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“Jewish Taste?” in Paris and Berlin<br />

have given themselves that identity. The auction records also pose problems of<br />

interpretation because people often sold off goods a bit at a time, so it can be<br />

difficult to reconstruct the entirety of a household. A further technical problem is<br />

generated by an unevenness of the source materials. The Parisian Jews who<br />

petitioned the government for restitution of their goods ranged from immigrant<br />

tailors living in one-room apartments in the poorest of neighborhoods to fifthgeneration<br />

bankers living in twelve-room villas in the wealthiest of suburbs. By<br />

contrast, the vast majority of my documentation to date from Berlin is from those<br />

who were solidly within the middle class. That material is broader in kind,<br />

including more photographic evidence, but is more limited in its class scope. A<br />

complexity of interpretation is also created in the French records by the fact that<br />

people sometimes lied about what they had owned. A friend whose family’s form<br />

I found in the archive was certain that her father had exaggerated the value of the<br />

family’s prewar possessions. 19 Finally, the Berlin auction records will eventually<br />

allow me to make generalizations, at least among the wealthy, concerning likeness<br />

or difference between Jews and non-Jews. Finding evidence of non-Jewish<br />

consumption habits in Paris is more difficult. I have, of course, supplemented these<br />

sources with photographs, memoirs, and museum catalogues, but more research,<br />

both to determine my subjects’ identification with Judaism and to obtain a broader<br />

distribution of sources will be necessary before the conclusions can be more<br />

definitive.<br />

The moral problem – the legitimacy of using information generated in the<br />

interests of mass-destruction for any purpose other than that of analyzing that<br />

process of persecution – is more difficult. The story told here is that of life rather<br />

than death. It is the story of how people gave meaning to their lives, communicated<br />

their values and sense of self to others, and remembered their pasts, through the<br />

banal things of their everyday lives. The obligation to struggle to understand the<br />

deaths of European Jews in the 1940s, should not force us to forget their lives. It<br />

is an irony of history that the sources generated by the Nazi regime inadvertently<br />

provide a rich image of the lives of the people it was trying to kill. I see no reason<br />

to accept the Nazis’ purpose and thereby leave these lives deeper in the shade than<br />

they need be. Jews in Paris and Berlin in the 1920s and 1930s, like non-Jews in<br />

the same period, created their senses of self, communicated with others, and fought<br />

mortality through the habitats they created for themselves. It is to the specifics of<br />

that story that we now turn.<br />

The Aesthetic World of Parisian Jews<br />

While Jews in Paris lived throughout the city, they tended, as in all other urban<br />

contexts, to group in certain neighborhoods, marked by class and other divisions.<br />

307

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