Crowd Control: Boxing in Weimar Germany 12. Ibid., p. 1. 13. Dieter Behrendt, “‘Boxen mußt de, boxen, boxen,’” in Alfons Arenhövel (ed.) Arena der Leidenschaften: Der Berliner Sportpalast und seine Veranstaltungen, 1910–1973 (Berlin: Verlag Willmuth Arenhövel, 1990), p. 84. 14. Max Schmeling, Erinnerungen (Frankfurt a/M: Verlag Ullstein, 1977), p. 29. 15. “Sport und Mensur,” Boxsport 7, 325 (1926), p. 4. 16. “Eckeroth schlägt Spalla,” Illustrierter Sport 8, 29 (1920), p. 547. 17. Behrendt, “‘Boxen mußt de, boxen, boxen,’” p. 85. 18. “Der Boxsport im Theater und im Kino,” Boxsport 7, 338 (1927), p. 2. 19. Egon Erwin Kisch, “Der Sportsmann als Schiedsrichter seiner selbst,” in Willy Meisl (ed.), Der Sport am Scheideweg (Heidelberg: Iris Verlag, 1928), p. 7. 20. Max Leusch, “Boxer und Publikum,” Boxsport 7, 329 (1927), p. 14. 21. Bertolt Brecht, “Das Theater als Sport” (1920), in Günter Berg (ed.) Der Kinnhaken und andere Box-und Sportgeschichten. (Frankfurt a/M: Suhrkamp Taschenbuch, 1998), pp. 23–4. 22. Franz Josef Görtz, “‘Dichter, übt euch im Weitsprung’: Sport und Literatur im 20. Jahrhundert,” in Hans Sarkowicz (ed.), Schneller, Höher, Weiter: Eine Geschichte des Sports (Frankfurt a/M: Insel Verlag, 1996), p. 348. 23. Fritz Giese, Geist im Sport: Probleme und Forderungen (Munich: Delphin-Verlag, 1925), p. 62. 24. Birk Meinhardt, Boxen in Deutschland (Hamburg: Rotbuch Verlag, 1996), p. 46. 25. Walter Bergmann, “Frau und Sport,” Deutsche Presse 15, 51/52 (1925), p. 12. 26. Schmeling, Erinnerungen, p. 86. 27. In October 1921, for example, the Scala Theater showed a film of the Dempsey– Carpentier world heavyweight championship fight: “Der Dempsey–Carpentier-Film in der Berliner Scala,” Boxsport 1 (October 6, 1921), p. 5. 28. Meinhardt, Boxen in Deutschland, p. 47. 29. Rumpelstilzchen [Adolf Stein], Feuilleton from June 23, 1932 in Nu wenn schon! (Berlin: Brunnen-Verlag, 1932), p. 316. 30. “Wie gewinnt der Boxsport das Allgemein-Interesse?” Boxsport 1 53 (September 15, 1921), p. 1. 31. “Mehr Selbstbeherrschung bei Boxkampfen,” Illustrierter Sport 7, no. 35 (1919), p. 687. 32. Der Leichtathlet 4, 19 (1927), p. 20. 33. Quoted in Meinhardt, Boxen in Deutschland, p. 11. 34. Ibid., p. 72. 35. Karl B. Raitz, “The Theater of Sport: A Landscape Perspective,” in Karl B. Raitz (ed.), The Theater of Sport (Baltimore, MD: Johns Hopkins University Press, 1995), p. 12. 36. See, for example, Karl Heinz Grétschel, “Sein letzter Kampf!” Boxsport 6, 303 (1926), pp. 25ff; or the serialized novel by Hannes Bork, “Der Deutsche Teufel,” Boxsport 5, 225 (1925), pp. 24ff. 37. “Der Kampf um die Amateurtitel in Hannover,” Boxsport 5, 237 (1925), p. 16. 38. Max Schmeling enjoyed a 90 percent name recognition; Stresemann had 80 percent, Karl May 54 percent and Henry Ford 49 percent: “Vom Sportleben unserer Vierzehnjährigen,” Die Leibesübungen (June 20, 1930), p. 339. 39. David Bathrick addresses a related point, although he argues less that the boxer was an object of desire than that the boxer’s body reflected the lean, competitive efficiency of the new age in which he lived: “Max Schmeling on the Canvas,” pp. 113–36. 99
Erik Jensen 40. “Breitensträter und Naujocks besiegen ihre Gegner!” Illustrierter Sport 8, 17 (1920), p. 318. 41. “Breitensträters Debut in Wien,” Boxsport 2, 96 (July 26, 1922), p. 6. 42. “Lustige Ecke,” Boxsport 5, 224 (1925), p. 11. 43. H. von Wedderkop, “Hans Breitensträter,” Die Weltbühne 17, 38 (1921), p. 298. 44. Hans Breitensträter, “Soll ein Sportsmann heiraten?” Der Querschnitt (1932), in Wilmont Haacke and Alexander Baeyer (eds), Der Querschnitt: Facsimile Querschnitt durch den Querschnitt 1921–1936 (Frankfurt a/M: Verlag Ullstein, 1977), pp. 287–8. 45. “Wie gewinnt der Boxsport das Allgemein-Interesse?”, p. 1. 46. “Weshalb hat Berlin so wenig Kämpfe?” Boxsport 7, 346 (1927), p. 1. 47. Egon Erwin Kisch, “Boxkampf im Radio, “ Prager Tageblatt (May 7, 1925), in Günter Berg and Uwe Wittstock (eds), Harte Bandagen: Eine Box-Anthologie in 12 Runden (Munich: Verlag C.H. Beck, 1997), p. 103. 48. W. von Wasielewski, “Berufssport?” Die Leibesübungen 5/6 (March 20, 1927), p. 134. 49. Curt Gutmann, “Boxen als Geschäft und als Sport,” Der Querschnitt 8, 8 (1928), p. 560. 50. Rumpelstilzchen [Adolf Stein], Feuilleton from January 19, 1922 in Was sich Berlin erzählt, essays published 1921–2 (Berlin: Brunnen-Verlag, 1923), p. 130. 51. Rumpelstilzchen, Feuilleton from October 22, 1931 in Nu wenn schon!, p. 61. 52. Fritz Wildung, “Der Rekord,” Arbeitersport (1929), in Hajo Bernett (ed.), Der Sport im Kreuzfeuer der Kritik: Kritische Texte aus 100 Jahren deutscher Sportgeschichte (Schorndorf: Verlag Karl Hofmann, 1982), p. 53. 53. Ibid., p. 50. 54. Ibid., pp. 53–4. 55. Rumpelstilzchen, Feuilleton from October 22, 1931 in Nu wenn schon!, p. 62. 56. Rumpelstilzchen [Adolf Stein], Feuilleton in Mecker’ nich! (Berlin: Brunnen-Verlag, 1926), pp. 347–8. 57. Schmeling, Erinnerungen, pp. 108–9. 58. Alfred Flechtheim, “Gladiatoren,” Der Querschnitt 6, 1 (1926), p. 48. 59. Matthias Forster, Max Schmeling: Sieger im Ring – Sieger im Leben (Munich: Delphin Verlag, 1986), p. 26. 60. Max Schmeling, Mein Leben, Meine Kämpfe (Leipzig: Grethlein, 1930), p. 97. 61. Rumpelstilzchen [Adolf Stein], Feuilleton from September 28, 1922 in Und det jloobste? (Berlin: Brunnen-Verlag, 1923), p. 14. 62. “Impressionen im Ring,” Sport im Bild 28, 11 (1922), p. 391. 63. Ibid., p. 391. 64. Rumpelstilzchen [Adolf Stein], Feuilleton from April 28, 1921 in Berliner Allerlei (Berlin: Verlag der Täglichen Rundschau, 1922), p. 188. 65. Rumpelstilzchen [Adolf Stein], Feuilleton from April 26, 1923 in Und det jloobste?, p. 227. 66. “Impressionen im Ring”, p. 391. 67. “Wie Sie zusehen: Beobachtungen mit dem Rücken zum Ring,” Sport und Sonne 1 (January 1928), p. 40. 68. Spione, directed by Fritz Lang (Germany: Ufa Production, 1927–8). 69. Joseph Roth, “Der Kampf um die Meisterschaft,” Frankfurter Zeitung (March 3, 1924), in Harte Bandagen, p. 67. 70. Erwin Petzall, “Die Frauen und der Faustkampf,” Boxsport 5, 243 (May 22, 1925), p. 9. 100
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Histories of Leisure Edited by Rudy
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Contents Contents Preface and Ackno
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Preface Preface and and Acknowledgm
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1 Seeing, Seeing, Traveling, Travel
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Seeing, Traveling, and Consuming is
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Seeing, Traveling, and Consuming be
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Seeing, Traveling, and Consuming de
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Seeing, Traveling, and Consuming It
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Seeing, Traveling, and Consuming Bu
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Seeing, Traveling, and Consuming Bo
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Part I Seeing
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Nick Prior double-coded, ambivalent
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Nick Prior of these struggles, resu
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Nick Prior differences and thereby
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Nick Prior But does this emphasis o
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Nick Prior into a state institution
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Nick Prior Not (just) museums as el
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Nick Prior exhibition as a substitu
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Nick Prior P. Lee, “The Musaeum o
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Nick Prior 43. The South Kensington
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Marius Kwint continental Europe and
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Nationalist Tourism in the Austrian
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Nationalist Tourism in the Austrian
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Nationalist Tourism in the Austrian
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Nationalist Tourism in the Austrian
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Nationalist Tourism in the Austrian
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Nationalist Tourism in the Austrian
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Nationalist Tourism in the Austrian
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Nationalist Tourism in the Austrian
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Nationalist Tourism in the Austrian
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Nationalist Tourism in the Austrian
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9 La La La La La Vieille Vieille Vi
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La Vieille France as Object of Bour
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La Vieille France as Object of Bour
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La Vieille France as Object of Bour
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La Vieille France as Object of Bour
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La Vieille France as Object of Bour
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La Vieille France as Object of Bour
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La Vieille France as Object of Bour
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La Vieille France as Object of Bour
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La Vieille France as Object of Bour
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La Vieille France as Object of Bour
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Stephen L. Harp This chapter, tied
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Stephen L. Harp Although historical
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Stephen L. Harp Along with correcti
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Stephen L. Harp 14. Do you have a t
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Stephen L. Harp Although the newlyw
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Stephen L. Harp the company avoided
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Stephen L. Harp were replaced with
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Stephen L. Harp it is a matter of c
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Stephen L. Harp unfamiliar environs
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Stephen L. Harp 4. On the solidaris
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Rudy Koshar the links between autom
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Rudy Koshar contentious Motor-Kriti
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Rudy Koshar Unlike some German and
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Rudy Koshar regarding popular desir
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Rudy Koshar Volksgemeinschaft’s w
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Rudy Koshar excessive speeding, to
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Rudy Koshar zur Motorisierung,” A
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Rudy Koshar Tourism, Consumer Cultu
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12 Confessional Confessional Drinki
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Confessional Drinking in Wilhelmine
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Confessional Drinking in Wilhelmine
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Confessional Drinking in Wilhelmine
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Confessional Drinking in Wilhelmine
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Confessional Drinking in Wilhelmine
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Confessional Drinking in Wilhelmine
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Confessional Drinking in Wilhelmine
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Confessional Drinking in Wilhelmine
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Confessional Drinking in Wilhelmine
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13 “As “As I I walked walked al
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Subversive Performances, Masculine
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Subversive Performances, Masculine
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Subversive Performances, Masculine
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Subversive Performances, Masculine
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14 “Jewish “Jewish Taste?” Ta
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“Jewish Taste?” in Paris and Be
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“Jewish Taste?” in Paris and Be
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“Jewish Taste?” in Paris and Be
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“Jewish Taste?” in Paris and Be
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“Jewish Taste?” in Paris and Be
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“Jewish Taste?” in Paris and Be
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“Jewish Taste?” in Paris and Be
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“Jewish Taste?” in Paris and Be
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“Jewish Taste?” in Paris and Be
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15 Leisure, Leisure, Politics, Poli
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Leisure, Politics, and Consumption
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Leisure, Politics, and Consumption
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Leisure, Politics, and Consumption
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Leisure, Politics, and Consumption
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Leisure, Politics, and Consumption
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Leisure, Politics, and Consumption
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Leisure, Politics, and Consumption
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Leisure, Politics, and Consumption
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16 Hollywood Hollywood Glamour Glam
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Hollywood Glamour in Postwar Italy
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Hollywood Glamour in Postwar Italy
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Hollywood Glamour in Postwar Italy
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Hollywood Glamour in Postwar Italy
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Hollywood Glamour in Postwar Italy
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Hollywood Glamour in Postwar Italy
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Hollywood Glamour in Postwar Italy
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Hollywood Glamour in Postwar Italy
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Hollywood Glamour in Postwar Italy
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Hollywood Glamour in Postwar Italy
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Hollywood Glamour in Postwar Italy
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Boroschek, Edith, 313 Boroschek, Pa
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and gender, 192, 196-7, 199-200 hot