The art and architecture of India - Buddhist, Hindu, Jain (Art Ebook)

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Page 1: The Pelican History of Art!The Art
Page 5: THE PELICAN HISTOR Y OF ARTJoint Ed
Page 8 and 9: Penguin Books Ltd, Harmondsworth, M
Page 10 and 11: This edition is based on the first
Page 12 and 13: CONTENTSPart Four :The Golden Age a
Page 14 and 15: 10PRONUNCIATION OF INDIAN WORDSSans
Page 16 and 17: 12 ' GLOSSARYin number, from the pa
Page 18: '4 GLOSSARYSathsdra. The unending c
Page 23: THE ART AXD ARCHITECTURE OT IXDIA
Page 26 and 27: 22 PREHISTORIC AND EPIC PERIODS•S
Page 28 and 29: *4 PREHISTORIC AND EPIC PERIODScont
Page 30 and 31: 26 PREHISTORIC AND EPIC PERIODS•c
Page 32 and 33: 28 PREHISTORIC AND EPIC PERIODS•'
Page 35 and 36: CHAPTER 2i'<\\3THE PROTO-HISTORIC P
Page 37 and 38: 33i. Mohenjo-daroSumer and Babylon.
Page 39 and 40: THE INDUS VALLEY CIVILIZATION 35The
Page 41 and 42: THE INDUS VALLEY CIVILIZATION 37pla
Page 43 and 44: THE INDUS VALLEY CIVILIZATION 39The
Page 45 and 46: THE INDUS VALLEY CIVILIZATIONmariti
Page 47 and 48: .CHAPTER 3v^>THE EPIC PERIOD:VEDIC
Page 49 and 50: VEDIC AND PRE-MAURYA CIVILIZATIONS
Page 51: VEDIC AND PRE-MAURYA CIVILIZATIONS
Page 54 and 55: PREHISTORIC50•AND EPIC PERIODSby
Page 56 and 57: 52 PREHISTORIC AND EPIC PERIODS•i
Page 58 and 59: PREHISTORIC54"AND EPIC PERIODS- the
Page 60 and 61: ;56 PREHISTORIC AND EPIC PERIODS•
Page 62 and 63: 58 PREHISTORIC AND EPIC PERIODSof a
Page 64 and 65: 60 THE EARLY CLASSIC PERIODS•yaks
Page 66 and 67: 1 6. Pataliputra, Maurya Palace17.
Page 68 and 69: *4 THE EARLY CLASSIC PERIODSrooms o
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%»';**$;?»'imtie 4. V ?*«]£***
Page 72 and 73:
20. Lion capital from Sarnath. *>>S
Page 74 and 75:
THE EARLY CLASSIC PERIODSwestern fr
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72 THE EARLY CLASSIC PERIODS•devi
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25. Yaksha from Patna.Calcutta, Ind
Page 81 and 82:
CHAPTER 6i ^c\ \»THE SUNGA PERIOD
Page 83 and 84:
THE SUNGA PERIOD 79mortal body of t
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*29. Yakshi (Chulakoka Devata) from
Page 87 and 88:
THE SUNGA PERIOD 83more than the su
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THE SUNGA PERIOD 8532. Sanchi, Stup
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THE88•EARLY CLASSIC PERIODSSanchi
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goTHE EARLY CLASSIC PERIODSevery at
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92 THE EARLY CLASSIC PERIODSsculpto
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CHAPTER 7 & 6<\\\*\THE EARLY ANDHRA
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THE EARLY ANDHRA PERIOD 97represent
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. . (these) . . . imagesTHE EARLY A
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THE EARLY ANDHRA PERIODIOI46. Sanch
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47- Sanchi, east gate^The Conversio
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THE EARLY ANDHRA PERIOD 05)A »' I
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:io 7ment in nature, hostile or fri
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** 3^*î*M H56. Ivory plaquefrom Be
Page 117 and 118:
CHAPTER 81116^THE ROCK-CUT SANCTUAR
Page 119 and 120:
EARLY BUDDHIST ROCK-CUT SANCTUARIES
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62. Karli, chaitya-hall,
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:EARLY BUDDHIST ROCK-CUT SANCTUARIE
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ROMANO-INDIAN122•ARThad forced Al
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.124 ROMANO-INDIAN ARTAlthough coin
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ROMANO-INDIAN;126•ARTmerlon crene
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ROMANO-INDIAN.128 •ARTbe dated in
Page 134 and 135:
130 ROMANO-INDIAN ART•Japan. 16 I
Page 136 and 137:
ROMANO-INDIAN132•ARTsame as had b
Page 138 and 139:
ROMANO-INDIAN134'ARTfigures emergin
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136 ROMANO-INDIAN ART•archaeology
Page 142 and 143:
138 ROMANO-INDIAN ART•one time su
Page 144 and 145:
8i. AH Masjid stupa, Khyber Pass
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ROMANO-INDIAN142•ARTfrom the mini
Page 148 and 149:
144 ROMANO-INDIAN ART'None of these
Page 150 and 151:
146 ROMANO-INDIAN ART•89. Gold am
Page 152 and 153:
148 ROMANO-INDIAN ART•94. Pancika
Page 154:
ROMANO-INDIANIsO •ART95. Wima Kad
Page 157 and 158:
ART UNDER THE KUSHANS: MATHURA 153t
Page 159 and 160:
%(\\A
Page 161 and 162:
ART UNDER THE KISHANS: MATHIRAgjffl
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ART UNDER THE KUSHANS: MATHURA 59re
Page 165 and 166:
successors, was uncovered a great t
Page 167 and 168:
ART UNDER THE KUSHANS: MATHURA 63En
Page 169 and 170:
;CHAPTER I I(,joltf jfAFGHANISTAN:
Page 171 and 172:
i io. Wntinous' from Hadda. (uParis
Page 173 and 174:
1 12. Head of Devata from near Pesh
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AFGHANISTANIT'War. The monasteries
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AFGHANISTAN 173*$ w116. Bamivan, la
Page 179 and 180:
1 19. Bamiyan, painting of sun godo
Page 181 and 182:
AFGHANISTAN 177the entire scheme wa
Page 183 and 184:
AFGHANISTAN [79Bamiyan is like the
Page 185 and 186:
124- Bodhisattva from Fondukistan.K
Page 189 and 190:
CHAPTER 12BUDDHIST ART IN TURKESTAN
Page 191 and 192:
BUDDHIST ART IN TURKESTAN [87of thi
Page 193 and 194:
i8 9129. Buddhist relief from Tumsh
Page 195 and 196:
BUDDHIST ART IN TURKESTAN I9 ]sanct
Page 197 and 198:
133- Two divinities from Kizil.Berl
Page 199 and 200:
134 Buddha from Bezeklik.Berlin, Mu
Page 201 and 202:
BUDDHIST ART IN TURKESTAN 197The ru
Page 203 and 204:
CHAPTER 13THE ART OF KASHMIRsW?The
Page 205 and 206:
Iiiisiiiiiiiiil m m1riitiiiiiiiiUni
Page 207 and 208:
.THE ART OF KASHMIR 203On each of t
Page 209:
THE ART OF KASHMIRHadda. The heads
Page 212 and 213:
;208 THE GOLDEN AGE AND END OF BUDD
Page 214 and 215:
THE210•GOLDEN AGE AND END OF BUDD
Page 216 and 217:
212 THE GOLDEN AGE AND END OF BUDDH
Page 218 and 219:
THE214'GOLDEN AGE AND END OF BUDDHI
Page 220 and 221:
THE2l6•GOLDEN AGE AND END OF BUDD
Page 222 and 223:
2l8THE GOLDEN AGE AND END OF BUDDHI
Page 224 and 225:
THE220•GOLDEN AGE AND END OF BUDD
Page 226 and 227:
Page 228 and 229:
THE224"GOLDEN AGE AND END OF BUDDHI
Page 230 and 231:
163. Deogarh, Vishnu temple, doorwa
Page 232 and 233:
Page 234 and 235:
Page 236 and 237:
Page 238 and 239:
234172. Buddha preaching the First
Page 240 and 241:
174- Scenes from the Life of Buddha
Page 242 and 243:
Page 244 and 245:
Page 246 and 247:
Page 248 and 249:
Page 250 and 251:
Page 252 and 253:
Page 254 and 255:
Page 256 and 257:
Page 258 and 259:
Page 260 and 261:
Page 262 and 263:
m**ii*\**i*mmnit,m*i*n*******h*m**m
Page 265 and 266:
26lthe fifth and sixth centuries; i
Page 267 and 268:
INDIA, NEPAL, AND TIBET 263vincial
Page 269 and 270:
INDIA, NEPAL, AND TIBET 265in the i
Page 271 and 272:
INDIA, NEPAL, AND TIBET 267203. Tar
Page 273 and 274:
269206. Banner of Avalokitesvara fr
Page 275:
INDIA, NEPAL, AND TIBET 271royalty.
Page 278 and 279:
THE274'HINDU RENAISSANCEof types of
Page 280 and 281:
THE276•HINDU RENAISSANCEsources m
Page 282 and 283:
2 7 8 THE HINDU RENAISSANCEin each
Page 284 and 285:
280 THE HINDU RENAISSANCE•convex
Page 286 and 287:
:282 THE HINDU RENAISSANCE•masonr
Page 288 and 289:
219. Konaraka, Surya temple,detail
Page 290 and 291:
22i. Konaraka, Surya temple, Surya
Page 292 and 293:
222. Khajuraho, Kandariya Mahadeo t
Page 294 and 295:
;290 THE HINDU RENAISSANCE•toweri
Page 296 and 297:
292 THE HINDU RENAISSANCE•or kala
Page 298 and 299:
294ânaoooo^rz^rczcr^Ssoo^^gy:226.
Page 300 and 301:
. . but296 THE HINDU RENAISSANCE•
Page 302 and 303:
298 THE HINDU RENAISSANCE•-A231.
Page 304 and 305:
300 THE HINDU RENAISSANCEhas been r
Page 306:
;302/Here is an art inspired by the
Page 309 and 310:
THE PERIOD OF THE HINDU DYNASTIES 3
Page 311 and 312:
Page 313 and 314:
o 5 10241. Ellura, Kailasanath temp
Page 315 and 316:
243- Ellura, Kailasanath temple,Rav
Page 317 and 318:
Page 319 and 320:
247- Tanjore, Rajrajesvara temple
Page 321 and 322:
Page 323 and 324:
THE PERIOD OF THE HINDU DYNASTIESIG
Page 325 and 326:
251. -Madura, Great TempleThese imm
Page 327 and 328:
Page 329 and 330:
Page 331 and 332:
CHAPTERISOUTH INDIAN BRONZESThe ear
Page 333 and 334:
faSOUTH INDIAN BRONZES 329257. Bron
Page 335 and 336:
260. Bronze Nataraja from Polonnaru
Page 337 and 338:
SOUTH INDIAN BRONZES 333in Hindu sa
Page 339 and 340:
3UUIM lfNUlAIN BKUINitSSSbNot a sin
Page 341:
269. Andhra textile from the Kalaha
Page 345 and 346:
CHAPTER 19PAINTING OF THE PERIOD OF
Page 347 and 348:
WALL-PAINTINGS AND MINIATURES 343Ma
Page 349 and 350:
WALL-PAINTINGS AND MINIATURES 345Th
Page 351 and 352:
279- Krishna and his Beloved in the
Page 354 and 355:
35© THE HINDU RENAISSANCE•Certai
Page 356 and 357:
THE352•HINDU RENAISSANCE_e^r AA\^
Page 358 and 359:
354 THE HINDU RENAISSANCE'Krishna.
Page 360 and 361:
I286. The Night of Storm from Garwh
Page 363 and 364:
PART SIXINDIAN ART IN CEYLON AND SO
Page 365 and 366:
361288. Anuradhapura, Thuparama dag
Page 367 and 368:
CEYLON 363>originally covered with
Page 369 and 370:
zqz. Bronze Buddha from Dong DiHano
Page 371 and 372:
294- Anuradhapura, seated BuddhaI *
Page 373 and 374:
CEYLON 369cords in front of an actu
Page 375 and 376:
CEYLON•371by a sort of urna on th
Page 377 and 378:
CEYLON•373301. Polonnaruwa, Parak
Page 379 and 380:
CEYLON•375in spite of its great s
Page 381 and 382:
\ob. Polonnaruwa, Wata-da-ge*>*
Page 383 and 384:
CEYLON •379The exterior of this l
Page 385 and 386:
J8i311. Bronze Sundaramurtiswami fr
Page 387:
CEYLON •383Singhalese ivories, ev
Page 390 and 391:
386 CEYLON AND SOUTH-EAST ASIA•an
Page 392 and 393:
388 CEYLON AND SOUTH-EAST ASIA•sc
Page 394 and 395:
390320. Harihara from Prasat Andet.
Page 396 and 397:
CEYLON392•AND SOUTH-EAST ASIAwarf
Page 398 and 399:
323. Angkor, Yasodharapura and Angk
Page 400 and 401:
CEYLON396'AND SOUTH-EAST ASIAThis e
Page 402 and 403:
329. Angkor Wat
Page 404 and 405:
33i- Angkor Wat
Page 406 and 407:
402 CEYLON AND SOUTH-EAST ASIA•em
Page 408 and 409:
404 CEYLON AND SOUTH-EAST ASIAWhen
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CEYLON406•AND SOUTH-EAST ASIAarch
Page 412 and 413:
408 CEYLON AND SOUTH-EAST ASIA•re
Page 414 and 415:
410 CEYLON AND SOUTH-EAST ASIAof th
Page 416 and 417:
412 CEYLON AND SOUTH-EAST ASIA•pa
Page 418 and 419:
. *346. Angkor Thorn, Neak Pean" 'Z
Page 420 and 421:
-CEYLON14l6 •AND SOUTH-EAST ASIAt
Page 422 and 423:
4l8 CEYLON AND SOUTH-EAST ASIA•th
Page 424 and 425:
420 CEYLON AND SOUTH-EAST ASIAdebac
Page 427 and 428:
CHAPTER 22ART AND ARCHITECTURE IN S
Page 429 and 430:
•SIAM 425more often than not too
Page 431 and 432:
•SIAM 427One of the great masterp
Page 433 and 434:
361. Head of Buddha from SiamBoston
Page 435 and 436:
SI AM •43:and later a Burmese sty
Page 437 and 438:
SIAM 433Lamp'un, erected by the Mon
Page 439 and 440:
435elaborately carved barge-boards
Page 441:
37i- Pottery amphora from Lopburi.B
Page 444 and 445:
544© CEYLON AND SOUTH-EAST ASIAthe
Page 446 and 447:
442 CEYLON AND SOUTH-EAST ASIA•te
Page 448 and 449:
CEYLON444*AND SOUTH-EAST ASIAMuseum
Page 450 and 451:
446 CEYLON AND SOUTH-EAST ASIAmask-
Page 452 and 453:
CEYLONthe448•AND SOUTH-EAST ASIAK
Page 454 and 455:
450 CEYLON AND SOUTH-EAST ASIAof gr
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CEYLON452•AND SOUTH-EAST ASIA385.
Page 458 and 459:
CEYLON454'AND SOUTH-EAST ASIAto the
Page 460 and 461:
456 CEYLON AND SOUTH-EAST ASIAin th
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CEYLON458•AND SOUTH-EAST ASIAfrom
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CEYLON:.460•AND SOUTH-EAST ASIAha
Page 466 and 467:
CEYLON462•AND SOUTH-EAST ASIAKhme
Page 468 and 469:
CEYLON464•AND SOUTH-EAST ASIAof t
Page 470 and 471:
CEYLON:466•AND SOUTH-EAST ASIAnot
Page 473 and 474:
NOTESBold numbers indicate page ref
Page 475 and 476:
47isentient beings'. (See Ramaprasa
Page 477 and 478:
473capital" so often found in moder
Page 479 and 480:
47513. It has been suggested that t
Page 481 and 482:
477172. 1 6. We have already seen h
Page 483 and 484:
479237- 6. In the life of Hsiian-ts
Page 485 and 486:
4 8isculptor, there exists an image
Page 487 and 488:
4«3Singhalese scholars the moon st
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4»543i- 3- H. G. Quaritch Wales, T
Page 491 and 492:
The4 8 7Frederic, L. L'Inde, Ses Te
Page 493 and 494:
4 8 9barthouxj. Les Fouilles de Had
Page 495 and 496:
49iGROSLIER, B. P. Angkor: Hommes e
Page 497 and 498:
493LIST OF ILLUSTRATIONSThe locatio
Page 499 and 500:
;I:):)- s89. Gold amulet boxes from
Page 501 and 502:
):-. e_- r.- -. _:- -\ rr :):&-"xrn
Page 503 and 504:
499298. Anuradhapura, Isurumuniya V
Page 505 and 506:
:INDEXNames and other matters in th
Page 507 and 508:
503Buddha, 53 ff., 77-9, 88-9, 47i(
Page 509 and 510:
505Guru, 52Gwalior, 227, 239, 240,
Page 511 and 512:
507London, India Office Library, 34
Page 513 and 514:
1509Peshawar, Archaeological Museum
Page 515 and 516:
5iiSudhana, 455Sukhodaya, 436Suk'ot
Page 520:
-The Pelican History of ArtISBN 14
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