The History of Initiation - The Masonic Trowel
The History of Initiation - The Masonic Trowel
The History of Initiation - The Masonic Trowel
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IN BRITAIN. 139<br />
chanted, 22 and three blessed drops <strong>of</strong> the Spirit were<br />
earnestly implored. <strong>The</strong> candidate was then introduced,<br />
and placed under the care <strong>of</strong> the <strong>of</strong>ficer who was stationed<br />
to receive him "in the land <strong>of</strong> rest." Soon,<br />
however, the active duties <strong>of</strong> initiation were commenced.<br />
<strong>The</strong> aspirant, who was denominated a blind man, 24 was<br />
appointed to kindle a fire under the cauldron. As the<br />
cauldron was a mystical word to express the whole circle<br />
<strong>of</strong> science taught in the mysteries, so the act <strong>of</strong><br />
kindling<br />
a fire under it must have had an evident reference to<br />
those preliminary ceremonies which were practised before<br />
the disclosure <strong>of</strong> any part <strong>of</strong> the august secrets <strong>of</strong><br />
the Order. A pageant was then formed, and the several<br />
candidates were arranged in ranks consisting <strong>of</strong> threes,<br />
fives, and sevens, according to their respective qualifications,<br />
and conducted nine times round the sanctuary in circles<br />
25<br />
from east to west by the south ;<br />
at first<br />
proceeding<br />
"with solemn step and slow," amidst an awful and death-<br />
like silence, to inspire a sacred feeling adapted to the re-<br />
ception <strong>of</strong> Divine truths ; at length the pace increased,<br />
until they were impelled into a rapid and furious motion<br />
22 Maur. Hist. Hind., vol. ii., p. 170.<br />
23<br />
Signs and Symbols, Lect. viii.<br />
24 <strong>The</strong> ceremonies <strong>of</strong> initiation which I am about to describe and<br />
illustrate, have been transmitted to us by Taliesin, in a poem <strong>of</strong> ex-<br />
traordinary merit, called Hanes Taliesin which ; contains a mythological<br />
account <strong>of</strong> the candidate's progress through the different<br />
stages, to his ultimate state <strong>of</strong> perfection. A translation <strong>of</strong> this<br />
poem may be found in Dav. Druid, p. 189, 213, 229.<br />
25 Diodorus informs us that the temple <strong>of</strong> Stonehenge was the peculiar<br />
abode <strong>of</strong> Apollo and that the ; god amused himself with a<br />
dance once in nineteen years, amongst his established train. On<br />
this observation, Davies remarks, that " as it was the known practice<br />
for certain priests, in the celebration <strong>of</strong> the mysteries, personally<br />
to represent the sun and moon, I conjecture that the Druids, in<br />
their great festival <strong>of</strong> the cycle, dressed up a pageant <strong>of</strong> their own<br />
order, to personate this luminous divinity."<br />
<strong>The</strong> same may be said<br />
<strong>of</strong> the dance called Betarmus, which was used during the initiations<br />
in honour <strong>of</strong> the solar orb, and his attendant planets; and <strong>of</strong> the<br />
Egyptian Pyrrhic dance, afterwards used by the Greeks, which was<br />
performed at the summer solstice, accompanied by the singing <strong>of</strong><br />
dithyrambic odes ; and the same idolatrous dances were performed<br />
by the Israelites, which they had learned in Egypt. In the Eaas<br />
Jattra, or the dance <strong>of</strong> the circle in India, the performers proceeded<br />
sometimes from left to right, as amongst the Romans ;<br />
and sometimes<br />
from right to left, as with the Greeks and Britons. And the Greeks<br />
used a similar movement while their choruses were performing.