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The art and architecture of India - Buddhist, Hindu, Jain (Art Ebook)

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7i

dominion of the Buddha's Law. This emblem

could be taken as a partial proof of the pre-

Asokan origin of the whole pillar. The Buddha's

turning of the Wheel of the Law is anagogically

a turning of the solar wheel, controlling the sun

in its diurnal path through the skies. The turning

of the Wheel is one of the powers inherent in

the early Indian concept of the universal ruler

or Cakravartin assumed by the Buddha; the

Sarnath column may be interpreted, therefore,

not only as a glorification of the Buddha's

preaching, symbolized by the crowning wheel,

but also, through the cosmological implications

of the whole pillar, as a symbol of the universal

extension of the power of the Buddha's Law, as

typified by the sun that dominates all space and

all

time, and simultaneously an emblem of the

universal extension of Maurya imperialism

22. Bull capital from Rampurva.cL^^"^

New Delhi, Presidential Palace

c

through the Dharma. The whole structure is,

then, a translation of age-old Indian and Asiatic

cosmology into artistic terms of essentially

foreign origin, and dedicated, like all Asoka's

monuments, to the glory of Buddhism and the

royal house.

As has already been suggested, it is not

certain whether all the Maurya columns were

actually erected under Asoka, or whether some

of them set up by his predecessors were

appropriated by this sovereign for Buddhist

usage. This is especially likely in the case of

those pillars which are surmounted by the

shapes of single animals. The form suggests the

royal standards or dhvaja stambhas used by pre-

Asokan rajahs; the idea of the animal symbol on

a column is of ancient Mesopotamian origin.

One of the finest examples of this simpler type

is

the bull capital from Rampurva [22]. This is

the capital of one of a pair of columns. The

companion pillar was surmounted by a single

lion, not unlike the finial of the Idt at Lauriya

Xandangarh. Iconographically, the exact significance

of the bull as a symbol in Buddhism is

rather difficult to discern; it may have been

either a Brahmanic emblem or the heraldic

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