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Mediterraneans 85<br />

instance) the much more extensive use <strong>of</strong> textiles in that region<br />

it was possible to deduce that the Spaniards were on the edges <strong>of</strong><br />

an exotic and opulent world.<br />

7. the japanese mediterranean<br />

This exotic and opulent world was not supposed (according to<br />

Columbus) to be an undiscovered civilization but Cathay and<br />

Cipangu, China and Japan, though he relied for the latter only<br />

on the vague words <strong>of</strong> Marco Polo, who portrayed a highly<br />

luxurious society rich in silks and precious metals. In fact, the<br />

real medieval Japan fits well into the theme <strong>of</strong> societies tranformed<br />

by their contacts across a ‘Mediterranean’. Japan’s<br />

Mediterranean consists <strong>of</strong> two main parts: in the north, there<br />

are the waters between the main island, Honshu, and the Asian<br />

mainland, including the eastern coast <strong>of</strong> Korea and the early<br />

medieval kingdom <strong>of</strong> Parhae between Harbin and the sea; in the<br />

south, the Korea Strait acted as a bridge between the southern<br />

Japanese island <strong>of</strong> Kyushu and Korea, while to the west <strong>of</strong><br />

Kyushu lay the Yellow Sea and the East China Sea, bordered<br />

by the chain <strong>of</strong> the Ryukyu islands, the best known <strong>of</strong> which is<br />

Okinawa, and, at the southernmost point <strong>of</strong> the chain, the larger<br />

island <strong>of</strong> Taiwan. This ‘Mediterranean’ <strong>of</strong>fers some <strong>of</strong> the<br />

richest parallels to the Classic Mediterranean as far as the<br />

medieval period is concerned, just as the evolution <strong>of</strong> Japanese<br />

society as a whole has certain striking resemblances to that <strong>of</strong><br />

‘feudal’ Europe; it therefore makes sense to look at the evidence<br />

quite closely. 8<br />

What is interesting about the Japanese case is that the flow <strong>of</strong><br />

ideas and artistic influences was primarily into Japan in the<br />

Middle Ages, though trade between Japan and Asia was naturally<br />

a two-way process. The Japanese, though <strong>of</strong>ten keen to<br />

assert their political autonomy, were influenced in the way<br />

they articulated the idea <strong>of</strong> that autonomy by Chinese models;<br />

they acquired texts and part <strong>of</strong> their writing system from China;<br />

8 For what follows, I have relied on Jean-François Souyri, The World<br />

Turned Upside Down: Medieval Japanese Society, trans. K. Roth (New York,<br />

2001/London, 2002), and on Charlotte von Verschuer, Le Commerce extérieur<br />

du Japon des origines au XVIe siède (Paris, 1988) who have themselves built on<br />

exciting new archival work by Japanese scholars.

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