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The art and architecture of India - Buddhist, Hindu, Jain (Art Ebook)

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CEYLON

428

AND SOUTH-EAST ASIA

V

to-day northern Siam. By the thirteenth century

these invaders had so strongly established themselves

that they were able to expel the Khmers

and to found the first national Siamese dynasty

at Chiengmai (Chiengsen) in the northern

Menam Valley. The Buddhist art of this period

marks the first definite emergence of what

can accurately be described as a Siamese style

and ideal, although influenced to a certain

extent by Pala prototypes from Burma. The

Chiengmai Buddha type is distinguished by

the arched eyebrows, the exaggerated almond

eyes with a double-upward curve in

the lids,

the hooked sharp nose and rather small and

delicately modelled lips [360]. Bronze now

almost entirely supplants stone as a material

for sculpture.

In the last seven hundred years of Siamese

history it is possible, of course, to differentiate

among many different local schools and to trace

the gradual transformations in the stylistic evolution

of sculpture, but the aesthetic value of this

enormous amount of material is, most of it, so

insignificant that such an analysis need not

detain us.

The later history of sculpture in Siam is one

of decadence towards the evolution of the final

stereotyped Buddha image manufactured during

the Ayudhya Period. The statues made

during the Suk'ot'ai Period (thirteenth to fourteenth

centuries) are marked by a gradual

simplification of the formulas of the Khmer and

Chiengmai types. A particularly attractive head

in the Museum of Fine Arts, Boston, belongs to

this period of transition from a Khmer to a

purely Siamese expression [361]. In this head,

which is of stone covered with gold lacquer, the

shape of the brows and the mouth, sharply

defined by linear incision, is still suggestive of

the Khmer type, but the elongation of the face

and the appearance ofan indefinable sentimental

quality - a softness partially due to the gilt

applique - unmistakably mark the

evolution

towards the sculpture of the Ayudhya Period.

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