3. - Schlösser-Magazin
3. - Schlösser-Magazin
3. - Schlösser-Magazin
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III.<br />
194<br />
III. Report on the Excellence of Garden<br />
Conservation in Schwetzingen<br />
The Global Significance of the Electoral<br />
Residence at Schwetzingen<br />
Report on the Gardens<br />
The absolutely unique heritage significance<br />
of Schwetzingen gardens rests largely on two<br />
factors: firstly, the archetypal and outstandingly<br />
conserved Baroque areas; and in addition, also<br />
from the eighteenth-century, from the period<br />
of the Enlightenment, the areas designed in<br />
the sentimental landscape style, all of which is<br />
incorporated into a grand residence which has<br />
a town bordering directly onto it.<br />
These features of garden, building and<br />
urban design come together to form an<br />
ideal embodiment of an eighteenth-century<br />
royal residence; and they are supplemented<br />
by a further, remarkable and increasingly<br />
appreciated, factor that establishes<br />
Schwetzingen‘s unique heritage status, namely<br />
the exemplary continuity of preservation and<br />
maintenance of the splendid gardens that<br />
has been practised there over the years. This<br />
awareness of the importance of conserving the<br />
gardens was in place at an incomparably early<br />
point of time; it was clear from the earliest<br />
days of the gardens that they constituted a<br />
work of art of the highest order, a monument<br />
which as early as 1768 prompted Voltaire,<br />
the renowned philosopher, to sigh, „I wish to<br />
enjoy one more comfort before I die -- I wish<br />
to see Schwetzingen again!“ It was felt as early<br />
as the end of the eighteenth-century that the<br />
undisturbed authenticity and the great variety<br />
of design of the gardens needed to be preserved<br />
for posterity as the legacy of an enlightened<br />
absolutism.<br />
While the significance of Schwetzingen palace<br />
gardens in terms of art history and garden<br />
design has been honoured in numerous and<br />
comprehensive treatises in recent years,<br />
attention has only recently come to be drawn<br />
to the quality of conservation work carried<br />
out, work based on scientific research into<br />
conservation issues as well as a wealth<br />
of experience. For this reason, I shall be<br />
focusing here primarily on the conservation<br />
aspects contributing to the uniqueness of<br />
Schwetzingen‘s status.<br />
The greatest respect is accorded these days<br />
to the value of authenticity when properties<br />
are considered for World Heritage status,<br />
a criterion which is of particular relevance<br />
in the case of properties with an increased<br />
risk of alteration such as gardens, parks<br />
and agricultural landscapes. It is here that<br />
Schwetzingen comes into its own. Alongside<br />
comprehensive preservation of gardens<br />
originating from two eras and associated with<br />
the best designers of the time -- the Baroque<br />
gardens by Johann Ludwig Petri (1714-1794)<br />
and Nicolas de Pigage (1723-1796), and the<br />
landscape gardens by Johann Wilhelm Sckell<br />
(1721-1792) and his son, Friedrich Ludwig<br />
Sckell (1759-1823) -- the quality of preservation<br />
found at Schwetzingen derives from the<br />
conservation strategies employed at the end<br />
of the eighteenth-century, an extraordinarily<br />
early point in the history of European garden<br />
conservation. The core concern even then was<br />
not only to preserve the gardens themselves<br />
in situ together with the administrative and<br />
planning arrangements that went along with<br />
them, as set in place by Prince Elector Carl<br />
Theodor of the Palatinate (1724-1799), whose<br />
reign saw the Palatinate, and Schwetzingen<br />
with it, develop into one of the most advanced<br />
and modern residences of the eighteenthcentury;<br />
but also to develop the heritage<br />
inherent in Schwetzingen further while largely<br />
adhering to the original design of the property.<br />
We have now come to accept, at least since<br />
the Charter on Historic Gardens passed by<br />
the International Council of ICOMOS-IFLA<br />
in Florence in 1981, our responsibility to<br />
authenticity in maintaining and developing<br />
our garden heritage, thus putting an end to the<br />
the era of „creative garden conservation“ with<br />
its attendant absurdities such as the „Blooming<br />
Baroque“ in Ludwigsburg. Schwetzingen<br />
is a forerunner in this respect, having<br />
demonstrated what can only be described as<br />
exemplary commitment to authenticity from<br />
an extraordinarily early date, namely the latter<br />
stages of the eighteenth-century.