3. - Schlösser-Magazin
3. - Schlösser-Magazin
3. - Schlösser-Magazin
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<strong>3.</strong> Elector<br />
112<br />
<strong>3.</strong> Justification for Inscription<br />
Carl Theodor’s removal to Munich<br />
the garden lost its original function, but<br />
it was still completed as a monument; the<br />
Mosque and Temple of Mercury were built,<br />
and with the great inspection record of 1795,<br />
the “Protocollum Cmmissionale”, it was<br />
preserved as a “Palatinate monument”. The<br />
record contains guidelines for the further<br />
preservation and maintenance of the garden.<br />
Due to the desolate financial situation, and in<br />
hopes of better times, the main focus was on<br />
the conservation of the basic layout; some of<br />
the fine structure was simplified. Maintenance<br />
of the woody plants was to be reconciled<br />
with artistic demands. These guidelines were<br />
adhered to in the first half of the 19th-century,<br />
the time of Garden Director Johann Michael<br />
Zeyher, who declared that his creative ideas<br />
were modelled on those of his predecessor,<br />
Friedrich Ludwig von Sckell. He converted the<br />
site of the former menagerie (discontinued in<br />
1778) into a modern arboretum (continuing<br />
the tradition of the first arboretum created<br />
by von Sckell) and turned the great formal<br />
basin into a natural-looking pond; at the same<br />
time elements like the “Uncanny Grove” were<br />
added to the landscape garden. The greening<br />
of the former court of honour, now without<br />
a function, was another change in the taste<br />
of the time. However, the basic layout of the<br />
garden remained untouched. In his garden<br />
guidebook of 1829, Thomas Leger justly<br />
praised Zeyher as a careful and intelligent<br />
conservator of the greater whole. The<br />
cultivation of the garden in the 19th-century<br />
was done in full awareness of its historical<br />
significance, and today it has become a part of<br />
the garden monument in itself: it is preserved,<br />
maintained, renewed and exhibited, as shown<br />
by the publication of a guidebook specializing<br />
on the arboreta in particular.<br />
Numerous documents bear witness to<br />
the efforts to maintain the garden. “If we<br />
but look closely, we will see the laudable<br />
endeavour to preserve this creation of an<br />
earlier century, so rare in Germany, as best<br />
the disposable means allow”, states a report<br />
drawn up in 1882 by the Grand Duchy’s<br />
gardens department. Numerous documents<br />
from the second half of the 19th-century refer<br />
to maintenance and renewal measures. The<br />
successful rejuvenating of the avenues by<br />
Garden Inspector Johan Wagner in particular<br />
was widely acclaimed. This tradition of both<br />
preserving and renewing the basic structure<br />
was the first priority of Court Gardener Unselt<br />
too. Overall there was a unique and “truly<br />
exemplary continuity in the conservation and<br />
preservation of a magnificent garden creation”<br />
(von Krosigk, 2006). At the beginning of<br />
the 20th-century experts were in agreement<br />
that the great whole had been successfully<br />
preserved and even enlarged upon (Schoch,<br />
1900).<br />
The positive response to Schwetzingen at<br />
the beginning of the 20th-century was not<br />
limited to the Baroque parts, quite contrary to<br />
the fashion of the day. If anything, it was this<br />
garden that brought the significance of the<br />
picturesque style back into the awareness of<br />
the art-loving public. Maintenance measures<br />
following the reports by Hallbaum (1928)<br />
and Heicke (1937) were based on gardening<br />
experiences from the 19th-century and<br />
remained comparatively modest in scope.<br />
Neither in the 1930s nor the 1950s were<br />
there large-scale alterations. Interest in the<br />
garden was mainly scientific and historical in<br />
those decades; in the name of the “Deutsche<br />
Gesellschaft für Gartenkunst” (Germany<br />
Society for Garden Art) Heicke suggested a<br />
grand national renewal scheme, pointing out<br />
the examples of Herrenhausen and Brühl, but<br />
the appeal never went further.<br />
It is important to note that the garden was<br />
always maintained and rejuvenated in its<br />
historicality, not restored to its late Baroque<br />
appearance. If the focus, from the point of<br />
view of monument protection, is on the late<br />
18th-century, this concerns the basic structure<br />
only. Later stages and additions such as the<br />
arboretum, inspired by an interest in botanics<br />
very characteristic of its time, are equally<br />
accepted and considered equally worthy of<br />
preservation; this goes for simplifications<br />
carried out at certain points in history too.