Manual - AEQ International

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• “LPF”: allows you to activate the configured low pass filter (the associated LED willlight). Pressing this contextual key for three seconds opens the cut-off frequencyconfiguration menu: this configuration is accomplished by turning the first associatedencoder and pressing the “BACK” contextual key to return to the previous screen oncethis parameter is configured (between 1000 and 20000Hz).• “EQ”: allows you to activate the equalizer whose frequency response is shown at thattime on the screen (the associated LED will light). This frequency response is controlledfrom the associated encoders by working from left to right on the base, mid-range andtreble bands, respectively. The frequency deviation permitted ranges from -18dB to+18dB (the default value is +0dB).Pressing this contextual key for three seconds opens the equalizer advancedconfiguration menu, where 3 rows appears for base (“LOW”), mid-range (“MID”) andtreble (“HIG”) bands respectively. You can change from one band to another bypressing any of the three associated encoders. In the selected band (a flashing arrow isdisplayed), you can change the central frequency (“F(Hz)” column) by turning the firstencoder, the Q (“Q” column) by turning the second encoder and the gain (“G(dB)”column) by turning the third encoder. The “HPF”, “LPF” and “EQ” contextual keys in thisscreen allows you to activate filters and equalizer; the “BACK” key allows you to returnto the graphic configuration screen.3.4.3.1.3. Expanded information menu.Pressing the “NEXT” contextual key from the advanced information menu of an audio inputchannel will give you access to the advanced information section of that channel. It maintains astructure similar to the base menu. Information shown on this screen:• Name of the channel, in alphanumeric format containing up to 6 characters. This is thesame identifier as the one shown in the channel display. See section “2.1.1.3. Channeldisplay” in this manual.• Hardware corresponding to the audio input of this channel, in format HW: xx.yy, wherexx is the number of the virtual slot where this inputs/outputs module is installed, and yyis the audio channel of this inputs/outputs module. In stereo channels, yy represents theaudio channel corresponding to the left channel of the stereo pair. The right channelcorresponds to the number just above.• Channel type: mic/líne, analogue, digital or USB.• Indication of MONO or STEREO signal.<strong>AEQ</strong> CAPITOLUltra-compact digital audio mixer48
• In mic/line channels, indication of the position of the switching jumpers that selects thenominal level of the signal as mic or line (located inside the audio engine). It changesfrom “MIC” to “LINE” and vice versa when you change the jumpers position. See section“2.2.3.6 MIC/LINE inputs”.• In mic/line channels configured as mic, indication of the position of the Phantom powerswitching jumpers (located inside the audio engine). It changes from “PHANTOFF” to“PHANTON” and vice versa when you change the jumpers position. See section“2.2.3.6. MIC/LINE inputs”.The contextual keys under the display are associated with the three options shown in thebottom line of the screen:• “BACK”: pressing this key allows you to return to the previous menu screen.• “FADER”: allows you to assign another input channel to the physical fader where thissignal is currently found.• “ROUTE”: gives you acces to the menu for control and configuration of the internalrouting of the equipment.3.4.3.1.3.1. “FADER” menu.This submenu is displayed as a list of all the inputs available in the system (except the ones thatare yet assigned to a fader). You can make your selection by turning any of the associatedencoders and then pressing any of them or the “OK” contextual key to confirm the selection thatis highlighted at that moment.The “BACK” contextual key allows you to return to the previous menu screen without changedthe assigned signal.3.4.3.1.3.2. “ROUTE“ menu.From this internal submenu you can manage the internal routing of signals in the console. Youcan access from the advanced information menu of an audio input channel and that submenushows an alphabetical list of all of the outputs present in the console, followed by the internalsumming buses (“Program”, “Audition”, “Aux1” and “Aux2”), the monitoring buses (“Cue”,“Studio” and “Control”) and finally the MPX buses.The operation of the three associated encoders is as follows:• Left: turning this encoder allows you to scroll through the several audio outputs andbuses on the list. Pressing this encoder allows you to return to the previous menuscreen (the changes you may have made are saved).• Centre: turning this encoder has no associated function. Pressing this encoder allowsyou to return to the previous menu screen (the changes you may have made aresaved).• Right: turning this encoder enables you to modify the gain in the cross-point of thehighlighted output or bus between -99.8dB and +12dB. By default, all of the crosspointswill be configured with a 0dB gain. Pressing this encoder allows you to return tothe previous menu screen (the changes you may have made are saved).<strong>AEQ</strong> CAPITOLUltra-compact digital audio mixer49
Page 5: Its Ethernet port enables the local
Page 8: In addition to the signals on chann
Page 12 and 13: VU metersPROGRAMMABLEKEYSMAINSCREEN
Page 14 and 15: At most, the last line will have fo
Page 16 and 17: • The three rotary encoders, from
Page 18 and 19: 2.1.3. Wrist- rest and side trims.A
Page 20 and 21: 2.2.1. Power supply.The power suppl
Page 22 and 23: • Maximum power: 100mW at 40 ° C
Page 24 and 25: 2.2.2.3. Control and studio monitor
Page 26 and 27: - Opening the unit.It’s VERY IMPO
Page 28 and 29: Digital input 4 Digital input 3 Dig
Page 30 and 31: “ANALOG IN 1-4” connectorPin Si
Page 32 and 33: MIC/LINE input 4 MIC/LINE input 3 M
Page 34 and 35: 2.2.4.2. CA33 telephone hybrid opti
Page 36 and 37: 3. DESCRIPTION OF THE INTERNAL MENU
Page 38 and 39: • “CHRONO”: enables you to co
Page 41 and 42: • “BACK”: pressing this key a
Page 43 and 44: 3.4.3. “SELECT“ menu.This menu
Page 45 and 46: The “Compressor / Limiter” func
Page 47: In addition, the threshold must be
Page 51 and 52: • Indication of audio signal type
Page 53 and 54: Only the users defined as administr
Page 55 and 56: There are two distinct areas in thi
Page 57 and 58: The “Unlock” button allows you
Page 59 and 60: The lower part of the “User Confi
Page 61 and 62: 4.2.1. “Board Configuration” su
Page 63 and 64: o“TH02”: GPI to accept the part
Page 65 and 66: The mixer bus configuration table h
Page 67 and 68: 4.2.3.1. Advanced configuration of
Page 69 and 70: • “Mono”: allows you to defin
Page 71 and 72: 4.2.4.1. “Studio Room Section“.
Page 73 and 74: 4.3. “Programmable Configuration
Page 75 and 76: 4.3.2. “Programmable Keys” subm
Page 77 and 78: • “Latch Mode”: allows you to
Page 79 and 80: 4.3.2.4. Configuration of “Codec
Page 81 and 82: • “On Air GPI”: selects and c
Page 83 and 84: The lower part of the “Programmab
Page 85 and 86: The three buttons at the bottom of
Page 87 and 88: Allows you to scroll to the top of
Page 89 and 90: • “ATTACK TIME”: this is the
Page 91 and 92: 4.3.4.4. Advanced configuration of
Page 93 and 94: The available options in the snapsh
Page 95 and 96: From left to right and from top to
Page 97 and 98: 4.4. “Firmware Upgrade” menu.Th
Page 99 and 100:
In case you select an AFU file that
Page 101 and 102:
5. A.E.Q. GUARANTEE.AEQ warrants th
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Manual - AEQ International

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