Collectivism after Modernism - autonomous learning - Blogs
Collectivism after Modernism - autonomous learning - Blogs
Collectivism after Modernism - autonomous learning - Blogs
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308 Index<br />
Nissenbi (Japan Advertising Artists<br />
Club), 62, 74 n. 52<br />
Nitten, 62<br />
Nixon, Richard, 64, 110<br />
N’Landu, Thierry, 242, 250 n. 30<br />
No! art group, 217 n. 3<br />
Nomo Group, 59<br />
Non-Art (Hi-geijutsu), 46, 51, 52, 53<br />
Nongovernmental Control Commission,<br />
255<br />
Not Channel Zero, 105<br />
Novikov, Timur, 268 n. 1<br />
Novoa, Glexis, 125, 127, 129, 137, 154<br />
n. 68, 154 n. 80, 154 n. 81, 154<br />
n. 83, 155 n. 85, 155 n. 86, 155<br />
n. 89, 156 n. 95, 157 n. 101, 159<br />
n. 117, 159 n. 120<br />
Nuclear Movement, 21<br />
Oiticica, Hélio, 230<br />
Okamoto Hajime, 65, 73 n. 20, 74 n. 60<br />
Okayama Young Artists Group, 59<br />
Oliva, Abel, 148 n. 25<br />
One Day/One Year of AZT, 208<br />
1,000-Yen Note Incident Discussion<br />
Group, 47, 57–59, 73 n. 34<br />
112 Greene Street, 201–2<br />
Ono, Yoko, 56, 71, 73 n. 29, 201<br />
op art, 25<br />
open source, 214, 281<br />
Ordaz, Gustavo Díaz, 168<br />
Oren, Michel, 218 n. 8<br />
Ortvald, Erik, 20<br />
Osmolovsky, Anatoly, 252–70<br />
Otterness, Tom, 215<br />
Palace of Fine Arts, 170–71<br />
Pani, Mario, 173–74<br />
Paper Rad, xii<br />
Paper Tiger Television (PTTV), xii,<br />
xvi, 94–113, 208<br />
Parasite (collective archive, NYC ), 215<br />
party politics, 260, 268<br />
Partz, Felix (General Idea), 208–9<br />
Pateras Urbanas (collective raft invasion<br />
at the Universal Forum of<br />
Cultures, Barcelona, 2004), 287<br />
Pauline, Mark, 197, 218 n. 17<br />
Paz, Octavio, 177–79<br />
Pendersen, Carl-Henning, 20<br />
People’s Global Action (PGA), 278,<br />
291 n. 6<br />
People’s Video Theatre, 99<br />
Perestroika, 115, 137, 152 n. 43, 159 n.<br />
116, 254, 270 n. 17<br />
Pérez-Stable, Marifeli, 146 n. 6<br />
performativity, xv–xvi, 10, 18, 34, 38,<br />
44, 52, 53, 54, 59–63, 68, 71, 74<br />
n. 47, 118, 122, 124, 127, 130, 132,<br />
136–39, 152 n. 46, 153 n. 57, 154<br />
n. 69, 155 n. 85, 158 n. 114, 162<br />
n. 143, 175, 179, 182, 195, 197,<br />
198, 201, 205, 210, 213, 216, 232,<br />
255, 274, 278, 286<br />
Philip Morris Inc., 12<br />
Photoshop, 284<br />
Pimenov, D., 252, 255<br />
Pinochet, Augusto, 7, 186<br />
Piper, Adrian, 86, 93 n. 23, 230<br />
Playboy magazine, 29<br />
Political Art Documentation/<br />
Distribution (PAD/D), xii, 87,<br />
205–6, 211, 212<br />
political economy, 19, 29, 31, 38, 203,<br />
235<br />
Ponce, Fernando García, 166<br />
pop art, xi, 30, 102, 118, 285<br />
Popular Front, 9<br />
Portable Channel, 99<br />
Portillo, José López, 168<br />
Postmodern, 13, 51, 117, 123, 132,<br />
193, 223, 228, 229, 233, 288<br />
Prêt-à-révolter (defensive clothing line<br />
designed by Las Agencias), 285<br />
PRI, 13, 166, 168, 181<br />
Prince, Richard, 216<br />
Printed Matter, 89<br />
privatization, xiv, 212, 234, 282<br />
Proceso Pentágono, 164–90<br />
productivism, xi, 149 n. 29, 194, 197,<br />
208, 274<br />
Proyecto Hacer, 122, 140<br />
Proyecto Paidea, 161 n. 130, 161<br />
n. 133<br />
Proyecto Pilón, 122<br />
Pseudo.com, 215<br />
P.S. 1, 205<br />
Psychogeography, 28–33