Zirve Eki - ISTANBUL REstate
Zirve Eki - ISTANBUL REstate
Zirve Eki - ISTANBUL REstate
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16-17 Haziran 2010<br />
Gayrimenkul <strong>Zirve</strong>si 10<br />
Oturum Baflkan› : Tony Phillipson<br />
Thank you very much Gerhard. And now I would like to introduce our third speaker, Mr David O'Brien. David has 20<br />
years experience in master planning, design and management in a wide range of projects both in the UK and overseas.<br />
He joined Hyland Edgar Driver in 2001 bringing with him special expertise and in urban regeneration, international<br />
resorts, memorial parks and urban designing. David developed the landscape design for the skygarden for number<br />
20 Fenchurch street, the famous Walkie-Talkie building in London in association with Rafael Vinoly Architects and the<br />
royal botanic gardens in Kew. David...<br />
David O'Brien<br />
Hyland Edgar Driver Peyzaj Mimarl›¤›, Direktör<br />
Good afternoon. I hope you are enjoying your trade fair and meeting<br />
lots of people and I hope the fair is good. Well, I am a landscape<br />
architect and I work for Hyland Edgar Driver. And I understand there<br />
are not so many landscape architects in Turkey. So I'm quite interested<br />
in your responses to the work that we do. And we are involved with<br />
master planning, with the waterfronts. We build the spaces and the<br />
squares, and the streets between the buildings. We try to get those<br />
to have a life, have culture and have interest. This a scheme we are<br />
doing Manchester, in northern part of England. It has taken us eight<br />
year as to build this, because we are working closely with the local<br />
authority, on regeneration, creating green spaces, grass, the variety<br />
of spaces for the city dweller. And we want those spaces to be active.<br />
We want things to happen in those spaces, to have entertainment,<br />
Christmas fairs, you name it. There is -- in a city, you gotta have<br />
somewhere to go. I mean, in Turkey, in Istanbul, it is highrise everywhere<br />
and people come down, don't they, to have - to a café, meet with<br />
friends, they take their children for a walk and so on. There is not a<br />
lot of open space here, but there are the compensations. So we are<br />
also working on the Olympic Stadium in London for 2012 Olympics.<br />
Again, we do airports, design and so on. Now I am going to come<br />
on to high rise living. What I am interested in doing today is exploring<br />
with the parks. This is a park in Libya that we are just delivering. Now,<br />
gardens in the air. Why should we have green spaces up in the air?<br />
I mean, what is the point? Is it something you add? You design the<br />
building and then put some trees in there? Is that going to be sufficient,<br />
will it work? Is it sustainable? It is not a new idea. It has been done<br />
for ages. Hanging gardens of Babylon, well, OK, there are reasons<br />
why they did that, for defense. There was not a lot of land and so on.<br />
But these were real gardens. You know, they grew fruit here, oranges,<br />
vegetables. It was a living, breathing community. The kind of landscape<br />
treatments that we might think of in using high level landscapes had<br />
been done, I mean this is an agricultural landscape. It's using the slope<br />
effectively. India, tea plantations, again you know there are technologies<br />
which are very very old that we can start to use in high rise buildings.<br />
This is very interesting, because this is one of the highest communities<br />
in the world -- or it was when it was happening. And I was sitting on<br />
the plane coming over here on Tuesday and I was sitting next to an<br />
Indian child. And he said "Oh, look. Machu Pichu. Do you know why<br />
people live there - or lived there?" I said "Actually no, I do not actually.<br />
It is a mystery to me" He said, "Well, because if you look sideways,<br />
look sideways, and look at the mountain -- here -- that is the face of<br />
God and they wanted to be close to God and that was the reason<br />
why they were up there". If you try and get there, you are going to<br />
run out of breath, you almost need oxygen to live there, but they grew<br />
plants and they are quite happy out there. Who hasn't wanted to<br />
build a tree house, who hasn't wanted to get up and look back down<br />
and say 'this is my castle'? Well, if I would have build that, I had lots<br />
of money and why did they live there? I don't know. Perhaps they just<br />
want to look down on their neighbours and say you know, and there<br />
are some beautiful things if we can get close to nature. You know, in<br />
woodlands. I mean why not do this? There is plenty of opportunities<br />
for us, fantastic. In the city environments, there are a lot of stresses on<br />
plants. In the Mediterranean region in Turkey, it is very hot, it is very<br />
dry and you have to have different technologies, but there is, on one<br />
side they have got a very hot dry elevation and the other side they<br />
have got a great green elevation, it is a beautiful combination. In Paris,<br />
again green in the vertical all helps the city to create a sense of world<br />
being. I think that's what greening can do. They can remind you of<br />
our origins. You know, we lived, we grew up in forests and we, you<br />
know, decades, centuries, millenia ago that we moved from the forest<br />
out of the open areas, and then into cities. This is a scheme that we<br />
have completed for the new Brit Oval Square in London and I don't<br />
know if you like cricket, this is the place to go; it is a green wall<br />
surrounding the back of a building. Again we are using vertical greening<br />
GYODER 99