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3. - Schlösser-Magazin

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“Arboretum” is at the very beginning of a fullscale<br />

fashion for arboreta that was to spread<br />

throughout Europe in the following decades.<br />

- The “Court theatre”, built as an annexe of the<br />

northern quarter-circle pavilion, is the world’s<br />

earliest surviving balcony theatre and the<br />

ideal type of an acoustic space. It was one of<br />

the first, and today is the last surviving, court<br />

theatre built according to the demands raised<br />

by progressive architectural theoreticians of<br />

the time.<br />

- The bathhouse is one of the last remaining<br />

Baroque bathing facilities, and can still be<br />

experienced in its own sophisticated, carefully<br />

orchestrated microcosm. “The shape of the<br />

building, too, is unique: a complex, historicalcritical<br />

variation of Palladian villa architecture.<br />

(...) Pigage’s avant-garde attitude towards<br />

architecture shows in the details: with the<br />

semicircular entrance conch partitioned off<br />

with a pair of columns in place of the usual<br />

temple portico, Pigage was the first to use a<br />

motif found in Classical thermae architecture<br />

for the exterior of a building, a solution that<br />

was to become a leitmotif of early Classicism”<br />

(Hesse, 2006). With its well-documented<br />

furnishing and its dimensions the bathhouse<br />

represents a turning point in the culture of<br />

the summer residence. Its explicit, exclusively<br />

private use in a very modern sense is an<br />

entirely new feature of courtly garden use.<br />

- The design for the Schwetzingen “Mosque”<br />

uses inspirations taken from its predecessor<br />

at Kew Gardens and from the work of Fischer<br />

von Erlach to create a new and independent<br />

synthesis. The Schwetzingen structure far<br />

surpasses all garden mosques of its time in<br />

its monumental dimensions, lavish décor<br />

and high-minded programme. It represents<br />

a serious attempt at understanding other<br />

religions and philosophies and finding<br />

common intellectual ground in a spirit of<br />

Enlightenment-era tolerance. The Mosque’s<br />

cultural and historical significance is not<br />

merely in the fact that it is the largest garden<br />

mosque ever built but in that it is today the<br />

last surviving 18th-century specimen of<br />

its type of architectural feature in European<br />

<strong>3.</strong> Justification for Inscription<br />

landscape gardens. It is hardly surprising<br />

that Jean-Charles Krafft wrote about the<br />

Schwetzingen Mosque: „The magnificence of<br />

this monument is such that Europe cannot<br />

offer the like”.<br />

<strong>3.</strong> The summer residence of Schwetzingen<br />

is completely preserved both typologically<br />

(i.e. with regard to its function) and<br />

topographically – a phenomenon unique in all<br />

of Europe.<br />

The ruler’s privilege of spending the<br />

summers in an ancillary residence fitted out<br />

specifically for the purpose reached its heyday<br />

in 18th-century German-speaking Europe,<br />

and took on a characteristic, ceremonially<br />

underpinned appearance too. During the<br />

reign of Elector Carl Theodor, a period lasting<br />

several decades, the entire electoral household<br />

would move from the main residence in<br />

the city of Mannheim every year to spend<br />

several months in the rural setting of the<br />

summer residence at Schwetzingen. At<br />

Mannheim courtly life was characterized by<br />

pomp and ceremony; Schwetzingen offered<br />

an opportunity for enjoyment and relaxation.<br />

This period in Schwetzingen’s history, during<br />

which it took on the role of summer capital<br />

of the Electoral Palatinate, has determined its<br />

layout up to the present day. The property<br />

consists of a town aligned with the palace and<br />

formally subordinate to it, the palace, large in<br />

relation to the town and itself comparatively<br />

plain in style, and the gardens – vast by<br />

comparison and easily holding their own<br />

with their numerous buildings and features.<br />

The particular “summer residence” character<br />

of court life at Schwetzingen is also evident<br />

in the number of venues for theatrical and<br />

musical performance within the property.<br />

The concentration of features of cultural and<br />

historical interest left by an era lasting almost<br />

fifty years provides an unparalleled view into<br />

the second half of the 18th-century. In the<br />

town numerous buildings necessary for the<br />

day-to-day working of the summer residence<br />

have survived, among them the electoral<br />

stables, the disabled soldiers’ barracks, the<br />

<strong>3.</strong><br />

37

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