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The art and architecture of India - Buddhist, Hindu, Jain (Art Ebook)

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THE EARLY ANDHRA PERIOD

III

what has been suggested elsewhere, namely,

that monumental sculpture in early India was

simply a transference of the style and technique

of work in perishable media, like ivory and

wood, to stone. The elaborate jewellery worn by

the central figure, notably the 'stockings' of

metal rings, give us some idea of the nature of

this type of personal adornment in Early Andhra

times.

Related to this work are some of the superb

ivory plaques found at Begram in Afghanistan. 9

They originally decorated a massive throne.

Certain examples, like the oft-repeated motif of

women standing under a torana [56], are again

suggestive of the Safichi style in the full, rather

squat canon of proportion and the luxurious elaboration

of surface detail. The carving in its

depth and crispness is the prototype for the

work wrought in stone by the ivory-workers of

Bhilsa who, according to one inscription at

Safichi, dedicated a gateway and presumably

their services as well.

The close affinities between ivory carving

and monumental sculpture in the early centuries

of Indian art may be supplemented by further

comparisons between terracotta sculpture and

the reliefs of the Early Classic Period. So, for

example, a small circular plaque from Patna

with a representation of Surya in his chariot

[57] provides a very exact parallel for this same

subject as carved at Bhaja [36]. Even the treatment

of this relief on a tiny scale approximates

the suggestion of the emergence of the forms

from the background. The medallion shape of

this object of course suggests a favourite composition

of the early Buddhist railings.

Another terracotta relief from Kausambi [58],

though of a somewhat later period, represents a

royal couple embracing on a throne. The background

is strewn with rosette-like flowers. Both

the types of the figures and the delicate animation

of the surface by shallow linear engraving

cannot fail to suggest the beautiful relief from

Pitalkhora [40] of a similar subject.

57. Terracotta plaque from Patna.

Patna, Museum

58. Terracotta plaque from Kausambi.

New Delhi, National Museum

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