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Zirve Eki - ISTANBUL REstate

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16-17 Haziran 2010<br />

Gayrimenkul <strong>Zirve</strong>si 10<br />

Oturum Baflkan› : Tony Phillipson<br />

Thank you very much Gerhard. And now I would like to introduce our third speaker, Mr David O'Brien. David has 20<br />

years experience in master planning, design and management in a wide range of projects both in the UK and overseas.<br />

He joined Hyland Edgar Driver in 2001 bringing with him special expertise and in urban regeneration, international<br />

resorts, memorial parks and urban designing. David developed the landscape design for the skygarden for number<br />

20 Fenchurch street, the famous Walkie-Talkie building in London in association with Rafael Vinoly Architects and the<br />

royal botanic gardens in Kew. David...<br />

David O'Brien<br />

Hyland Edgar Driver Peyzaj Mimarl›¤›, Direktör<br />

Good afternoon. I hope you are enjoying your trade fair and meeting<br />

lots of people and I hope the fair is good. Well, I am a landscape<br />

architect and I work for Hyland Edgar Driver. And I understand there<br />

are not so many landscape architects in Turkey. So I'm quite interested<br />

in your responses to the work that we do. And we are involved with<br />

master planning, with the waterfronts. We build the spaces and the<br />

squares, and the streets between the buildings. We try to get those<br />

to have a life, have culture and have interest. This a scheme we are<br />

doing Manchester, in northern part of England. It has taken us eight<br />

year as to build this, because we are working closely with the local<br />

authority, on regeneration, creating green spaces, grass, the variety<br />

of spaces for the city dweller. And we want those spaces to be active.<br />

We want things to happen in those spaces, to have entertainment,<br />

Christmas fairs, you name it. There is -- in a city, you gotta have<br />

somewhere to go. I mean, in Turkey, in Istanbul, it is highrise everywhere<br />

and people come down, don't they, to have - to a café, meet with<br />

friends, they take their children for a walk and so on. There is not a<br />

lot of open space here, but there are the compensations. So we are<br />

also working on the Olympic Stadium in London for 2012 Olympics.<br />

Again, we do airports, design and so on. Now I am going to come<br />

on to high rise living. What I am interested in doing today is exploring<br />

with the parks. This is a park in Libya that we are just delivering. Now,<br />

gardens in the air. Why should we have green spaces up in the air?<br />

I mean, what is the point? Is it something you add? You design the<br />

building and then put some trees in there? Is that going to be sufficient,<br />

will it work? Is it sustainable? It is not a new idea. It has been done<br />

for ages. Hanging gardens of Babylon, well, OK, there are reasons<br />

why they did that, for defense. There was not a lot of land and so on.<br />

But these were real gardens. You know, they grew fruit here, oranges,<br />

vegetables. It was a living, breathing community. The kind of landscape<br />

treatments that we might think of in using high level landscapes had<br />

been done, I mean this is an agricultural landscape. It's using the slope<br />

effectively. India, tea plantations, again you know there are technologies<br />

which are very very old that we can start to use in high rise buildings.<br />

This is very interesting, because this is one of the highest communities<br />

in the world -- or it was when it was happening. And I was sitting on<br />

the plane coming over here on Tuesday and I was sitting next to an<br />

Indian child. And he said "Oh, look. Machu Pichu. Do you know why<br />

people live there - or lived there?" I said "Actually no, I do not actually.<br />

It is a mystery to me" He said, "Well, because if you look sideways,<br />

look sideways, and look at the mountain -- here -- that is the face of<br />

God and they wanted to be close to God and that was the reason<br />

why they were up there". If you try and get there, you are going to<br />

run out of breath, you almost need oxygen to live there, but they grew<br />

plants and they are quite happy out there. Who hasn't wanted to<br />

build a tree house, who hasn't wanted to get up and look back down<br />

and say 'this is my castle'? Well, if I would have build that, I had lots<br />

of money and why did they live there? I don't know. Perhaps they just<br />

want to look down on their neighbours and say you know, and there<br />

are some beautiful things if we can get close to nature. You know, in<br />

woodlands. I mean why not do this? There is plenty of opportunities<br />

for us, fantastic. In the city environments, there are a lot of stresses on<br />

plants. In the Mediterranean region in Turkey, it is very hot, it is very<br />

dry and you have to have different technologies, but there is, on one<br />

side they have got a very hot dry elevation and the other side they<br />

have got a great green elevation, it is a beautiful combination. In Paris,<br />

again green in the vertical all helps the city to create a sense of world<br />

being. I think that's what greening can do. They can remind you of<br />

our origins. You know, we lived, we grew up in forests and we, you<br />

know, decades, centuries, millenia ago that we moved from the forest<br />

out of the open areas, and then into cities. This is a scheme that we<br />

have completed for the new Brit Oval Square in London and I don't<br />

know if you like cricket, this is the place to go; it is a green wall<br />

surrounding the back of a building. Again we are using vertical greening<br />

GYODER 99

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