Boxoffice-December.02.1950
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I<br />
most<br />
A HANDBOOK OF SUCCESSFUL<br />
REFRESHMENT MERCHANDISING<br />
by V.<br />
L WADKINS*<br />
OEULING SWEETS in<br />
theatres to swell<br />
profits is OS old as showmanship. And showmanship<br />
is probably as old as man, though<br />
the statements of certain zealots that Noah's<br />
Ark was the first showboat must be taken<br />
with studied reservations.<br />
X HE MOST IMPORTANT faCtOl' abOUt<br />
your refreshment stand is its location. In<br />
our theatres It has been placed in the<br />
advantageous spot possible, and has<br />
been designed and built as part of the<br />
theatre, so as not to give the impression<br />
it was "stuck in" as an afterthought.<br />
Cleanliness is a "must" in handling<br />
things that people eat and drink. As<br />
practically every sale in the theatre is<br />
an impulse sale, a spotlessly clean and<br />
attractive display is all-important.<br />
DRESSING YOUR CANDY CASE<br />
We have developed a method of trimming<br />
our candy cases so that they will be<br />
well balanced, having diversified color arrangement,<br />
making for easy selection on<br />
the part of the customer. Every candy<br />
bar or box item has a complement. For<br />
example. Dots will balance well in a case<br />
with Black Crows, Mounds with Almond<br />
Joys, Fifth Avenue with Oh Henry and<br />
Switzer Licorice with Tootsie Rolls. By<br />
pairing your candy items in this manner<br />
and trimming the case from both ends<br />
toward the middle, you will achieve the<br />
desired results. The diagram on page 10 illustrates<br />
the display of about 55 candy<br />
complements.<br />
We have found that by displaying<br />
last-selling ten-cent items such as<br />
Mounds, Hersheys. Almond Joys and<br />
25 Carat on top of the counter our<br />
percentage of sales in ten-cent items<br />
has jumped from 19 per cent to as<br />
high as 44 per cent. There is some-<br />
*Manager,<br />
County Thee<br />
& Se<br />
Indl<<br />
U N THESE PAGES are presented a condensation<br />
of the manual of candy and popcorn<br />
selling operations recommended to the managers<br />
of the twenty houses in the circuit with which<br />
Wadkins is associated.<br />
Each theatre is equipped with a custom-built<br />
refreshment service counter where both candy<br />
and popcorn are sold quite successfully.<br />
The techniques and opinions expressed in the<br />
manual reflect the experience of this circuit and<br />
have not been edited to conform with any notional<br />
average conditions.<br />
thing about open display which quickens<br />
the impulse to buy. People will<br />
pick up a candy bar and wait with the<br />
money in their hands to be laaited on<br />
where they won't wait to be served<br />
from under glass.<br />
In our theatres, where space permitted,<br />
we have placed backbars, which we regard<br />
with the same degree of emphasis in display<br />
as we do the candy case. The backbar<br />
particularly lends itself to the unit display<br />
of chewing gums, Life Savers, Charms, etc.<br />
Maintain an orderly but "massive" display<br />
of candy on your backbar at all times,<br />
winter and summer.<br />
Candy has to be fresh to bring out all<br />
of the flavor goodness of the ingredients<br />
used in the manufacture of quality candy.<br />
One of the major reasons the public has<br />
accepted candy selling in theatres so enthusiastically<br />
has been that in most instances<br />
it has received candy that is<br />
fresher than that sold in most other re-<br />
( Continued on following pagei<br />
"What passes for entertainment in any<br />
day is the subject of a festive occasion<br />
made more festive by something to chew<br />
on, and the precedent for popcorn, soft<br />
drinks and candy in a theatre is grounded<br />
in ancient custom.<br />
"Today's concession business in theatres<br />
has grown into a big thing. The magic<br />
fact about candy is that it is an impulse<br />
item. In a recent survey the Dupont company<br />
found that 71 per cent of candy sales<br />
In food stores were made on impulse. More<br />
than seven out of 10 candy purchases were<br />
made on impu'se alone. In theatres even a<br />
greater percentage of candy is purchased on<br />
impulse.<br />
"Now If attendance is down in your theatre,<br />
it follows your candy sales will be down<br />
unless you are able to increase the average<br />
amount sold to each customer and create<br />
that impulse to buy in the 40 per cent of<br />
your patrons who do not ordinarily buy. The<br />
odds are with you because 96 out of 100<br />
women and 92 out of 100 men like candy.<br />
The odds are probably 1,000 to 1 that the<br />
average moviegoer has no candy with him<br />
when he enters the theatre. Entertainment<br />
puts people in the mood for candy. And<br />
furthermore, they have two or three hours<br />
In which to enjoy the delicious tidbit which<br />
you are going to sell them."<br />
V. L. WADKINS<br />
Indiana County Theatres Co.<br />
BOXOFTICE<br />
December 2, 1950