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Collectivism after Modernism - autonomous learning - Blogs

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204 Alan W. Moore<br />

Rican activists had seized a building on New York’s Lower East Side and<br />

opened it as a collectively run cultural center. 29 ABC No Rio was passed on<br />

to successive managements until today it is an anarchist cultural center run<br />

by a collective with close ties to the publishing group Autonomedia.<br />

The longest-lived and best-known of these politicized groups or<br />

collectives was Group Material. The Wrst collective was comprised of thirteen<br />

artists, several of them Joseph Kosuth’s students. After a series of meetings,<br />

Group Material opened one of the Wrst art spaces in the East Village in<br />

1980. There they developed their work as curation, a heady mix of pointed<br />

even polemical political art mixed with popular and folk culture in clean,<br />

strongly styled exhibitions. A show of their neighbors’ objects, “People’s<br />

Choice” (Arroz con Mango), was a key event for the group, driving them<br />

toward a populist program.<br />

After 1981, the group shrank and they gave up the East Village<br />

space. Group Material produced projects in public spaces, including subways<br />

and buses, and on a vacant department store facing Union Square Park.<br />

They began to work from an ofWce in the Taller Latinoamericano run by<br />

FIGURE 7.5. Production still from the collaborative video production Cave Girls, photographed in<br />

the backyard of the art space ABC No Rio, New York, 1983. Pictured are Rebecca Howland, Judy Ross,<br />

Kiki Smith, and Marnie Greenholz. Photograph by Ellen Cooper. Courtesy of Collaborative Projects.

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