18.11.2012 Views

Collectivism after Modernism - autonomous learning - Blogs

Collectivism after Modernism - autonomous learning - Blogs

Collectivism after Modernism - autonomous learning - Blogs

SHOW MORE
SHOW LESS

You also want an ePaper? Increase the reach of your titles

YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.

6. The Mexican Pentagon: Adventures<br />

in <strong>Collectivism</strong> during the 1970s<br />

COLLECTIVISM IN TWENTIETH-CENTURY MEXICO<br />

RUBÉN GALLO<br />

<strong>Collectivism</strong>, in its various guises, shaped crucial aspects of twentieth-century<br />

Mexican culture and politics. The 1917 constitution, drafted in the Wnal<br />

stages of the Mexican revolution, contained several articles promoting the<br />

collective organization of agriculture, business, and the economy; the most<br />

famous was article 27 instituting the ejido, or communally owned farmland,<br />

as the guiding principle of land redistribution. This article was meant to<br />

replace the greedy individualism that had become a trademark of the old<br />

regime—the presidency of PorWrio Díaz, who ruled Mexico from 1876 until<br />

the revolution exploded in 1910—with a socialist legal framework emphasizing<br />

the well-being of the collective.<br />

One of the tacit messages of the 1917 constitution was that individualism—especially<br />

in regard to owning property—was to blame for the<br />

social ills that led to the outbreak of the revolution in 1910. Land ownership<br />

was a compelling example: before 1910, most land was owned by a tiny elite<br />

who controlled most of the country’s wealth and had tremendous inXuence<br />

in politics. Revolutionary Wghters like Emiliano Zapata fought to break up<br />

latifundia and replace them with communally owned plots of land that would<br />

give impoverished peasants a means of subsistence. (One of Zapata’s mottos<br />

was La tierra es de quien la trabaja [The land belongs to those who work it].)<br />

In the years following the revolution, the zeal for collectivism<br />

extended beyond agriculture into other Welds, including the economy (postrevolutionary<br />

governments nationalized factories and industries so that the<br />

means of production would be collectively owned by all Mexicans) and<br />

the arts. In the arts, the muralist movement—led by Diego Rivera and Wnanced<br />

in large part by Minister of Education José Vasconcelos—emerged<br />

as the preferred postrevolutionary art form, in part because it replaced the<br />

165

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!