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16<br />

Hollywood Hollywood Glamour Glamour and and Mass<br />

Mass<br />

Consumption Consumption in in Postwar Postwar Italy<br />

Italy<br />

Stephen Gundle<br />

After 1945 the United States indicated to war-torn European societies how to<br />

progress from recovery to modernization, achieving in the process greater<br />

prosperity for their populations and increased political stability. It is appropriate<br />

therefore that, in the study of Italy’s transition to consumerism in the postwar<br />

period, much importance has been attributed to the impact of the American<br />

example and American techniques. However, while the history of this relationship<br />

has been extensively examined in terms of diplomacy, politics, and economics,<br />

very little by contrast has been said about the way in which mentalities were<br />

altered, new desires diffused and material dreams generated and managed. Sectoral<br />

studies of advertising, Marshall Plan propaganda, the impact of Hollywood,<br />

fashion, the popular press, and the star system all refer to the formation and<br />

diffusion of images of desirability, but do not underline the systematic nature or<br />

purpose of the development of a repertoire of images of wealth, beauty, elegance,<br />

style, and sex appeal.<br />

It will be suggested here that the transformation of the Italian imaginary may<br />

be explained by reference to the concept of glamour. If properly employed, this<br />

under-theorized term can account for the particular seductive appeal which<br />

capitalism was able to take on in the early stages of mass consumption, and which<br />

enable it largely to bypass arguments about exploitation, imperialism, inequality,<br />

and alienation. Glamour, it will be argued, was part and parcel of the impact of<br />

the American model; but Italy did not merely absorb an externally generated allure,<br />

it also gave rise to forms of enchantment of its own. These were crucial both in<br />

privatizing and materializing dreams and in providing Italy with an imagery that<br />

could assist the export of goods and the promotion of services including tourism.<br />

Glamour and Modernity<br />

Despite the vagueness of its common usage, the etymology of glamour is reasonably<br />

clear. According to The New Fowler’s Modern English Usage (1996) the word<br />

337

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