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308 Index<br />

Nissenbi (Japan Advertising Artists<br />

Club), 62, 74 n. 52<br />

Nitten, 62<br />

Nixon, Richard, 64, 110<br />

N’Landu, Thierry, 242, 250 n. 30<br />

No! art group, 217 n. 3<br />

Nomo Group, 59<br />

Non-Art (Hi-geijutsu), 46, 51, 52, 53<br />

Nongovernmental Control Commission,<br />

255<br />

Not Channel Zero, 105<br />

Novikov, Timur, 268 n. 1<br />

Novoa, Glexis, 125, 127, 129, 137, 154<br />

n. 68, 154 n. 80, 154 n. 81, 154<br />

n. 83, 155 n. 85, 155 n. 86, 155<br />

n. 89, 156 n. 95, 157 n. 101, 159<br />

n. 117, 159 n. 120<br />

Nuclear Movement, 21<br />

Oiticica, Hélio, 230<br />

Okamoto Hajime, 65, 73 n. 20, 74 n. 60<br />

Okayama Young Artists Group, 59<br />

Oliva, Abel, 148 n. 25<br />

One Day/One Year of AZT, 208<br />

1,000-Yen Note Incident Discussion<br />

Group, 47, 57–59, 73 n. 34<br />

112 Greene Street, 201–2<br />

Ono, Yoko, 56, 71, 73 n. 29, 201<br />

op art, 25<br />

open source, 214, 281<br />

Ordaz, Gustavo Díaz, 168<br />

Oren, Michel, 218 n. 8<br />

Ortvald, Erik, 20<br />

Osmolovsky, Anatoly, 252–70<br />

Otterness, Tom, 215<br />

Palace of Fine Arts, 170–71<br />

Pani, Mario, 173–74<br />

Paper Rad, xii<br />

Paper Tiger Television (PTTV), xii,<br />

xvi, 94–113, 208<br />

Parasite (collective archive, NYC ), 215<br />

party politics, 260, 268<br />

Partz, Felix (General Idea), 208–9<br />

Pateras Urbanas (collective raft invasion<br />

at the Universal Forum of<br />

Cultures, Barcelona, 2004), 287<br />

Pauline, Mark, 197, 218 n. 17<br />

Paz, Octavio, 177–79<br />

Pendersen, Carl-Henning, 20<br />

People’s Global Action (PGA), 278,<br />

291 n. 6<br />

People’s Video Theatre, 99<br />

Perestroika, 115, 137, 152 n. 43, 159 n.<br />

116, 254, 270 n. 17<br />

Pérez-Stable, Marifeli, 146 n. 6<br />

performativity, xv–xvi, 10, 18, 34, 38,<br />

44, 52, 53, 54, 59–63, 68, 71, 74<br />

n. 47, 118, 122, 124, 127, 130, 132,<br />

136–39, 152 n. 46, 153 n. 57, 154<br />

n. 69, 155 n. 85, 158 n. 114, 162<br />

n. 143, 175, 179, 182, 195, 197,<br />

198, 201, 205, 210, 213, 216, 232,<br />

255, 274, 278, 286<br />

Philip Morris Inc., 12<br />

Photoshop, 284<br />

Pimenov, D., 252, 255<br />

Pinochet, Augusto, 7, 186<br />

Piper, Adrian, 86, 93 n. 23, 230<br />

Playboy magazine, 29<br />

Political Art Documentation/<br />

Distribution (PAD/D), xii, 87,<br />

205–6, 211, 212<br />

political economy, 19, 29, 31, 38, 203,<br />

235<br />

Ponce, Fernando García, 166<br />

pop art, xi, 30, 102, 118, 285<br />

Popular Front, 9<br />

Portable Channel, 99<br />

Portillo, José López, 168<br />

Postmodern, 13, 51, 117, 123, 132,<br />

193, 223, 228, 229, 233, 288<br />

Prêt-à-révolter (defensive clothing line<br />

designed by Las Agencias), 285<br />

PRI, 13, 166, 168, 181<br />

Prince, Richard, 216<br />

Printed Matter, 89<br />

privatization, xiv, 212, 234, 282<br />

Proceso Pentágono, 164–90<br />

productivism, xi, 149 n. 29, 194, 197,<br />

208, 274<br />

Proyecto Hacer, 122, 140<br />

Proyecto Paidea, 161 n. 130, 161<br />

n. 133<br />

Proyecto Pilón, 122<br />

Pseudo.com, 215<br />

P.S. 1, 205<br />

Psychogeography, 28–33

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