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The art and architecture of India - Buddhist, Hindu, Jain (Art Ebook)

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280 THE HINDU RENAISSANCE

convex and curvilinear in profile, with the

angles of alternate storeys marked by the heavily

rusticated amalaka form, is essentially the same

as the towers over the sanctuaries of the late

Gupta shrines at Aihole. Whereas in buildings

like the Durga temple at Aihole the sikhara was

installed as a kind of cupola on the roof of the

cella,

here, at Pattadakal, the tower has grown

to form a complete roof over the sanctuary, so

that its four sides rest directly on the four walls

of the garbha griha. The shape of the channelled

amalaka quoins was repeated in the bulbous

shape of a crowning amalaka - now lost - so that

here again the unified effect of the whole building

results from the repetition of the shapes of

215. Pattadakal, Jain temple

its structure. False doorways containing images,

as in the Gupta temple of Deogarh, decorate

three sides of the tower base ; at the fourth is the

entrance to the cella preceded by a shallow

porch. The employment of the high podium, as

well as the profiles of the encircling cornice, are

hardly different from the disposition of these

members in so-called Dravidian temples, which

may be taken as a clear indication that in origin,

at least, the Indo-Aryan and Dravidian types of

temples were constructed in part from the same

repertory of architectural motifs.

The most simple type of Dravidian shrine is

represented at Pattadakal by an old Jain temple

[215] that stands about a mile to the west of the

village. 9 The elevation of the surviving tower

sanctuary shows the regular method of stepped

diminishing storeys characteristic of the Dravidian

order. The whole is crowned by an elaborate

stupika. The general shape and flaring profile

of its silhouette are repeated in the profiles of

the cornices of the successive terraces.

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4. INDO-ARYAN ARCHITECTURE: ORISSA

As has already been stated in the introduction

to Late Hindu architecture, the term Indo-

Aryan or nagara style of architecture is used to

designate the temple-building characteristic of

northern India in the dynasties that succeeded

to the power of the Gupta Empire. This is a

type already anticipated in some of the Gupta

temples at Aihole and Pattadakal. One of the

chief sites where Indo-Aryan temples were

built as early as the eighth century a.d. is the

holy city of Bhuvanesvar in Orissa.

In our study of Orissan temples we are fortunate

in having preserved a considerable body

of sastras, furnishing the most precise directions

for the laying out and erection of the temples.

In these Orissan texts the temples are classified

under the designations rekha and bhadra. The

rekha is the conical, beehive-shaped spire; the

bhadra a terraced pyramid. The rekha is divid-

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