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Christopher Breward<br />

Brown leaves began to carpet the road at the side of the common (“Dash’em!” said City<br />

gentlemen as they slipped and slithered on the way to catch morning trains) . . . Cricket<br />

bats were oiled and put away, and white flannel suits sent to the wash (“They’re never<br />

paid for” complained mothers. “Continual source of expense. You boys will have to make<br />

up your minds to bear the cost of washing another year!”) 21<br />

The holiday season witnessed the apotheosis of a finely honed suburban identity<br />

in which white flannels and straw hat became synonymous with a respectable<br />

release from the daily round, while instituting recognizable modes, language, and<br />

demeanor which could signify a modern fashionability the whole year round. As<br />

Pett Ridge recalled, during the summer months<br />

four wheeled cabs drew up of a morning in Birnam Road, taking pale faces away and<br />

returning them a fortnight later as Red Indians, with habits and customs gained from far<br />

off places lasting for several days; babies going out in burlesque costumes, with wooden<br />

spade and tin shovel, to pretend that the Frying Pan on the Common was the boundless<br />

ocean; girls strolling without hats or gloves, young men in white flannels, a straw hat set<br />

at the back of the head . . . and pianofortes in every house were badgered into efforts to<br />

recall the elusive airs learnt from Pierrots on the sands. 22<br />

Alongside the group photographs which recorded such fin-de-siècle excursions<br />

autobiographer Fred Willis provided the corroborative evidence of young men<br />

adopting “summer suitings . . . most popular of all in blue diagonal tweed cut in<br />

exaggerated double breasted formations, nautically accented with shaped waist,<br />

glass or metal buttons and peg-topped trousers with a permanent turn up, soft shirt<br />

collars and prodigious use of white handkerchiefs.” 23<br />

Whatever the combination of the constituent parts, the overriding aesthetic<br />

stressed relaxation and a conscious paring down of formalities, replacing the<br />

archaic introversion of office or church decorum with the over-familiar heartiness<br />

of the playing field or promenade. Willis further recalled that<br />

the young proletarian swells made certain concessions and modifications in their dress<br />

when they went on holiday – when for instance they took a trip by water to Margate or<br />

Ramsgate. The young man would discard his bowler for a . . . boater. His waistcoat, the<br />

joy of his life, would be packed away among the mothballs and replaced with a<br />

cummerbund . . . His patent leather boots would be replaced with brown shoes, and as a<br />

tribute to the nautical nature of his venture, his walking stick would be put out of<br />

commission. 24<br />

The extension of this irreverence for established sartorial etiquette beyond the<br />

beach could be felt in all those areas of suburban life where young men exerted<br />

262

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