Collectivism after Modernism - autonomous learning - Blogs
Collectivism after Modernism - autonomous learning - Blogs
Collectivism after Modernism - autonomous learning - Blogs
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The Mexican Pentagon 173<br />
5 million in 1960, 14 an explosion that was accompanied by a torrent of public<br />
works—freeways, expressways, overpasses, tunnels, and ring roads—that,<br />
much like Robert Moses’s network of highways and bridges in New York,<br />
radically transformed the region’s urban fabric. A city that had once been<br />
Wlled with Xaneurs and lively streets rapidly became a megalopolis of trafWc<br />
jams, insurmountable cement structures, and homicidal vehicles. Sidewalks<br />
were narrowed to make room for more cars, and tree-lined dividers were demolished<br />
to transform quiet streets into expressways. Neighborhoods were<br />
slashed by highways, making it impossible for residents to get across a few<br />
blocks without getting into a car and driving over a maze of bridges and<br />
overpasses.<br />
José Joaquín Blanco, a writer who lived through these modernizing<br />
projects, has described their detrimental effects on city life in the 1970s:<br />
For several years, the city government has launched spectacular highway projects that<br />
beneWt motorized individuals. This state of affairs, serious enough already, is becoming worsened<br />
by some even more alarming developments. The constructions favoring the individual<br />
transportation of the privileged not only take precedence over public transport for the<br />
masses, but positively hamper it, making it even slower and more tiresome; they destroy<br />
the lifestyles of the neighborhoods they cut through; they tend to ghettoize the poorer<br />
enclaves (some of which were not so badly off before, when a mixture of social classes<br />
brought with it better services). These areas are thus turning into quasi-underground<br />
slums, covered by fast, streamlined bridges carrying the privileged driver across and preventing<br />
him from touching or even seeing what lies beneath as he cruises in a matter of<br />
minutes from one upmarket zone to another. The proliferation of bypasses, urban freeways,<br />
expressways, turnpikes, and the like has a twofold purpose: to link together the city of<br />
afXuence while insulating it from the city of indigence by means of the retaining walls of<br />
these grand constructions. 15<br />
The street, in other words, was under attack by modernizing forces:<br />
public spaces where random people could come together to meet, stage demonstrations,<br />
or simply congregate were being demolished to make way for<br />
freeways that discourage interaction (drivers, unlike pedestrians, are physically<br />
isolated from one another as they move through the city). Mexico City<br />
was becoming what Rem Koolhaas has called a “generic city”—a metropolis<br />
of highways and disconnected neighborhoods where “the street is dead.” 16<br />
The attack against the street led not only to widespread alienation<br />
but, in some extreme cases, to death. The most striking example of the<br />
potentially devastating consequences of urban modernization was the student<br />
massacre of October 2, 1968, at Tlatelolco, which was made possible,<br />
in part, by urban planning and architecture. Tlatelolco is a middle-income<br />
housing project designed by Mario Pani—a well-connected architect whose<br />
vast projects so transformed Mexico City that he could be described as the<br />
Mexican Robert Moses—and its architecture played an important role in