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Collectivism after Modernism - autonomous learning - Blogs

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Do-It-Yourself Geopolitics 285<br />

The constellation of artists’ groups and subversive social movements<br />

operating in the city of Barcelona has taken some audacious steps in<br />

this direction. 28 The galvanizing effect of the Prague protests against the<br />

IMF and the World Bank on September 26, 2000 (the Wrst big European convergence<br />

<strong>after</strong> Seattle), was particularly strong among these circles, which<br />

constantly evolve in a net-like or rhizomatic structure, making any attempt<br />

to identify them ultimately fruitless—and that’s part of the idea. An early collective<br />

known as Las Agencias, working with another group called OWcina<br />

2004, launched a subversive tease campaign in the streets, announcing Dinero<br />

(money), then completing a week later Dinero Gratis (money for free). The<br />

idea, it seems, was to short-circuit the advertising promise of instant grati-<br />

Wcation and to subvert the demands and deferrals of labor, while at the same<br />

time pointing toward a utopian economy of free time and creative possibility.<br />

Other projects went on to bring pop fashion to the protest campaigns,<br />

introducing the Prêt-à-révolter line of defensive clothing, offering all kinds<br />

of accessorized option-slots for the latest in tactical media gear, then the New<br />

Kids on the Black Block poster campaign, which made ridicule out of the<br />

heavily moralized discussion of violence or nonviolence that followed the<br />

protests against the G8 in Genoa, Italy, in July 2001. The Yomango project—<br />

FIGURE 10.4.<br />

Yomango “countermarketing”<br />

advertising the group’s theme<br />

“It’s either you, money, or Yomango.”<br />

Barcelona, Mexico City, Buenos Aires,<br />

and Rosario, Argentina. Image<br />

courtesy of Yomango,<br />

http://www.yomango.net.<br />

Creative Commons License.

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