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Zachary Formwalt In Place of Capital In the spring of 1845, William Henry Fox Talbot made four photographs of the Royal Exchange in London. What appears in these photographs is not only the nineteenth century edifice of a financial institution, but also an early limitation of the technology of photography itself: its inability to capture and clearly represent objects in movement. Beginning with this image of finance and the limitations of photography, “In Place of Capital” unfolds in the strange place between economic movements and the realm of pictorial representation after the invention of photography. An integral part of this place is the visual system of monocular perspective. In the film, this system is explicitly dealt with in relation to the representation of finance in mass media through an exploration of the late seventeenth century Dutch painting by Gerrit Berckheyde, “The Bend on Herengracht” and its sudden appearance in the financial pages of newspapers in the Spring of 2009. (Zachary Formwalt) În loc de capital În primăvara anului 1845, William Henry Fox Talbot a realizat patru fotografii ale Royal Exchange-ului din Londra. Ce apare în aceste fotografii este nu numai edificiul unei instituții financiare în secolul al xIx-lea, dar și o limitație timpurie a tehnologiei fotografice în sine: inabilitatea acesteia de a îngloba și a reprezenta clar obiecte în mișcare. Începând de la această imagine a finanțelor și limitarea mediului fotografic, “In Place of Capital” se desfășoară în straniul interval dintre mișcările economice și reprezentarea pictorială după invenția fotografiei. O parte integrală a acestui loc este sistemul vizual de perspectivă monoculară. În acest film, sistemul este abordat în mod explicit în relație cu reprezentarea finanțelor în mass-media, printr-o explorare a tabloului realizat la sfârșitul secolului nouăsprezece, “The Bend on Herengracht” de pictorul olandez Gerrit Berckheyde precum și de apariția neașteptată a acestui tablou în paginile financiare ale ziarelor în primăvara lui 2009. (Zachary Formwalt) [448] Zachary Formwalt: In Place of Capital, 2009, color, sound, 24’ 30’’, Courtesy of the artist. [449]
Zachary Formwalt: In Place of Capital, 2009, color, sound, 24’ 30’’, Courtesy of the artist. [450] Zachary Formwalt: In Place of Capital, 2009, color, sound, 24’ 30’’, Courtesy of the artist. [451]
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PAVILION journal for politics and c
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COLUMN HANDLUNG. ON PRODUCING POSSI
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Handlung. On Producing Possibilitie
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ally occurred) can impossibly be re
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Handlung. Despre producţia posibil
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de ansamblu s-a intensificat iară
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“Better Dead than Communist!”.
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esis of a new political identity ca
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formed political party claiming con
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nizing hope.” In Octavian Paler
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goals were never fully attained”
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1999) References - “Alianţa Civi
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Universităţii, precum şi de repe
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mai proeminent purtător de cuvînt
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tece au creat o continuitate spirit
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lui Piaţa Universităţii, a fost
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Referinţe critice: - „Alianţa C
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meetings and the factory square mee
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din fabrică (obicei comunist de a
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materials; the simplification of th
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tion of life which destroys all of
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ile, iar evoluţia luptei proletari
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exces creativ. În al doilea rînd,
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gives the migrants long enough to m
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dwelling place for several families
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Notes: 1. NA. A previous version of
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periferie la alta, de la un adăpos
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spaţiile neocupate. În ciuda necu
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Exploring the Return of Repression
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Explorând întoarcerea represiunii
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Imaginary Radicalisms Notes on the
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to derive its historical intelligib
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hence art’s affirmative function
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ackward-looking conception of isms
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Radicalisme imaginare - însemnări
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modelul avangardist al istoriei art
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obiectul readymade. De fapt în ace
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erne asupra artei în sine, în cad
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Aesthetic realism, fictional docume
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far as Auerbach, in the first chapt
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the one presented by France Dimanch
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Realism estetic, documente ficţion
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ătălii (des étapes d’une lutte
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documentară), ci un instrument ce
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the self. Architecture thus not onl
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tage of a semicircular hall, by con
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the Assemblée fédérative des Ami
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etrageri şi tenacitate. Nu include
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şi a distanţărilor. Mai mult, or
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organizate în circul de la Palais-
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so many issues - bound all of us in
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Our notions of politics have been t
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lows always drifted sideways. For t
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as humans are through opinion polls
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This is exactly what happened when
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degree of realism that is injected
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De la Realpolitik la Dingpolitik sa
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va imagini înceţoşate ce “dove
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cu pasiune, adică ştiinţa, tehno
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întîi asupra politicienilor înş
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ar putea fi o problemă mult mai de
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sale experienţa trăită odată cu
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spectacol. Note: 1. Ron Suskind,
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we are better able to understand wh
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Democraţia agonistică şi politic
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nism agonistic: Hannah Arendt şi p
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including the politics embedded the
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oper and the rise of the signature
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money economy, and especially, the
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the building’s pulsating shell ha
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[278] cunoaştere, incluzînd şi p
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eligiozitate ascunsă, pe care arhi
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înlocuită de un set de reprezent
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[290] pînze de corabie umflate de
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sify, categorise, fix, and identify
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extent take over their politics. As
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deoarece conţine o rămăşiţă d
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parte încă dispersate şi teribil
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[310] the reality you are only reme
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Notes for a Declaration of the Righ
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EXTENT PARTICIPANTS AND VENUES OF B
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Magnus Bärtås Madame & Little Boy
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Kaucyila Brooke Tit for Twat: putem
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PAVILION

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