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Nick Prior<br />

43. The South Kensington Museum was opened in 1857 and offered extended opening<br />

hours to maximize working-class attendance. Its success is indicated by the recording of<br />

over 15 million visits between 1857 and 1883, nearly half of which were made in the<br />

evenings, the most popular time for working-class visitors: Altick, Shows of London.<br />

44. Paul Greenhalgh, “Education, Entertainment and Politics: Lessons from the Great<br />

International Exhibitions,” in Peter Vergo (ed.), The New Museology (London: Reaktion,<br />

1989).<br />

45. Antonio Gramsci, Selections of Cultural Writings, edited by G. Forgacs and G. Smith<br />

(Cambridge: Cambridge University Press, 1971), p. 258.<br />

46. Bennett, Birth of the Museum, p. 8.<br />

47. Henry Cole, quoted in Simon Tait, Palaces of Discovery: The Changing World of<br />

Britain’s Museums (London: Quiller, 1989), p. 9.<br />

48. It is no accident that the fear of popular disorder attended the wake of unsettlement<br />

on the continent, the rise of working-class movements and the semantic shift in the word<br />

“mass” to connote “mob” and “unruly crowd”: Raymond Williams, Keywords: A Vocabulary<br />

of Culture and Society (London: Croom Helm, 1976).<br />

49. Bennett, Birth of the Museum, p. 95.<br />

50. Ibid., p. 47.<br />

51. Louis Wirth, “Urbanism as a Way of Life” (1938), reprinted in Richard LeGates and<br />

Frederic Stout (eds), The City Reader (London: Routledge, 1996), pp. 189–97.<br />

52. Greenhalgh, “Education, Entertainment and Politics”; Peter Bailey, Leisure and<br />

Class in Victorian England (London: Routledge and Kegan Paul, 1978).<br />

53. Altick, Shows of London; Georg Simmel, “Metropolis and Mental Life” (1903), in<br />

On Individuality and Social Forms, edited by Donald Levine (Chicago: University of<br />

Chicago Press, 1971).<br />

54. Seth Koven, “The Whitechapel Picture Exhibitions and the Politics of Seeing,” in<br />

Sherman and Rogoff (eds), Museum Culture, pp. 22–48.<br />

55. Ibid., p. 38.<br />

56. Trodd, “Culture, Class, City.”<br />

57. Colin Trodd, “Being Seen: Looking at the National Gallery in Mid-Victorian<br />

London,” unpublished conference paper, ESRC Museum and Society Seminar, University<br />

of Keele, 1998, p. 13.<br />

44

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