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3. - Schlösser-Magazin

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Thus the numerous small 18th-century trellis<br />

structures were not reconstructed, not even<br />

within the parterre. The clumps of lilac<br />

there date from c.1900, the grassed court<br />

of honour from the first half of the 19thcentury,<br />

the orangery square in its current<br />

shape and furnishing from the second half<br />

of the 19th-century. Larger-scale measures<br />

like the restoration of the parterre beds and<br />

the avenue trees 1 have been conducted with<br />

proper scientific care. The latter undertaking<br />

in particular was highly appreciated by<br />

experts of the time for its close approximation<br />

of Baroque planting schemes, something that<br />

had not been accomplished before.<br />

The ”International Symposium on the<br />

conservation of historic gardens“ organised<br />

in Schwetzingen in 1975 as part of the<br />

“European Monument Year”, with the<br />

assistance of the German National Committee<br />

of ICOMOS, was a tribute and proof of<br />

national and international appreciation of the<br />

high preservation and maintenance standards.<br />

Schwetzingen does not owe its high level<br />

of authenticity as an 18th-century summer<br />

residence to the outstanding number and<br />

quality of its original features only. The<br />

systematic protection of buildings and<br />

furnishings against the elements, the expert<br />

maintenance of the garden areas and the<br />

use of original materials and techniques for<br />

necessary repairs ensure the entire estate’s<br />

authenticity in accordance with the “Venice<br />

Charter” (Articles 4-14), and that of the<br />

1 The overhaul of the central parterre was limited to the beds<br />

and broderies. Historical simplifications in the vicinity, such as<br />

the dismantling of the latticework features, were accepted as<br />

given. When weighing the pros and cons the fact was relevant<br />

that by contrast to gardens like that of Nymphenburg there had<br />

been no conceptual reorientation at Schwetzingen – merely<br />

an extensification due to limited funds. In the course of the<br />

19th-century the scheme of border planting was taken up again<br />

several times, and redefined in the taste of the time. In the<br />

then-modern context of the “garden monument” discussion the<br />

original planting schemes were reintroduced as the circular<br />

parterre’s basic design pinciple. The renewal of missing lime<br />

trees (the trees were pruned regularly in the 18th and 19thcenturies)<br />

was also legitimized by the “rejuvenating” tradition<br />

inherent in the estate itself. This was put into practice after<br />

phases of relative neglect, in response to some requirement or<br />

concern and in the shape of major activities, usually involving<br />

the successful road-testing of new gardening practices. An<br />

ongoing rejuvenation of the avenue trees was not practiced<br />

at Schwetzingen, again in contrast to Nymphenburg. What<br />

ultimately caused the replanting was the fact that the aging<br />

trees made the area unsafe for passersby.<br />

<strong>3.</strong> Justification for Inscription<br />

gardens in accordance with the “Florence<br />

Charter” (Articles 10-22). These efforts<br />

to maintain that degree of authenticity<br />

are documented in detail by the park<br />

management plan, building management plan<br />

and the relevant Articles (Gestaltungssatzung)<br />

issued by the town of Schwetzingen. Five<br />

examples should serve to illustrate this:<br />

1. Protection of original features:<br />

In accordance with Article 13 of the “Florence<br />

Charter”, most of the sculptures installed<br />

in the palace gardens were replaced with<br />

copies in the second half of the 20th-century.<br />

Fountain statuary was re-cast in lead, marble<br />

statues copied in marble, sandstone sculptures<br />

reproduced in cast stone. The full set of<br />

originals has remained at Schwetzingen;<br />

an exhibition space has been created in the<br />

orangery where the sculptures are protected<br />

from the weather and may be viewed at<br />

leisure.<br />

2. Use of original materials and traditional<br />

techniques:<br />

In the case of building measures the main<br />

objective is a maximal preservation of original<br />

features, and the use of well-documented<br />

traditional materials in accordance with<br />

Article 9 of the “Venice Charter”. During<br />

the restoration of the orangery (1993-1999)<br />

the original 18th-century windows, doors<br />

and gates were merely repaired, and all<br />

plastered walls preserved in their original<br />

state. As in the 18th-century the rooms, still<br />

used as an orangery in winter, feature a<br />

high-maintenance clay floor and the original<br />

cast-iron heating stove that together with the<br />

plant tubs present an authentic image of the<br />

building and its function during the winter<br />

months.<br />

<strong>3.</strong> Expert garden maintenance:<br />

In the gardens, too, the degree of authenticity<br />

is remarkable. The fact is proved by the<br />

park management plan, which documents<br />

all stages of every area of the garden from<br />

the 18th-century to the present. This is due,<br />

<strong>3.</strong><br />

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