3. - Schlösser-Magazin
3. - Schlösser-Magazin
3. - Schlösser-Magazin
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“Arboretum” is at the very beginning of a fullscale<br />
fashion for arboreta that was to spread<br />
throughout Europe in the following decades.<br />
- The “Court theatre”, built as an annexe of the<br />
northern quarter-circle pavilion, is the world’s<br />
earliest surviving balcony theatre and the<br />
ideal type of an acoustic space. It was one of<br />
the first, and today is the last surviving, court<br />
theatre built according to the demands raised<br />
by progressive architectural theoreticians of<br />
the time.<br />
- The bathhouse is one of the last remaining<br />
Baroque bathing facilities, and can still be<br />
experienced in its own sophisticated, carefully<br />
orchestrated microcosm. “The shape of the<br />
building, too, is unique: a complex, historicalcritical<br />
variation of Palladian villa architecture.<br />
(...) Pigage’s avant-garde attitude towards<br />
architecture shows in the details: with the<br />
semicircular entrance conch partitioned off<br />
with a pair of columns in place of the usual<br />
temple portico, Pigage was the first to use a<br />
motif found in Classical thermae architecture<br />
for the exterior of a building, a solution that<br />
was to become a leitmotif of early Classicism”<br />
(Hesse, 2006). With its well-documented<br />
furnishing and its dimensions the bathhouse<br />
represents a turning point in the culture of<br />
the summer residence. Its explicit, exclusively<br />
private use in a very modern sense is an<br />
entirely new feature of courtly garden use.<br />
- The design for the Schwetzingen “Mosque”<br />
uses inspirations taken from its predecessor<br />
at Kew Gardens and from the work of Fischer<br />
von Erlach to create a new and independent<br />
synthesis. The Schwetzingen structure far<br />
surpasses all garden mosques of its time in<br />
its monumental dimensions, lavish décor<br />
and high-minded programme. It represents<br />
a serious attempt at understanding other<br />
religions and philosophies and finding<br />
common intellectual ground in a spirit of<br />
Enlightenment-era tolerance. The Mosque’s<br />
cultural and historical significance is not<br />
merely in the fact that it is the largest garden<br />
mosque ever built but in that it is today the<br />
last surviving 18th-century specimen of<br />
its type of architectural feature in European<br />
<strong>3.</strong> Justification for Inscription<br />
landscape gardens. It is hardly surprising<br />
that Jean-Charles Krafft wrote about the<br />
Schwetzingen Mosque: „The magnificence of<br />
this monument is such that Europe cannot<br />
offer the like”.<br />
<strong>3.</strong> The summer residence of Schwetzingen<br />
is completely preserved both typologically<br />
(i.e. with regard to its function) and<br />
topographically – a phenomenon unique in all<br />
of Europe.<br />
The ruler’s privilege of spending the<br />
summers in an ancillary residence fitted out<br />
specifically for the purpose reached its heyday<br />
in 18th-century German-speaking Europe,<br />
and took on a characteristic, ceremonially<br />
underpinned appearance too. During the<br />
reign of Elector Carl Theodor, a period lasting<br />
several decades, the entire electoral household<br />
would move from the main residence in<br />
the city of Mannheim every year to spend<br />
several months in the rural setting of the<br />
summer residence at Schwetzingen. At<br />
Mannheim courtly life was characterized by<br />
pomp and ceremony; Schwetzingen offered<br />
an opportunity for enjoyment and relaxation.<br />
This period in Schwetzingen’s history, during<br />
which it took on the role of summer capital<br />
of the Electoral Palatinate, has determined its<br />
layout up to the present day. The property<br />
consists of a town aligned with the palace and<br />
formally subordinate to it, the palace, large in<br />
relation to the town and itself comparatively<br />
plain in style, and the gardens – vast by<br />
comparison and easily holding their own<br />
with their numerous buildings and features.<br />
The particular “summer residence” character<br />
of court life at Schwetzingen is also evident<br />
in the number of venues for theatrical and<br />
musical performance within the property.<br />
The concentration of features of cultural and<br />
historical interest left by an era lasting almost<br />
fifty years provides an unparalleled view into<br />
the second half of the 18th-century. In the<br />
town numerous buildings necessary for the<br />
day-to-day working of the summer residence<br />
have survived, among them the electoral<br />
stables, the disabled soldiers’ barracks, the<br />
<strong>3.</strong><br />
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