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gether.<br />

INTRODUCTION. xiii<br />

India retains a place of some dignity; but Brahma,<br />

Siva, and Vishwu have, in the Epics, risen to the chief place.<br />

Even of these three, the first is comparatively insignificant.<br />

His work of creation was over, and if he was ever an object of<br />

great adoration, he had ceased to be so. Vishnu and $iva both<br />

appear in these poems; and although Vishmi is the god whc<br />

holds the most prominent place, still there are many passages in<br />

which $iva is elevated to the supreme dignity. The Vishwu<br />

who, in the Vedas, was the friend and companion of Indra and<br />

strode over the universe, has become the great deity of preserva-<br />

tion, and the terrible and howling Rudra is now $iva, the deity<br />

of destruction and renovation. Each of these two gods in his<br />

turn contends with and subdues the other ;<br />

now this, now that,<br />

receives the homage of his rival, and each in turn is lauded and<br />

honoured as the chief and greatest of gods.<br />

The Avataras or incarnations of Vishnu assume a prominent<br />

place in the poems, and still more so in the Purawas. The first<br />

three, the Fish, the Tortoise, and the Boar, have a cosmical cha-<br />

racter, and are foreshadowed in the hymns of the Vedas. The<br />

fourth, or Man-lion, seems to belong to a later age, when the<br />

worship of Vislwu had become established The fifth, or<br />

Dwarf, whose three strides deprived the Asuras of the dominion<br />

of heaven and earth, is in its character anterior to the fourth<br />

Avatara, and the three strides are attributed to Vishwu in<br />

the Veda. The fifth, sixth, and seventh, Parasu-rima, Eama-<br />

chandra, and Kn'shwa, are mortal heroes, whose exploits are<br />

celebrated in these poems so fervently as to raise the heroes to<br />

the rank of gods. The ninth Avatara, Buddha, is manifestly<br />

and avowedly the offspring of the preaching of Buddha ; and<br />

the tenth, Kalki, is yet to come.<br />

When we reach* the Puranas there is found a very different<br />

condition of things. The true meaning of the Vedic myths is<br />

entirely lost, their origin is forgotten, and the signification and<br />

composition of many of the mythic names are unknown. Ma*<br />

vellous legends have gathered round the favourite, divinities, and<br />

many more have been built upon fanciful etymologies of the old<br />

names. The simple primitive fancies suggested by the opera-<br />

tions of nature have disappeared, and have been supplanted by

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