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310 Mediterranean Reception in the Americas<br />

the current sympathizers <strong>of</strong> the cause—not a few <strong>of</strong> whom still<br />

exist. 31<br />

Nowadays the most famous place in the Phoenician cartography<br />

in Brazil is the Pedra da Gávea, in Rio de Janeiro, where<br />

there is a supposed Phoenician inscription. Most probably fake<br />

or false, the writing is mysterious enough to bring many curious<br />

people, especially tourists, to the place, a very scenic spot. The<br />

myth <strong>of</strong> Phoenician origins is a living force in Brazil, and there<br />

is little space for scientific contradiction. A whole literature on<br />

the topic grows at its own pace, and it does not matter if the<br />

supposed Phoenician inscriptions have been demonstrated to be<br />

the remains <strong>of</strong> Masonic dramatizations or just natural rock<br />

formations. The same happens in the cases in Piauí and Paraíba<br />

(north-north-eastern states <strong>of</strong> Brazil), where the signature <strong>of</strong><br />

the Austrian ancient historian Ludwig Schwennhagen provided<br />

the necessary support to confirm that there were ruins <strong>of</strong><br />

Phoenician cities, in a place later called Sete Cidades, a National<br />

Park in Piauí which is much visited. 32<br />

By the time <strong>of</strong> Bernardo Ramos, the state <strong>of</strong> Amazonas was<br />

experiencing a great wave <strong>of</strong> development, the so called Rubber<br />

Cycle, with the rise <strong>of</strong> newly enriched elites eager for their own<br />

distinction. These men were ready to give up, or to enhance,<br />

their own local and Portuguese colonial identity and build a new<br />

image <strong>of</strong> themselves, based on the best icons <strong>of</strong> civilization<br />

coming from the North. The consequence <strong>of</strong> that was a cycle<br />

<strong>of</strong> neoclassicism, with its most vehement expression in architecture,<br />

sustained by a project full <strong>of</strong> ideological meaning. The<br />

greatest example is the magnificent building <strong>of</strong> the Teatro de<br />

Manaus, a great Opera House built in 1896, where in the first<br />

decades <strong>of</strong> the twentieth century the greatest Mediterranean<br />

31 The text would say: ‘Tyro, Phoenicia, Badezir, first-born <strong>of</strong> Jethbaal’, as<br />

Ramos ‘transliterated’ and ‘translated’ it (Inscrições e tradições, i. 436). There<br />

are variants.<br />

32 L. Schwennhagen, Fenícios no Brasil: antiga história do Brasil, de 1100 a.C.<br />

a 1500 d.C.: tratado histórico (Rio de Janeiro, 1976). The researches and articles<br />

<strong>of</strong> Schwennhagen date from the 1920s and 1930s. Cf. also C. Gordon, ‘The<br />

Cannanite Text from Brazil’, Orientalia 37 (1968), 425–36, and the response <strong>of</strong><br />

F. M. Cross Jr., ‘The Phoenician Inscription from Brazil: A Nineteenth-<br />

Century Forgery?’, Orientalia 37 (1968), 437–60, followed by C. Gordon, ‘Reply<br />

to Pr<strong>of</strong>essor Cross’, Orientalia 37 (1968), 461–3, and by F. M. Cross Jr.,<br />

‘Phoenicians in Brazil?’, Biblical Archaeology Review (Jan./Feb. 1979), 36–43.

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