesof passages in the classi
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•476 NOTEScoins of Antiochus III
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47# • NOTES12. M. A. Stein, Serin
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•480 NOTESby A. Foucher in L' Ico
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•482 NOTES7. Sherman Lee, Rajput
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•484 NOTESlearned in magic lore,
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.BIBLIOGRAPHYPERIODICALSINDIAGENERA
- Page 492 and 493:
•488 BIBLIOGRAPHYMACK AY, E. Earl
- Page 494 and 495:
.490 BIBLIOGRAPHYbruhn,k. The Jina
- Page 496 and 497:
492 • BIBLIOGRAPHYwaddell,l.a. Th
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LIST:494'OF ILLUSTRATIONS40. Relief
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:4()6 • LISTOF ILLUSTRATIONS138.
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:498 LIST OF ILLUSTRATIONS247. Tanj
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500 LIST OF ILLUSTRATIONS358. Torso
- Page 506 and 507:
•502 INDEX17Besnagar, 239, 473(5)
- Page 508 and 509:
504 • INDEXDehanchement, 91, 127,
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506 INDEXKandariya Mahadeo, temple
- Page 512 and 513:
•508 INDEXNagarjunakonda, 208, 20
- Page 514 and 515:
1•510 INDEXShingon, 458-9, 472(4)
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512 • INDEXVajrayana Buddhism, 57