frantic dancing is going on. Terram springs its surprise asthe last word <strong>of</strong> the poem. I think I did spring some <strong>of</strong>th<strong>at</strong> surprise by holding <strong>of</strong>f “enemy,” or, as I might havesaid it, “h<strong>at</strong>ed,” until the penultim<strong>at</strong>e word, but I lostsome <strong>of</strong> the force <strong>of</strong> its adjective, invisam, as Horaceintroduces it in the preceding line, in there like the wolfin the context <strong>of</strong> th<strong>at</strong> rejoicing and th<strong>at</strong> dancing, makingus wait for its <strong>at</strong>tachment to its noun. I had to spring thesurprise more bluntly, less insidiously, by coupling adjectiveand noun, “enemy earth,” as the last two words, sosome <strong>of</strong> th<strong>at</strong> complex activity <strong>of</strong> the last two lines wasirretrievably lost. Here again, I don’t see how I couldhave done it differently, because English syntax can’t dosome <strong>of</strong> the things L<strong>at</strong>in syntax can do. I couldn’t get itright, but my point is th<strong>at</strong> this failure isn’t simply anexperience <strong>of</strong> disappointment, it’s also an experience <strong>of</strong>vivid close reading. <strong>The</strong> work <strong>of</strong> the transl<strong>at</strong>or (I’m sureyou feel th<strong>at</strong> too, as fellow-transl<strong>at</strong>ors), when dealingwith a wonderful text, is the most intense and vivid kind<strong>of</strong> reading th<strong>at</strong> there is, and there’s joy in this th<strong>at</strong> thenecessary failure makes even more vivid. Of course thiscompens<strong>at</strong>ory joy in the reading occurs only when youcan feel th<strong>at</strong> you’ve after all done your best and broughtyour transl<strong>at</strong>ion to the point <strong>of</strong> its inevitable helplessness.I’m no good <strong>at</strong> big generaliz<strong>at</strong>ions, so I can onlyhave tried to show by several examples this experience<strong>of</strong> thrilled readings, <strong>of</strong> the <strong>at</strong>tempt by transl<strong>at</strong>ion to showsome qual the many things it misses.100 books: $5 eachQ: Wh<strong>at</strong> is the aesthetic <strong>of</strong> Dalkey Archive Press? Avant-garde? Experimental? Innov<strong>at</strong>ive?A: <strong>The</strong> “aesthetic” <strong>of</strong> the Press has been identified with all <strong>of</strong> those adjectives, but I have never agreed with any <strong>of</strong> them.<strong>The</strong>re is certainlyanSpecialaesthetic on whichSale:bothSelectthe <strong>Review</strong> andanythe Press100areBooksbased, but I may not be in the best position to say wh<strong>at</strong> it is because for me thereis no set agenda. I respond to the writers and books I like, r<strong>at</strong>her than trying to fit both <strong>of</strong> these into a formula. <strong>The</strong>re are many so-calledexperimental works I don’t like, ones th<strong>at</strong> basically go through the motions, ones th<strong>at</strong> almost defy a reader to find anything engaging infrom the Dalkey Archive c<strong>at</strong>alog for $5 eachthem.Several years ago someone in an interview tried to get from me a one-word description for the kinds <strong>of</strong> books we publish, and she suggestedthe words th<strong>at</strong> you have. I finally said th<strong>at</strong> the correct word was “subversive,” which is still the word I would use, though I know it’sr<strong>at</strong>her useless in terms <strong>of</strong> trying to pigeonhole wh<strong>at</strong> it is we publish. My point was th<strong>at</strong> the books, in some way or another, upset the applecart, STEIN th<strong>at</strong> they - MATHEWS work against - wh<strong>at</strong> SHKLOVSKY is expected, - th<strong>at</strong> HIGGINS they in - some CELA way - challenge DUCORNET received - GASS notions, - ELKIN whether - those GREEN are literary, - LOEWINSOHNsocial or political.And this is precisely the kind <strong>of</strong> fiction th<strong>at</strong> I find interesting: it does things I haven’t seen before, or it requires me to be figuring outhow WOOLF in the hell - CÉLINE the writer - is QUIN doing wh<strong>at</strong> - MOSLEY he or she - is CREELEY doing. This - is BARNES <strong>of</strong> course - quite O’BRIEN removed - BARTH from the - idea REED <strong>of</strong> being - ROUBAUD a passive reader, - YOUNG th<strong>at</strong> youare in the backse<strong>at</strong> <strong>of</strong> the car and the writer is taking you on a tour.COOVER - WHITE - SORRENTINO - HUXLEY - DAITCH - MOTTE - MARKSONfor more inform<strong>at</strong>ion and details aboutfree shipping or additional free books, visit:www.dalkeyarchive.comDalkey Archive Press<strong>Transl<strong>at</strong>ion</strong> <strong>Review</strong> 13
FROM DEAN TO DEANTREPRENEUR: THE ACADEMICADMINISTRATOR AS TRANSLATORBy Abby R. Kr<strong>at</strong>z and Dennis M. Kr<strong>at</strong>z<strong>The</strong> academic title dean derives ultim<strong>at</strong>ely from theL<strong>at</strong>in word decanus, which refers to someone incharge <strong>of</strong> a group <strong>of</strong> ten. It was most commonly aRoman military term for the leader <strong>of</strong> a squad <strong>of</strong> ten soldiers.Caught in the crossfire <strong>of</strong> the changes sweepingthrough higher educ<strong>at</strong>ion, many current deans may findthe military origin <strong>of</strong> their title uncomfortably appropri<strong>at</strong>e.It is all too tempting to apply metaphors <strong>of</strong> war to allacademic administr<strong>at</strong>ors, to think <strong>of</strong> them as the leaders<strong>of</strong> mercenary soldiers engaged in a noble crusade againstignorance or, less romantically, as under-equipped leaders<strong>of</strong> learned but unruly soldiers. Many colleges arestruggling to establish their niches or “beachheads,” arecompeting for increasingly scarce resources, and are discoveringth<strong>at</strong> they need to form str<strong>at</strong>egic alliances to survive.Without question, the position <strong>of</strong> dean standsdirectly in multiple lines <strong>of</strong> fire.<strong>The</strong> challenges facing academic deans and thechanging n<strong>at</strong>ure <strong>of</strong> the position have spawned a significantcorpus <strong>of</strong> criticism and commentary, with suchinstructive and intriguing recent titles as <strong>The</strong> Dilemma <strong>of</strong>the Deanship, “<strong>The</strong> Academic Dean: An ImperiledSpecies Searching for Balance,” and <strong>The</strong> ChangingN<strong>at</strong>ure <strong>of</strong> the Academic Deanship. This essay addressesthe role <strong>of</strong> the dean in an environment <strong>of</strong> change. Wewill view th<strong>at</strong> role through the lens <strong>of</strong> our experience asadministr<strong>at</strong>ors in a rapidly growing component <strong>of</strong> a largeuniversity system first in light <strong>of</strong> a conceptual framedeveloped by Rosabeth Moss Kanter with regard to corpor<strong>at</strong>emanagement in wh<strong>at</strong> she calls our “post-entrepreneurial”age. Second, we will posit the emergence <strong>of</strong> anew model <strong>of</strong> the deanship, the deantrepreneur, and suggestthe implic<strong>at</strong>ions <strong>of</strong> this model for the recruitmentand prepar<strong>at</strong>ion <strong>of</strong> the next gener<strong>at</strong>ion <strong>of</strong> academic leaders.Third, we will argue th<strong>at</strong> these changes make transl<strong>at</strong>ionuniquely relevant to the practice <strong>of</strong> administr<strong>at</strong>ionand, by extension, the educ<strong>at</strong>ion <strong>of</strong> administr<strong>at</strong>ors.At first glance, linking academic administr<strong>at</strong>ion andtransl<strong>at</strong>ion may seem fanciful, if not perverse. After all,transl<strong>at</strong>ors have expressed the belief th<strong>at</strong> they suffer alack <strong>of</strong> respect in many academic settings. Nonetheless,recent developments in the n<strong>at</strong>ure <strong>of</strong> administr<strong>at</strong>ion andin the theory <strong>of</strong> academic leadership, coupled with theemergence <strong>of</strong> transl<strong>at</strong>ion as a model for understanding awide range <strong>of</strong> cross-cultural communic<strong>at</strong>ion, suggest th<strong>at</strong>administr<strong>at</strong>ors are in fact “transl<strong>at</strong>ing” much <strong>of</strong> the time.<strong>The</strong>refore, practical acquaintance with the process <strong>of</strong>transl<strong>at</strong>ion could make them better communic<strong>at</strong>ors andmore effective leaders.As apt as b<strong>at</strong>tle metaphor may be for the life <strong>of</strong> thecontemporary dean, it is even more apt to apply to thisenterprise imagery drawn from play and game theory,especially as developed by Johan Huizinga and his successors.Game imagery has been applied productively tonumerous areas <strong>of</strong> endeavor. In her influential bookWhen Giants Learn to Dance, Kanter made use <strong>of</strong> thesame metaphor when she urged corpor<strong>at</strong>e executives tothink <strong>of</strong> themselves as engaged not in war but in aworldwide fiscal Olympics. To be sure, academic administr<strong>at</strong>ors<strong>of</strong>ten think <strong>of</strong> themselves as engaged in games<strong>of</strong> a particularly challenging variety, games more likecartoonist Bill W<strong>at</strong>terson’s “Calvinball,” with its endlessimprovised vari<strong>at</strong>ion, addition, and subtraction <strong>of</strong> rules,than pastimes like baseball or basketball. In a comparisonth<strong>at</strong> works equally well for educ<strong>at</strong>ion, Kanter likensthe “game” <strong>of</strong> business to the croquet m<strong>at</strong>ch in Alice inWonderland, in which everything, including Alice’s mallet(a flamingo), and the ball (a hedgehog with a mind <strong>of</strong>its own), keeps changing and shifting. <strong>The</strong> game <strong>of</strong> highereduc<strong>at</strong>ion in <strong>Texas</strong>, where we work, includes such newand elusive challenges as the pressures <strong>of</strong> externallyimposed accountability, fiscal constraints allied with anidiosyncr<strong>at</strong>ic formula funding system, shifting demographics,diversity initi<strong>at</strong>ives th<strong>at</strong> are <strong>of</strong>ten linked withretention goals, and, <strong>of</strong> course, the far-reaching thrusts <strong>of</strong>technological advancement.Indeed, Kanter’s research on new approaches tomanagement and the images she uses to rel<strong>at</strong>e her findingsseem particularly applicable to higher educ<strong>at</strong>ion.Contemporary educ<strong>at</strong>ion <strong>at</strong> all levels is <strong>of</strong>ten likened to abusiness. Many changes, for better and worse, in currentpractice have resulted from the applic<strong>at</strong>ion, not excludingthe misapplic<strong>at</strong>ion, <strong>of</strong> business principles.<strong>The</strong> parallels between universities and businesses intoday’s environment <strong>of</strong> global economy, diversity, andrapid technological change are striking. Kanter’s analysis<strong>of</strong> the situ<strong>at</strong>ion <strong>of</strong> business <strong>at</strong> the start <strong>of</strong> the last decadeas oper<strong>at</strong>ing in a highly competitive global environment14 <strong>Transl<strong>at</strong>ion</strong> <strong>Review</strong>
- Page 2: TRANSLATION REVIEWNo. 66, 2003TABLE
- Page 5 and 6: I could about the period. I tried t
- Page 7 and 8: ings are for. But there are also so
- Page 9 and 10: and we see how that is expressed in
- Page 11 and 12: NOT GETTING IT RIGHTBy David Ferry[
- Page 13 and 14: songs of the dead,” but it’s no
- Page 15: oscilla ex alta suspendunt mollia p
- Page 19 and 20: elations and fundraising in part to
- Page 21 and 22: academic leadership in the post-ent
- Page 24 and 25: his ideas.” Schweder’s closing
- Page 26 and 27: cially in light of the considerable
- Page 28 and 29: ary allusion, to slogans or key wor
- Page 30 and 31: SAD TROPICS, OR TRISTES TROPIQUES?B
- Page 32 and 33: In São Paulo, it was possible to b
- Page 34 and 35: the first issue in autumn 1972. A y
- Page 36 and 37: During the period 1989-1997 when Da
- Page 38 and 39: da fuori non si vede niente, però
- Page 40 and 41: only to then qualify, rebut, or exp
- Page 42 and 43: ON THE CATHAY TOUR WITH ELIOT WEINB
- Page 44 and 45: “Thaar’s where ole Marse Shao u
- Page 46 and 47: Chinese lady’s I or my beginningM
- Page 48 and 49: It is not a bad translation, but th
- Page 50 and 51: Facing SnowEnough new ghosts to mou
- Page 52 and 53: likely a tea the speaker had been d
- Page 54 and 55: 1945 to face trial for treason for
- Page 56 and 57: METHOD OR MAESTRI: TWO APPROACHES T
- Page 58 and 59: agreement than dissent. The authors
- Page 60 and 61: analogy between author and SL reade
- Page 62 and 63: vide the reader with the finest lit
- Page 64 and 65: languages, every language is potent
- Page 66 and 67:
(10th c.) is remarkably similar to
- Page 68 and 69:
eight distinct cases, whereas Engli
- Page 70 and 71:
tadutpreksyotpreksya priyasakhi gat
- Page 72 and 73:
THE MEXICAN POET HOMERO ARIDJISBy R
- Page 74 and 75:
THE ART OF WARSUN-TZUEdited, Transl
- Page 76 and 77:
Knocking about, kicked around and a
- Page 78 and 79:
dence and bear close scrutiny wheth
- Page 80 and 81:
Street of Lost FootstepsBy Lyonel T