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Germans at the Wheel<br />

In stressing the need for lightweight travel oriented to local cultures, Hauser<br />

anticipated his argument from the post-World War II era that Germany should<br />

reject both the attractions of American mass consumption and the totalitarian<br />

seductions of Soviet collectivism in favor of Prussian “austerity.” 46 But this<br />

argument was still not fully worked out; it would take the massive destruction of<br />

the war and the abysmal state of German society under the early years of the<br />

Occupation to sharpen Hauser’s perspective on this score. In the 1930s, his ideas<br />

about lightweight travel were deployed for another purpose: to make a point about<br />

speed. It has been noted that rapid travel by car was the explicit counterpoint to<br />

the idea of auto wandering, but it is necessary to consider the issue from another<br />

angle to understand what was at stake. It was easy, wrote Hauser, to become<br />

seduced by the “hypnotic force of attraction” one felt looking over the hood of a<br />

fast car, an experience only increased by Autobahn cruising. 47 But one has to be<br />

cautious as to how one interprets this seductive effect. It is worth remembering<br />

that historiography’s emphasis on the “passivity” of the Autobahn driving<br />

experience – which doubles as the passivity of the German populace in the face<br />

of genocide – regards speed as the primary force of manipulation. From the side<br />

of theory, there is Virilio’s work, of course, which as noted above identifies speed<br />

as the constitutive moment of modernity. But there is also Ross, who writes that<br />

“going fast . . . has the effect of propelling the driver off the calendar, out of one’s<br />

own personal and affective history, and out of time itself.” 48 In this approach, the<br />

absence of historicity, of being able to situate oneself with reference to known<br />

temporal (and spatial) coordinates, is one of the inevitable functions of motorized<br />

speed, which creates a culture of disjointedness, a sense of constant displacement.<br />

Yet it is precisely the opposite effect one notices when reading travel accounts of<br />

the period. English tourists in Germany were quite specific as to the time and place<br />

in which they thrilled to speeding along on the Autobahn, and they were quite<br />

aware of the unique – which is to say: German – nature of the roads they<br />

traversed. 49 As for German drivers, they were by no means immediately drawn to<br />

the pleasures of high-speed driving. Automotive writers referred again and again<br />

to German drivers’ lack of preparedness for traveling at fast speeds and the<br />

slowness with which they learned to use the fast lanes only for overtaking other<br />

cars. 50<br />

Eventually, German drivers did learn how to drive very fast, and it was the<br />

alarming rise in Autobahn accidents, to say nothing of the waste of human and<br />

material resources needed for the impending war effort, that prompted authorities,<br />

at Hitler’s insistence, to impose speed limits. In a February 1939 speech that<br />

was extraordinary for its violent imagery, Hitler declared that those who killed<br />

7,000 people annually and injured another 30,000–40,000 people on German<br />

roads were “parasites on the Volk.” Furthermore: “They act irresponsibly.<br />

They shall be punished as a matter of course, provided they do not escape the<br />

223

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