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déchets. stigmatisations, commerces, politiques ... - Viva Rio en Haiti

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for example, a mother and her childr<strong>en</strong>. In such cases<br />

the quantity of objects collected during a day’s<br />

work may justify direct transportation to the fi nal<br />

purchase points: some workshops and the GS company,<br />

located some kilometers away from the zone.<br />

The objects are carried there in r<strong>en</strong>ted wheelbarrows.<br />

The deliverer may be someone from the family<br />

or sometimes another person paid for the job.<br />

This once again demonstrates the point to<br />

which the world of extreme poverty is highly differ<strong>en</strong>tiated<br />

and how the small profi ts made are<br />

continually subdivided in a d<strong>en</strong>se network of intermediaries<br />

and collaborators. This is a c<strong>en</strong>tral<br />

feature of the activities id<strong>en</strong>tifi ed with that is conv<strong>en</strong>tionally<br />

called the ‘informal economy:’ a set of<br />

op<strong>en</strong>, non-mutually exclusive possibilities, which<br />

in combination <strong>en</strong>able the survival of people in a<br />

world with a low level of monetization. This universe,<br />

where money from wages is almost non-exist<strong>en</strong>t,<br />

is shaped by the production of ‘small profits’<br />

(fè piti, in Kreyòl) like those obtained from collecting,<br />

transforming and selling objects treated<br />

as ‘garbage’ in other contexts. 23<br />

7. WORKSHOPS<br />

The area where the research was undertak<strong>en</strong><br />

is full of workshops making products for sale in<br />

21 The plastic market is much smaller and less profi table<br />

than the metal market. This explains why there<br />

are no scales for weighing and buying plastic in the<br />

streets, or large intermediaries, unlike the case of iron<br />

and aluminium.<br />

22 See Jean Jorel Janvier, “Port-au-Prince et les <strong>en</strong>fants<br />

de rue: le phénomène des kokorats.” Thesis, Faculty of<br />

Ethnology, Université d’Etat d’Haïti, 2004.<br />

23 In the classic text introducing the notion of the informal<br />

economy (“Informal Income Opportunities and<br />

Urban Employm<strong>en</strong>t in Ghana.” The Journal of Modern<br />

African Studies 11:1 1973: 61-89), Keith Hart makes no<br />

m<strong>en</strong>tion of the logic of small profi ts. The merit for calling<br />

att<strong>en</strong>tion to this ph<strong>en</strong>om<strong>en</strong>on goes to Jane Guyer<br />

in her book Marginal Gains. Monetary Transactions<br />

in Atlantic Africa. University of Chicago Press, 2004.<br />

It should be emphasized that the unemploym<strong>en</strong>t estimates<br />

(some include a rate of up to 80% in the region<br />

under study) face serious problems in conceptualizing<br />

and measuring the small profi t-making activities described<br />

here.<br />

the country or for exportation. It would be diffi -<br />

cult to overestimate the importance of these in any<br />

understanding of the forms of family economic reproduction.<br />

The region is home to workshops manufacturing<br />

pilon (pestles) and other wood<strong>en</strong> objects<br />

24 , bakeries supplying bread and biscuits with<br />

wide networks of consumption, and workshops<br />

directly linked to the garbage circuits, including<br />

those fabricating aluminum pans (chaudières)<br />

and iron objects such as stoves (réchauds), lamps<br />

and cooking ut<strong>en</strong>sils.<br />

The workshops (all of them, of course, though<br />

here we conc<strong>en</strong>trate on those that recycle metal and<br />

plastic) involve the work of professionals, the reproduction<br />

and transmission of know-how, savoir<br />

faire, and the inv<strong>en</strong>tion of new forms of manufacturing<br />

and innovating. The workshops producing<br />

aluminum or iron objects use small workforces<br />

comprising the master and at most one assistant.<br />

They combine a commercial site and a small<br />

stall where items are sold wholesale and retail (as<br />

we stated earlier, these workshops are conc<strong>en</strong>trated<br />

in the busy Rue La Saline, located at the start of<br />

the Croix de Bossales market) (photos 21, 22 & 23).<br />

Some traders who buy stoves for pans or keros<strong>en</strong>e<br />

lamps at these workshops later sell the products<br />

at other markets in the metropolitan zone (Marché<br />

Salomon, Pétion Ville, Croix-des-Bouquets, and so<br />

on), in the country’s rural interior and sometimes<br />

abroad. 25<br />

24 Craftwork objects made in La Saline are produced<br />

for the international market with labels such as “Made<br />

in Martinique”...<br />

25 The structuring of the <strong>Haiti</strong>an trade circuits dep<strong>en</strong>ds<br />

on the pres<strong>en</strong>ce of these long-distance traders who connect<br />

the differ<strong>en</strong>t regions of the country and the latter<br />

with the <strong>Haiti</strong>an markets found beyond the national<br />

borders, such as Santo Domingo, Kinsgton, Martinique,<br />

Guadalupe, Panama or Miami. Wom<strong>en</strong> play a very important<br />

role in these activities. These are the Madan Sara,<br />

responsible for buying and selling food, clothing and also,<br />

for example, lamps and small cooking ut<strong>en</strong>sils produced<br />

in the workshops described in the text. However<br />

the long-distance trade circuits are male, as we shall see<br />

below, especially in the case of the pans fabricated in<br />

the area and distributed to various regions of <strong>Haiti</strong> and<br />

to other countries, including the Dominican Republic.<br />

On g<strong>en</strong>der relations in the <strong>Haiti</strong>an markets, see Sidney<br />

Mintz, “M<strong>en</strong>, Wom<strong>en</strong> and Trade,” 1971, and Pedro Braum<br />

A. da Silveira, “Os Porcos e as Marg<strong>en</strong>s: notas sobre um<br />

mercado camponês do sul do <strong>Haiti</strong>,” 2009.<br />

GARBAGE | 47

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