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3. - Schlösser-Magazin

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III.<br />

194<br />

III. Report on the Excellence of Garden<br />

Conservation in Schwetzingen<br />

The Global Significance of the Electoral<br />

Residence at Schwetzingen<br />

Report on the Gardens<br />

The absolutely unique heritage significance<br />

of Schwetzingen gardens rests largely on two<br />

factors: firstly, the archetypal and outstandingly<br />

conserved Baroque areas; and in addition, also<br />

from the eighteenth-century, from the period<br />

of the Enlightenment, the areas designed in<br />

the sentimental landscape style, all of which is<br />

incorporated into a grand residence which has<br />

a town bordering directly onto it.<br />

These features of garden, building and<br />

urban design come together to form an<br />

ideal embodiment of an eighteenth-century<br />

royal residence; and they are supplemented<br />

by a further, remarkable and increasingly<br />

appreciated, factor that establishes<br />

Schwetzingen‘s unique heritage status, namely<br />

the exemplary continuity of preservation and<br />

maintenance of the splendid gardens that<br />

has been practised there over the years. This<br />

awareness of the importance of conserving the<br />

gardens was in place at an incomparably early<br />

point of time; it was clear from the earliest<br />

days of the gardens that they constituted a<br />

work of art of the highest order, a monument<br />

which as early as 1768 prompted Voltaire,<br />

the renowned philosopher, to sigh, „I wish to<br />

enjoy one more comfort before I die -- I wish<br />

to see Schwetzingen again!“ It was felt as early<br />

as the end of the eighteenth-century that the<br />

undisturbed authenticity and the great variety<br />

of design of the gardens needed to be preserved<br />

for posterity as the legacy of an enlightened<br />

absolutism.<br />

While the significance of Schwetzingen palace<br />

gardens in terms of art history and garden<br />

design has been honoured in numerous and<br />

comprehensive treatises in recent years,<br />

attention has only recently come to be drawn<br />

to the quality of conservation work carried<br />

out, work based on scientific research into<br />

conservation issues as well as a wealth<br />

of experience. For this reason, I shall be<br />

focusing here primarily on the conservation<br />

aspects contributing to the uniqueness of<br />

Schwetzingen‘s status.<br />

The greatest respect is accorded these days<br />

to the value of authenticity when properties<br />

are considered for World Heritage status,<br />

a criterion which is of particular relevance<br />

in the case of properties with an increased<br />

risk of alteration such as gardens, parks<br />

and agricultural landscapes. It is here that<br />

Schwetzingen comes into its own. Alongside<br />

comprehensive preservation of gardens<br />

originating from two eras and associated with<br />

the best designers of the time -- the Baroque<br />

gardens by Johann Ludwig Petri (1714-1794)<br />

and Nicolas de Pigage (1723-1796), and the<br />

landscape gardens by Johann Wilhelm Sckell<br />

(1721-1792) and his son, Friedrich Ludwig<br />

Sckell (1759-1823) -- the quality of preservation<br />

found at Schwetzingen derives from the<br />

conservation strategies employed at the end<br />

of the eighteenth-century, an extraordinarily<br />

early point in the history of European garden<br />

conservation. The core concern even then was<br />

not only to preserve the gardens themselves<br />

in situ together with the administrative and<br />

planning arrangements that went along with<br />

them, as set in place by Prince Elector Carl<br />

Theodor of the Palatinate (1724-1799), whose<br />

reign saw the Palatinate, and Schwetzingen<br />

with it, develop into one of the most advanced<br />

and modern residences of the eighteenthcentury;<br />

but also to develop the heritage<br />

inherent in Schwetzingen further while largely<br />

adhering to the original design of the property.<br />

We have now come to accept, at least since<br />

the Charter on Historic Gardens passed by<br />

the International Council of ICOMOS-IFLA<br />

in Florence in 1981, our responsibility to<br />

authenticity in maintaining and developing<br />

our garden heritage, thus putting an end to the<br />

the era of „creative garden conservation“ with<br />

its attendant absurdities such as the „Blooming<br />

Baroque“ in Ludwigsburg. Schwetzingen<br />

is a forerunner in this respect, having<br />

demonstrated what can only be described as<br />

exemplary commitment to authenticity from<br />

an extraordinarily early date, namely the latter<br />

stages of the eighteenth-century.

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