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Nicoline van Harskamp Any other Business - a Scripted Conference Worldwide, the people who speak English as a second language, or Lingua Franca English, outnumber the native English speakers with 3 to 1. In a scripted discussion, curator and linguist Alexandru Dima and artist Nicoline van Harskamp address the history and future of this parasite language. They make an appeal to emancipate it from its roots in the British and American empires, as well as from professional jargon. They celebrate the expressive abundance that Lingua Franca English offers. And they propose that people wear their own version of English like a pair of vintage jeans. Alexandru Dima and Nicoline van Harskamp on Expressive Power in Contemporary Cultural Production - a scripted discussion Featuring Daniel Popa as Alexandru Dima and Nicoline van Harskamp as herself Alexandru Dima și Nicoline van Harskamp despre Puterea expresivă în producția culturală contemporană - o discuție cu scenariu Cu Daniel Popa în rolul lui Alexandru Dima și Nicoline van Harskamp în rol propriu Script by Nicoline van Harskamp and Silvia Ceauscu Scenariu de Nicoline van Harskamp și Silvia Ceauscu Orice altă afacere - o conferintă scrisă , La nivel global, cei care vorbesc engleză ca a doua limbă sau Lingua Franca engleză, îi depășesc în număr pe cei care sunt vorbitori nativi de limba engleză, într-un raport de 3 la 1. Într-o discuție cu scenariu, lingvistul și curatorul Alexandru Dima și artista Nicoline van Harskamp discută istoria și viitorul acestei limbi parazit. fac un apel la emanciparea ei de rădăcinile sale în imperiile britanice și americane, dar și de jargonul profesional. Celebrează abundența expresivă pe care Lingua Franca engleză o oferă și propun oamenilor să-și poarte propria versiune de engleză ca o pereche vintage de blugi. Co-produced by Tudor Bratu Based on conversations with Nina Yuen, Maarten Overdijk, Ilse van Rijn, Cosmin Costinaș, Studium Generale Rietveld Academy Amsterdam, Partners Foundation for Local Development Bucharest, Foundation for Democratic Change Bucharest, British Council Bucharest, Association Pro Democratia Bucharest Date: Thursday, May 20 Time: 17:00 Place: National University of Arts, 28 Calea Griviței - in the lecture hall. Co-produs de Tudor Bratu Bazat pe conversații cu Nina Yuen, Maarten Overdijk, Ilse van Rijn, Cosmin Costinaș, Studium Generale Rietveld Academy Amsterdam, Fundația Parteneri pentru Dezvoltare Locală București, Fundația pentru Schimbări Democratice București, British Council București, Asociația Pro Democrația București Data: Joi, 20 Mai Ora: 17:00 Locație: Universitatea Națională de Arte, 28 Calea Griviței - în aulă. [416] [417]
Nicoline van Harskamp: Alexandru Dima and Nicoline van Harskamp: On Linguistics and Expressive Power in Contemporary Cultural Production, 2010, here: research material. [418] Nicoline van Harskamp: Alexandru Dima and Nicoline van Harskamp: On Linguistics and Expressive Power in Contemporary Cultural Production, 2010, here: research material. [419]
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PAVILION journal for politics and c
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COLUMN HANDLUNG. ON PRODUCING POSSI
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Handlung. On Producing Possibilitie
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ally occurred) can impossibly be re
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Handlung. Despre producţia posibil
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de ansamblu s-a intensificat iară
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“Better Dead than Communist!”.
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esis of a new political identity ca
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formed political party claiming con
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nizing hope.” In Octavian Paler
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goals were never fully attained”
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1999) References - “Alianţa Civi
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Universităţii, precum şi de repe
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mai proeminent purtător de cuvînt
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tece au creat o continuitate spirit
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lui Piaţa Universităţii, a fost
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Referinţe critice: - „Alianţa C
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meetings and the factory square mee
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din fabrică (obicei comunist de a
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materials; the simplification of th
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tion of life which destroys all of
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ile, iar evoluţia luptei proletari
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exces creativ. În al doilea rînd,
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gives the migrants long enough to m
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dwelling place for several families
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Notes: 1. NA. A previous version of
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periferie la alta, de la un adăpos
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spaţiile neocupate. În ciuda necu
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Exploring the Return of Repression
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Explorând întoarcerea represiunii
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Imaginary Radicalisms Notes on the
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to derive its historical intelligib
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hence art’s affirmative function
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ackward-looking conception of isms
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Radicalisme imaginare - însemnări
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modelul avangardist al istoriei art
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obiectul readymade. De fapt în ace
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erne asupra artei în sine, în cad
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Aesthetic realism, fictional docume
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far as Auerbach, in the first chapt
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the one presented by France Dimanch
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Realism estetic, documente ficţion
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ătălii (des étapes d’une lutte
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documentară), ci un instrument ce
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the self. Architecture thus not onl
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tage of a semicircular hall, by con
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the Assemblée fédérative des Ami
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etrageri şi tenacitate. Nu include
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şi a distanţărilor. Mai mult, or
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organizate în circul de la Palais-
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so many issues - bound all of us in
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Our notions of politics have been t
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lows always drifted sideways. For t
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as humans are through opinion polls
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This is exactly what happened when
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degree of realism that is injected
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De la Realpolitik la Dingpolitik sa
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va imagini înceţoşate ce “dove
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cu pasiune, adică ştiinţa, tehno
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întîi asupra politicienilor înş
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ar putea fi o problemă mult mai de
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sale experienţa trăită odată cu
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spectacol. Note: 1. Ron Suskind,
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we are better able to understand wh
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Democraţia agonistică şi politic
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nism agonistic: Hannah Arendt şi p
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including the politics embedded the
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oper and the rise of the signature
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money economy, and especially, the
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the building’s pulsating shell ha
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[278] cunoaştere, incluzînd şi p
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eligiozitate ascunsă, pe care arhi
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înlocuită de un set de reprezent
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[290] pînze de corabie umflate de
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sify, categorise, fix, and identify
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extent take over their politics. As
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deoarece conţine o rămăşiţă d
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parte încă dispersate şi teribil
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[310] the reality you are only reme
Page 159 and 160: Notes for a Declaration of the Righ
Page 161 and 162: EXTENT PARTICIPANTS AND VENUES OF B
Page 163 and 164: Magnus Bärtås Madame & Little Boy
Page 165 and 166: Kaucyila Brooke Tit for Twat: putem
Page 167 and 168: Cabello/Carceller ARCHIVE: DRAG MOD
Page 169 and 170: Elena Ciobanu Oda Bucuriei Ode to j
Page 171 and 172: Cláudia Cristóvão Standing Still
Page 173 and 174: Ângela Ferreira Abandoned Settler'
Page 175 and 176: Field Work/Lise Skou & Nis Rømer W
Page 177 and 178: Andrea Geyer Criminal Case 40/61: R
Page 179 and 180: Charlotte Ginsborg The Mirroring Cu
Page 181 and 182: Ion Grigorescu Electoral meeting Ma
Page 183 and 184: Bucharest and its Utopia I feel it'
Page 185 and 186: Is there anyone around who says nay
Page 187 and 188: omului în colectivitate. Multe au
Page 189 and 190: Stina Östberg Floating Island Floa
Page 191 and 192: Emily Roysdon A Motion Picture My w
Page 193 and 194: Fia-Stina Sandlund Julie The artist
Page 195 and 196: Lina Selander When the sun sets it
Page 197 and 198: Åsa Sonjasdotter Small Potatoes Ma
Page 199 and 200: Pilvi Takala Players In the past te
Page 201: Lan Tuazon Riot City/ Parking Lot L
Page 204 and 205: Kalle Brolin Gorgeousaurus, foundin
Page 206 and 207: Pablo Bronstein & Eleanor Vonne Bro
Page 208 and 209: Ștefan Constantinescu An Infinite
Page 212 and 213: Alexander Kluge News from ideologic
Page 214 and 215: Fereshteh Toosi The Only Reason Thi
Page 216 and 217: The Otolith Group Otolith Otolith i
Page 218 and 219: CENTRE FOR VISUAL INTROSPECTION CEN
Page 221 and 222: Maryam Jafri Independence Day 1936-
Page 223 and 224: Mona Vătămanu & Florin Tudor Poem
Page 225 and 226: PAVILION UNICREDIT center of contem
Page 227 and 228: Zachary Formwalt: In Place of Capit
Page 229 and 230: Sabrina Gschwandtner Wartime Knitti
Page 231 and 232: Christine Meisner Recovery of an Im
Page 233 and 234: Asier Mendizabal Otxarkoaga (M-L)/U
Page 235 and 236: Olivia Plender & Unnar Örn Table R
Page 237 and 238: Société Réaliste Spectral Aerosi
Page 239 and 240: Judi Werthein Brinco Brinco, 2005,
Page 241 and 242: laBOMBA Rahova-Uranus Community Cen
Page 243 and 244: Curator Felix Vogel Felix Vogel (b.
Page 245 and 246: Derrida, Michel Foucault and Gilles
Page 247 and 248: Londra și Viena. Expozițiile ei p
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Page 253 and 254: Mellon School of Art. Printre expoz
Page 255 and 256: sions and debates connected to the
Page 257 and 258: Simultaneus parallel events Narrati
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2009-2010 Parallel Events Free Acad
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“Chestiunea realismului” are ca
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Media Partners: Official Coffee: Pr
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Felix Vogel - Handlung. On Producin
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