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Collectivism after Modernism - autonomous learning - Blogs

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Internationaleries 19<br />

played a “users game” in which their collective, often ludic activity derided<br />

the specialization and reiWcation of cold war culture. Therefore, references<br />

to Johan Huizinga’s Homo Ludens 8 abound in their writings and are often<br />

used to frame or redress paraphysical connotations and the remnant of surrealist<br />

desires. 9 More importantly, this signiWes that their “game” was not<br />

conceived as an <strong>autonomous</strong> activity in the modernist sense. On the contrary,<br />

it was deeply shaped and informed by particular historical circumstances<br />

that would have unique and long-lasting implications for modern European<br />

history. Hence this hybridized, often monstrous logic of the grotesque led<br />

the internationaleries on a quest for “destructive preservation,” yet another of<br />

their oxymoronic claims.<br />

The internationaleries used the grotesque as a critical device in their<br />

experimentations and writings in order to frame the historic “escroquerie” 10<br />

or myth that lay behind an all-pervasive cold war discourse, while simultaneously<br />

attempting to preserve whatever remained of collective subjectivity. 11<br />

Allegedly, it was the American journalist Walter Lipmann who reappropriated<br />

and popularized the term “cold war,” 12 making it an accepted and valid<br />

denominator to this day. Anecdotal or not, this account underscores the<br />

strategic importance that the new mass media would play in waging this<br />

new form of conXict. The cold war (or Third World War) 13 was a conXict<br />

“of big interests” carried out by two superpowers who, while fearing “the<br />

unthinkable” as the press and the media repeated daily, resisted the use of<br />

arms while opting instead to primarily do battle through “psychological warfare”<br />

often carried out through the medium of culture. They not only turned<br />

on its head Clausewitz’s classic deWnition of war as regulation through<br />

bloodshed, but more importantly the United States and U.S.S.R. exploded<br />

his concept of “total warfare” beyond its author’s wildest imagination. 14 The<br />

cold war became synonymous with ideological warfare that, in the Situationists’s<br />

words, was “colonizing” of each and every aspect of daily experience<br />

while simultaneously placing the political economy at the very core of<br />

existence. 15 With the implementation of various economic plans and treaties,<br />

most notably that of the Bretton Woods accords, values such as knowledge,<br />

social relations, and culture were not only instrumentalized and manipulated<br />

for ideological ends, but in an unprecedented way they also grew<br />

dependent upon and became inXected by economics, in particular economic<br />

exchange value. This massive and pervasive presence of political economy,<br />

now present in all aspects of life, necessarily entailed a heavy technobureaucratic<br />

apparatus that completed and complemented the “total warfare.”<br />

In other words it was modernist, but monstrously so. A hyperrationalization<br />

of life that continued reproducing itself 16 and that the internationaleries<br />

referred to variously as “formalism” or more consistently as “functionalism.”

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