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The art and architecture of India - Buddhist, Hindu, Jain (Art Ebook)

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372 CEYLON AND SOUTH-EAST ASIA

farther nostril clearly defined. 22 Another interesting

technical aspect is the manner in

which the individual brush-strokes, as in the

painting of the breasts, make a surface pattern

and at the same time reinforce the form.

As has already been noted, the continued

raids by the Tamils of South India finally

forced the abandonment of Anuradhapura in

the eighth century. From 781 to 1290 the capital

& L was located at Polonnaruwa. The ruins are

situated on the beautiful Lake Topawewa in

the deep jungles of north-eastern Ceylon ; there,

rock-cut Parinirvana image nearly fifty feet in

length; the style, as seen particularly in the

rendering of drapery folds in a series of parallel

ridges with the characteristic billow at the lower

hem, is simply an enormous enlargement of the

standing Buddha images of Anuradhapura,

here, for the purposes of a Nirvana image,

placed in a recumbent position. More unusual

and of great impressiveness is the standing

figure of Buddha or Ananda, nearly twenty-five

feet high, carved from the rock next to the head

of the Nirvana Buddha. The figure has very

300. Polonnaruwa, Gal Vihara, Parinirvana image

o^

at certain seasons, one can still see growing at

the water's edge the enormous red lotuses,

originally planted a millennium ago. The great

period of artistic activity at this site coincides

with the reign of Parakrama Bahu I (1164-97),

the last notable monarch of the Singhalese

dynasty.

One of the principal sculptural dedications of

this period is the group of images at the Gal

Vihara [300]. The most impressive is a colossal

much the same feeling of grandeur, through the

massive plastic realization of the form that

characterizes the Buddha statues of the earlier

period; the representation of Sakyamuni, his

arms folded, one leg slightly bent at the knee,

has an extraordinary feeling of serenity and

strength, qualities which, as we have already

seen, are always notably present in the Singhalese

sculptor's realization of the peace of

Enlightenment. There is a certain archaistic

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