Boxoffice-December.02.1950
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CAN'T RELEGATE DRIVE-INS<br />
TO STATUS OF SECOND RUNS'<br />
So Court Holds in Giving<br />
Outdoor Exhibitor Right<br />
To Bid for First Runs<br />
PHILADELPHIA—A federal court judge<br />
here this week ruled that distributors cannot<br />
arbitrarily designate drive-in theatres<br />
as subsequent runs and deny them the<br />
right to bid for first run playdates.<br />
This opinion was handed down by Judge<br />
William Kirkpatrick in a suit brought by<br />
David E. Milgram. operator of the Boulevard<br />
Drive-In Theatre located within the city<br />
limits of AUentown, Pa., against the major<br />
distribution.<br />
The decision carries with it broad implications<br />
of how drive-in theatres may<br />
have to be treated hereafter in the channeling<br />
of motion picture tln-ough the industry's<br />
complicated distribution system.<br />
DISTRIBUTORS MAY APPEAL<br />
In effect, what Judge Kirkpatrick said<br />
was that a motion picture theatre is a motion<br />
picture theatre regardless of whether<br />
it is indoor or outdoor and that distributors<br />
cannot differentiate between the two in selling<br />
their product. What the courts have<br />
held as illegal in the selling of motion pictures<br />
for indoor theatres also goes for the<br />
outdoor operation, the court implied. The<br />
same protection goes to both.<br />
The industry cannot relegate the drive-in<br />
to second run status, the court held.<br />
As a number of distributor chiefs within<br />
recent weeks have issued statements to the<br />
effect that they will sell to drive-ins on a<br />
subsequent run basis only, the ruling of<br />
Judge Kirkpatrick may be challenged in the<br />
higher courts. The court issued an injunction<br />
restraining the majors from denying<br />
the Boulevard Drive-In the right to bid<br />
for day-and-date playdates with downtown<br />
AUentown theatres, and from maintaining<br />
the clearance system which has been set<br />
up for the area.<br />
The Boulevard Drive-In was built a year<br />
ago at a cost of about $250,000. It accommodates<br />
900 cars and is located in an attractive<br />
section of AUentown, 2.4 miles from<br />
the business center of the city and 1.7 miles<br />
from the common boundary line between<br />
AUentown and Bethlehem. In effect, first<br />
runs in both of these cities are involved in<br />
the court order.<br />
28-DAY<br />
CLEARANCE CITED<br />
In handing down his decision, Judge Kirkpatrick<br />
pointed to the uniform 28-day clearance<br />
offered the Boulevard Theatre after<br />
all majors had turned down Milgram's request<br />
for first run pictures. "It is incredible<br />
that each proceeded in ignorance of how<br />
the others were dealing with it," the court<br />
said.<br />
Judge Kirkpatrick contended that the evidence<br />
in the case indicated the industry "is<br />
putting mto effect in AUentown a general<br />
program adopted and adhered to by the<br />
directing heads of the industry to relegate<br />
Mayer Sees Changes<br />
Possible in<br />
NEW YORK—The possibility that there<br />
may have to be changes in the structure of<br />
the Council of Motion Picture Organizations<br />
and its financing plans was raised by Arthur<br />
L. Mayer, executive vice-president, in a<br />
speech highlighting a COMPO day luncheon<br />
of Associated Motion Picture Advertisers<br />
held Thursday (30) at the Hotel Piccadilly.<br />
Mayer expressed confidence that COMPO<br />
will solve its problems of membership representation,<br />
an issue pressed by Theatre<br />
Owners of America, and of financing.<br />
Other speakers were: Robert W. Coyne,<br />
special COMPO counsel; Charles E. Mc-<br />
Carthy, information director, and Dick Pitts,<br />
editorial director. Ned E. Depinet, president,<br />
who was scheduled to speak, was unable to<br />
attend. Harry K. McWiUiams, AMPA president,<br />
presided.<br />
Mayer extended an invitation to Ampa<br />
to become a member of COMPO.<br />
"No doubt," he said, "you have read many<br />
alarming stories about COMPO and its problems.<br />
I want to assure you that we who are<br />
dealing with these problems are not disturbed.<br />
It is possible that we shall have to<br />
make some changes in our makeup and in<br />
our financing plans, but, far from being<br />
fatal, such changes will strengthen COMPO<br />
drive-in theatres generaUy to a second run<br />
status."<br />
The majors in their brief contended that<br />
the drive-in theatre being a new and radically<br />
different medium for the exhibition of<br />
motion pictures its "proper position in the<br />
complicated system of clearance and run .<br />
is not yet known, and must ultimately be<br />
found on the basis of experience and judgment<br />
of businessmen charged with the responsibility<br />
of obtaining the most advantageous<br />
outlets for their products. At the present<br />
time, that judgment dictates that a<br />
neighborhood drive-in play on a subsequent<br />
run."<br />
The court, however, did not think this<br />
arbitrary policy could be upheld.<br />
"The considerations moving the defendants<br />
to reject this plaintiff's bids . . . have<br />
basically, nothing to do with the location,<br />
size, equipment, appointments or policy of<br />
operation of his theatre or of any particular<br />
drive-in theatre as compared with others of<br />
the same type, nor with any local competitive<br />
situation," Judge Kirkpatrick said.<br />
"Of course, this case grows out of the<br />
demand of a single theatre owner and local<br />
situation is incidentally, though only accidentally,<br />
involved, but the reasons for refusing<br />
him first run pictures are wholly<br />
COMPO<br />
by broadening the base of its membership.<br />
In any event, having laid a soUd foundation<br />
for cooperative effort by aU branches of the<br />
industry, we are looking forward to a future<br />
of real achievement.<br />
"As one reads the ominous news from<br />
Korea and Lake Success, it becomes more<br />
and more obvious that, quite apart from<br />
exigencies of our own industry situation, the<br />
need for an organizatin like COMPO is imperative.<br />
"If the motion picture industry is to do<br />
its share in the gigantic struggle for freedom<br />
that seems impending, COMPO must<br />
not only be preserved but must be given<br />
the unflagging support of everybody in our<br />
business."<br />
Coyne explained COMPO plans for a survey<br />
to be conducted among exhibitors of<br />
public attitudes toward the industry, and<br />
also touched briefly on the possibility of a<br />
a second survey to be conducted by a professional<br />
polling organization.<br />
McCarthy explained the COMPO plan for<br />
institutional advertising in Editor & Publisher,<br />
and Pitts talked about his recent trip<br />
to Hollywood, where he gathered material<br />
for a series of newspaper stories that are<br />
soon to be published.<br />
directed to the position of the drive-in theatre<br />
in the motion picture industry. The<br />
sum of the testimony is that the plaintiff<br />
is excluded from first run bidding simply<br />
because his theatre is a drive-in. If the<br />
course which has been applied to him is<br />
adhered to generally (and, from the reasons<br />
given, the only possible conclusion is<br />
that it wiU be) no drive-in within 30 or. 40<br />
miles of any city anywhere will get first<br />
run pictures."<br />
"The erection of a fence around an industry<br />
to keep out newcomers is wholly repugnant<br />
to the poUcy which underlies our antitrust<br />
legislation," the court held.<br />
September Ticket Tax Take<br />
On Par With Last Year<br />
WASHINGTON—September boxoffice was<br />
on a par with last year, according to the<br />
Treasury department report this week on<br />
October admissions tax collections, which reflect<br />
the previous month's business.<br />
October collections totaled $35,036,535, as<br />
compared to $35,074,207 in October 1949. Business<br />
was up from that of a month earlier,<br />
but September collections of $31,346,385 were<br />
almost $4,000,000 below the 1949 level.<br />
BOXOFnCE December 2, 1950