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Boxoffice-December.02.1950

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I<br />

most<br />

A HANDBOOK OF SUCCESSFUL<br />

REFRESHMENT MERCHANDISING<br />

by V.<br />

L WADKINS*<br />

OEULING SWEETS in<br />

theatres to swell<br />

profits is OS old as showmanship. And showmanship<br />

is probably as old as man, though<br />

the statements of certain zealots that Noah's<br />

Ark was the first showboat must be taken<br />

with studied reservations.<br />

X HE MOST IMPORTANT faCtOl' abOUt<br />

your refreshment stand is its location. In<br />

our theatres It has been placed in the<br />

advantageous spot possible, and has<br />

been designed and built as part of the<br />

theatre, so as not to give the impression<br />

it was "stuck in" as an afterthought.<br />

Cleanliness is a "must" in handling<br />

things that people eat and drink. As<br />

practically every sale in the theatre is<br />

an impulse sale, a spotlessly clean and<br />

attractive display is all-important.<br />

DRESSING YOUR CANDY CASE<br />

We have developed a method of trimming<br />

our candy cases so that they will be<br />

well balanced, having diversified color arrangement,<br />

making for easy selection on<br />

the part of the customer. Every candy<br />

bar or box item has a complement. For<br />

example. Dots will balance well in a case<br />

with Black Crows, Mounds with Almond<br />

Joys, Fifth Avenue with Oh Henry and<br />

Switzer Licorice with Tootsie Rolls. By<br />

pairing your candy items in this manner<br />

and trimming the case from both ends<br />

toward the middle, you will achieve the<br />

desired results. The diagram on page 10 illustrates<br />

the display of about 55 candy<br />

complements.<br />

We have found that by displaying<br />

last-selling ten-cent items such as<br />

Mounds, Hersheys. Almond Joys and<br />

25 Carat on top of the counter our<br />

percentage of sales in ten-cent items<br />

has jumped from 19 per cent to as<br />

high as 44 per cent. There is some-<br />

*Manager,<br />

County Thee<br />

& Se<br />

Indl<<br />

U N THESE PAGES are presented a condensation<br />

of the manual of candy and popcorn<br />

selling operations recommended to the managers<br />

of the twenty houses in the circuit with which<br />

Wadkins is associated.<br />

Each theatre is equipped with a custom-built<br />

refreshment service counter where both candy<br />

and popcorn are sold quite successfully.<br />

The techniques and opinions expressed in the<br />

manual reflect the experience of this circuit and<br />

have not been edited to conform with any notional<br />

average conditions.<br />

thing about open display which quickens<br />

the impulse to buy. People will<br />

pick up a candy bar and wait with the<br />

money in their hands to be laaited on<br />

where they won't wait to be served<br />

from under glass.<br />

In our theatres, where space permitted,<br />

we have placed backbars, which we regard<br />

with the same degree of emphasis in display<br />

as we do the candy case. The backbar<br />

particularly lends itself to the unit display<br />

of chewing gums, Life Savers, Charms, etc.<br />

Maintain an orderly but "massive" display<br />

of candy on your backbar at all times,<br />

winter and summer.<br />

Candy has to be fresh to bring out all<br />

of the flavor goodness of the ingredients<br />

used in the manufacture of quality candy.<br />

One of the major reasons the public has<br />

accepted candy selling in theatres so enthusiastically<br />

has been that in most instances<br />

it has received candy that is<br />

fresher than that sold in most other re-<br />

( Continued on following pagei<br />

"What passes for entertainment in any<br />

day is the subject of a festive occasion<br />

made more festive by something to chew<br />

on, and the precedent for popcorn, soft<br />

drinks and candy in a theatre is grounded<br />

in ancient custom.<br />

"Today's concession business in theatres<br />

has grown into a big thing. The magic<br />

fact about candy is that it is an impulse<br />

item. In a recent survey the Dupont company<br />

found that 71 per cent of candy sales<br />

In food stores were made on impulse. More<br />

than seven out of 10 candy purchases were<br />

made on impu'se alone. In theatres even a<br />

greater percentage of candy is purchased on<br />

impulse.<br />

"Now If attendance is down in your theatre,<br />

it follows your candy sales will be down<br />

unless you are able to increase the average<br />

amount sold to each customer and create<br />

that impulse to buy in the 40 per cent of<br />

your patrons who do not ordinarily buy. The<br />

odds are with you because 96 out of 100<br />

women and 92 out of 100 men like candy.<br />

The odds are probably 1,000 to 1 that the<br />

average moviegoer has no candy with him<br />

when he enters the theatre. Entertainment<br />

puts people in the mood for candy. And<br />

furthermore, they have two or three hours<br />

In which to enjoy the delicious tidbit which<br />

you are going to sell them."<br />

V. L. WADKINS<br />

Indiana County Theatres Co.<br />

BOXOFTICE<br />

December 2, 1950

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