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3. - Schlösser-Magazin

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On 29 August 1749, the Prince Elector issued<br />

a decree whereby all public offices were<br />

required to report on any “antiquities and other<br />

monuments” found in the Rhine regions and to<br />

send these to “his Highness the Prince Elector<br />

in person”. In doing that, the Prince Elector<br />

was acting in accordance with a development<br />

amongst the families of princely rulers<br />

throughout Europe in collecting archaeological<br />

finds made on their lands and presenting them<br />

as monuments of their own heroic past. 25 It was<br />

only about this time that rulers began to include<br />

local finds in their own representative gardens<br />

(such as Ledreborg and Jägerspreis in Denmark<br />

and Stourhead in Great Britain), and Prince<br />

Elector Carl Theodor was thus at the forefront<br />

of contemporary garden-art development in this<br />

respect in Germany. 26<br />

During levelling work on the land in the region<br />

of the southern bosquet, a burial ground was<br />

discovered in 1765, including weapons and other<br />

finds, and was subsequently excavated in the<br />

presence of the Prince Elector himself. 27 In 1777,<br />

the theologian and historian, Casimir Haeffelin<br />

(1737-1827), who had studied under the Jesuits,<br />

explained the excavations as the necropolis<br />

belonging to a Roman settlement, whereas the<br />

Prince Elector’s assumption was that it had to be<br />

the site of a battle fought by the ancient Romans,<br />

with the mortal remains of the victors and the<br />

vanquished lying side-by-side. Carl Theodor had<br />

the archaeological finds incorporated in situ into<br />

the gardens and had them designed to act as<br />

prominent starting points for the large southern<br />

bosquet. In 1768 and 1771, Peter Anton von<br />

Verschaffelt created two classical monuments<br />

25 Cf. Claudia Braun: Kurfürst Carl Theodor als Denkmalpfleger.<br />

In: Lebenslust und Frömmigkeit, vol. 1, pp. 347-352, here p. 347<br />

26 Cf. Annette Dorgerloh, Michael Niedermeier: Helden, Hirten<br />

und gefälschte Götter – Anciennitätskonzepte in herrschaftlichen<br />

Gärten des 18. und 19. Jahrhunderts; Idem: Wodan und<br />

Svantevit oder von Lethra bis Rethra. Germanische und slawische<br />

Vorzeit in herrschaftlich-patriotischen Gartenprogrammen<br />

Dänemarks, Mecklenburgs, Brandenburgs und Polens. In: Vom<br />

höfischen Garten zum öffentlichen Grün. Gartenkunstgeschichte<br />

und Gartendenkmalpflege in Deutschland und Polen. Edited<br />

by Gabriele Horn (forthcoming); Michael Niedermeier: Anthyrius<br />

– Odin – Radegast. Die gefälschten mecklenburgischen<br />

Bodendenkmäler und inszenierte Herrscherabstammungen im<br />

“englischen” Garten. In: Vorwelten und Vorzeiten. Archäologie<br />

als Spiegel historischen Bewusstseins in der Frühen Neuzeit.<br />

Edited byDietrich Hakelberg, Ingo Wiwjorra. (Herzog-August-<br />

Bibliothek Wolfenbüttel) 2009 (in press).<br />

27 Peter Fuchs: Palatinatus illustratus – Die Historische Forschung<br />

an der kurpfälzischen Akademie der Wissenschaften.<br />

Mannheim 1963, p. 156<br />

VI. Interpretation of the Palace Gardens as a whole: Dr. Michael Niedermeier<br />

with Latin inscriptions. Opposite the “memorial<br />

to the gardens” praising the Prince Elector’s<br />

peaceful activity in creating the gardens as a<br />

monument and tribute to Nature, the great<br />

mother of all things (“Magna rerum mater<br />

Natura”), there stands the “warriors’ monument”<br />

recalling the archaeological finds: “Martis et<br />

Mortis|Romanor. ac Teutonum (…).” (“The field<br />

of battle and the death of the Romans and<br />

Germans were discovered through the weapons,<br />

urns, bones and instruments found in 1765.”)<br />

The rear of the warriors’ monument bears the<br />

inscription in which the Prince Elector portrays<br />

himself as a prince of peace and protector of<br />

monuments: “Pacis Artibus|Vitae Suae deliciis<br />

(…)” (“In honour of the arts of peace, the joy<br />

of his life, Carl Theodor re-consecrated this<br />

land, which had been lowered by seven feet,<br />

and had this monument erected in 1768”. 28<br />

Present-day knowledge interprets the finds<br />

as Neckar-Suebian cremation graves from the<br />

first-century ad, and they are now part of the<br />

“Hofantiquarium” collection in Mannheim. A<br />

further burial ground was uncovered in April<br />

1777 during excavation work near to what is<br />

known today as the ruin of a Roman aqueduct.<br />

Haeffelin published details of it that same year<br />

in his work on “discoveries of a number of<br />

antiquities in the Prince Elector’s pleasance in<br />

Schwetzingen”. It was known early on that the<br />

whole of the estate occupied by the gardens and<br />

the land beyond it was rich in archaeological<br />

artefacts. In the introduction to the 1820 guide<br />

to the gardens, the subject is presented in<br />

detail (occupying 20% of the total volume) as<br />

a patriotic characteristic of the landscape. It<br />

must be considered as certain that the authors<br />

of that guide to the gardens had recourse to<br />

older traditions, which claim that Schwetzingen<br />

Gardens are located in “Hadrian’s valley”, which<br />

formed the boundary of the [Roman] Empire”. 29<br />

It seems more than likely that Carl Theodor<br />

must have had the idea of a Roman or<br />

Renaissance villa (“Villa Adriana” or “Villa<br />

d’Este”) in mind for his summer seat, as he<br />

would have seen them during his journeys to<br />

28 Zeyher [c. 1820], p. 105f<br />

29 Op. cit., pp. 1-39, here p. 34<br />

VI.<br />

239

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