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Boxoffice-December.02.1950

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:<br />

Dec.<br />

Manager in Snrall College Town<br />

Succeeds Wifh 'Different' Ideas<br />

Several years ago, Harold J. Kelly gave<br />

up a 20-year career as a musician to become<br />

manager of the Strand Theatre in<br />

Orono. Me. With no previous experience<br />

at management, during his first year at<br />

the Strand he put the house on a paying<br />

basis after many years of unprofitable enterprise.<br />

Kelly attributes his success to the fact<br />

that he is constantly trying something<br />

different. More than a year ago, when theatre<br />

attendance first began to fall off, he<br />

decided the Strand was not getting enough<br />

patronage from students at the University<br />

of Maine. Accordingly, he called on members<br />

of the college faculty and asked for<br />

their assistance. He was told that if the<br />

theatre were to present films on some of<br />

Shakespeare's works, operettas, foreignlanguage<br />

pictures and almost anything of<br />

educational value, it might help.<br />

Kelly started cautiously by booking<br />

"Henry V." The college cooperated by<br />

making announcements on the public address<br />

system to students in all classes and<br />

through special heralds posted on the university<br />

grounds. The picture rolled up the<br />

largest attendance and gross on record at<br />

the Strand up to that point. Soon after,<br />

he booked "Hamlet." That established a<br />

new house record.<br />

Kelly then decided to concentrate on his<br />

Tuesday night business which was hitting<br />

below average. He booked films in French,<br />

Italian, German and Swedish, with occasional<br />

British pictures worked in. The<br />

department of modern languages at the<br />

university has been especially cooperative,<br />

frequently urging students to see these<br />

films. Business on Tuesday nights has<br />

picked up to about three times what it was<br />

formerly.<br />

Another factor which has been instrumental<br />

in attracting patronage is that of<br />

Football Fans Guess<br />

Scores on Heralds<br />

Ever since the football season started.<br />

Chuck Keeling, manager of the Tower Theatre,<br />

Oklahoma City, has been exploiting his<br />

attractions by special heralds which give<br />

sports fans an opportunity to win theatre<br />

passes by guessing the scores of college football<br />

games.<br />

Tho.se who receive the heralds must mail<br />

or bring them to the Tower Theatre. The<br />

names and addresses thus provide Keeling<br />

with a good source of new names for the<br />

theatre mailing list.<br />

As a .seasonal stunt, and to promote the<br />

sale of gift books. Keeling displayed a huge<br />

pumpkin in the theatre lobby and invited patrons<br />

to guess its weight. Tlie winner was<br />

offered a $5 gift book of tickets, with a number<br />

of trip pa.s.ses going to runnersup. The<br />

pumpkin was displayed in an atmospheric<br />

setting of cornhu.sks, wheat stalks, and<br />

autumn foliage.<br />

capitalizing on newsreel shots having<br />

special local interest. When a minister<br />

from Orono won a prize at Valley Forge,<br />

Paramount News covered the event and<br />

Kelly advertised it locally. He contacted<br />

the minister and informed him that he<br />

was in the newsreel, and the clergyman<br />

passed the information on to his parishioners.<br />

The result was that almost the<br />

entire congregation came to see the show.<br />

Kelly recently staged an all-sports program<br />

consisting of shorts on football, golf,<br />

canoeing, snow carnivals, hunting and<br />

fishing. The two-hour program attracted<br />

more than double the normal capacity of<br />

the theatre. Kelly persists in believing<br />

that extra business is picked up in this<br />

way and that patrons who have not attended<br />

the Strand for a period of time<br />

become reacquainted with the theatre,<br />

facilities, comforts, etc., and develop into<br />

steady patrons again.<br />

On the public relations side, Kelly permits<br />

the high school to use the theat;re for<br />

baccalaureate exercises. Two days a year,<br />

the Kiwanis and Junior Chamber of Commerce<br />

run a free show for kids at the<br />

Strand. The theatre's share in this is to<br />

furnish the film and the operator, with<br />

the civic groups supplying goodies for the<br />

youngsters. It all helps, writes Kelly, as<br />

do other civic services in which the theatre<br />

cooperates.<br />

Orono has a population of about 6,000<br />

and represents a typical small college town.<br />

It is located between two large cities, each<br />

five miles distant. A good many of the<br />

people in Orono patronize the first run<br />

houses in these two cities, so that something<br />

different in the way of entertainment<br />

is necessary to maintain local pati'onage.<br />

Kelly's formula suggests a pattern<br />

which may sound familiar to successful<br />

exhibitors in similar situations.<br />

Women Attempt to Fill<br />

'The Petty Girl' Shoes<br />

Bill Hulbert. manager of the Kent (Ohioi<br />

Theatre, used a Cinderella tieup to help exploit<br />

"The Petty Girl." He obtained a smallsize<br />

pair of shoes and invited women patrons<br />

to "Try Them on in the Lobby. If They Fit.<br />

You Get a Free Pass to See. etc. etc."<br />

Nine pinup stills and a three-sheet display<br />

backed up the stunt with full details on the<br />

contest.<br />

Hulbert promoted windows by using the<br />

catchline. "When the 'Petty Girl' needs a<br />

Hairdresser, she calls, etc."<br />

Publishes a Weekly<br />

A four-page newspaper-style tabloid is being<br />

published weekly by Bob Moscow, manager<br />

of the Rialto Theatre, Atlanta, to publicize<br />

coming screen shows. Advertising pays<br />

all costs of the promotion. Distribution of the<br />

tabloids in hotels, restaurants, night clubs<br />

and at the theatre, assures Moscow of excellent<br />

circulation.<br />

Music Score Exploits<br />

'New Orleans' Date<br />

At Meriden, Conn.<br />

Tony Massella. pinch-hitting as relief manager<br />

at the Palace, Meriden, Conn., capitalized<br />

on the music score from "Toast of<br />

New Orleans" to publicize the playdates two<br />

weeks prior to opening. Before the start<br />

of the daily show, at intermissions and for<br />

exit music, Mario Lanza records were played<br />

over the public address system, interspersed<br />

with announcements of the starting dates.<br />

Disk jockeys on radio station WMMW used<br />

the records and direct announcements plugging<br />

the Palace booking. Lanza recordings<br />

were placed in jukeboxes, with signs calling<br />

attention to the Palace playdates.<br />

Massella distributed 50 window cards in the<br />

downtown areas and in the Italian residential<br />

section. He planted a "cave man vs.<br />

smoothie" contest in the Meriden Record and<br />

the Journal, with Savings bonds and guest<br />

tickets as prizes.<br />

Menus, doilies and place mats in restaurants<br />

and lunch counters were imprinted<br />

with theatre copy. Two thousand bags were<br />

imprinted and distributed at the Growers<br />

Exchange. Two hundred carnations were<br />

distributed at the main downtown intersection<br />

by an attractive young woman. Atached<br />

to each flower was a card imprinted<br />

with special copy.<br />

Theatre employes wore sashes lettered<br />

with the picture title, two weeks prior to<br />

opening, and special display cards were<br />

placed in dance halls, at the bus terminal<br />

and in downtown hotel lobbies. The two<br />

principal music stores In Meriden displayed<br />

records and albums along with stills and<br />

posters bearing full theatre credits.<br />

Public Supports Benefit<br />

For Indigent Veteran<br />

True to the tradition of show business in<br />

being foremost to respond with genuine help<br />

for those who need it. Marvin Dreyer. manager<br />

of the Cameo Theatre. El Sereno. Calif.,<br />

took the initiative in organizing a benefit<br />

for Al Fertig. pain-racked war veteran with<br />

no funds.<br />

Fertig's plight in fighting the dread rheumatoid<br />

arthritis and the lack of funds came<br />

to Dreyer's attention through a news story<br />

in the local newspaper. An Al Fertig benefit<br />

show was immediately booked for the<br />

Cameo. With strong support from service<br />

organizations, the press and local merchants,<br />

the show was well publicized.<br />

Tickets were placed on sale in advance. The<br />

success of the project was lauded in editorials<br />

in the El Sereno Reporter-News, commending<br />

Dreyer and the Cameo Tlieatre.<br />

Clergymen Are Guests<br />

A .screening for clergymen rated extra<br />

publicity when B. C. Waltz jr.. manager of<br />

the Garden Theatre. Davenport. Iowa,<br />

booked "Prince of Peace." One minister endorsed<br />

the film and recommended that all<br />

see it. Orphans were invited to attend a<br />

matinee, with the newspapers contributing<br />

extra stories. A false front was built by<br />

Waltz for current exploitation.<br />

40 — 398 — BOXOFFICE Showmandiser<br />

:<br />

2. 1950

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