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246 PURANA.<br />

classified in three categories, according to the prevalence in them<br />

of the qualities of purity, gloom, and passion. Those in which<br />

the quality of Sattwa or purity prevail are (i.) Vislmu, (2.)<br />

Naradiya, (3.) Bhagavata, (4.) Garu^a, (5.) Padma, (6.) Varaha.<br />

These are Vaishnava Purarcas, in which the god Vishnu holds<br />

the pre-eminence. The Puranas in which Tamas, the quality of<br />

gloom or ignorance, predominates are (i.) Matsya, (2.) Kurma,<br />

(3.) Linga, (4.) Siva, (5.) Skanda, (6.) Agni. These are devoted<br />

to the god $iva. Those in which Rajas or passion prevails<br />

relate chiefly<br />

to the god Brahma. They are<br />

(i.) Brahma, (2.)<br />

Brahmanda, (3.) Brahma-vaivarta, (4.) MarkaraZeya, (5.) Bhavi-<br />

shya, (6.) Vamana. The works themselves do not fully justify<br />

this classification. None of them are devoted exclusively to one<br />

god, but Vishnu and his incarnations fill the largest space. One<br />

called the Yayu Purana is in some of the Puranas substituted<br />

for the Agni, and in others for the /Siva. This Vayu is apparently<br />

the oldest of them, and may date as far back as the sixth<br />

century, and it is considered that some of the others may be as<br />

late as the thirteenth or even the sixteenth century. One fact<br />

appears certain : they must all have received a supplementary<br />

revision, because each one of them enumerates the whole<br />

eighteen. The Markandeya is the least sectarian of the Puranas<br />

; and the Bhagavata, which deals at length with the incar-<br />

nations of Vishnu, and particularly with his form Krishna, is the<br />

most popular. The most perfect and the best known is the<br />

Vishnu, which has been entirely translated into English by<br />

Professor Wilson, and a second edition, with many valuable<br />

notes, has been edited by Dr. F. E. Hall The text of the Agni<br />

and Markan&ya Puranas is in course of publication in the<br />

Billiotheca Indica. The Puranas vary greatly in length. Some<br />

of them specify the number of couplets that each of the eighteen<br />

contains. According to the Bhagavata, the sum total of couplets<br />

in the whole eighteen is 400,000 ; the Skanda is the longest,<br />

with 81,000, the Brahma and the Vamana the shortest, with<br />

10,000 couplets each.<br />

The Upa Puranas are named (i.) Sanat-kumara, (2.) Nara-sinha<br />

or Nn'-sinha, (3.) Naradiya or Vrzhan (old) Naradlya, (4.) $iva,<br />

(5. ) Dur-vasasa, (6. ) Kapila, ( 7. ) Manava, (8. ) Ausanasa, ( 9. ) Varuna,<br />

(10.) Kalika> (n.) /Samba, (12.) Nandi, (13.) Saura, (14.) Parir<br />

jara, (15.) Aditya, (16.) Maheswara, (17.) Bhagavata, (18.)

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